THE ART OF THE STEAL at STF

image Last Tuesday, THE ART OF THE STEAL screened as a sneak preview at STF with the filmmakers in person. Inclement weather didn’t deter viewers from filling the theater, following the film’s critical acclaim at the Toronto and New York film festivals last fall.

Director Don Argott was joined on stage by producer Sheena Joyce and executive producer Lenny Feinberg (pictured) to discuss their muck-raking investigation into the fate of Albert Barnes’ art collection, valued in the billions. The film is the subject of a Sunday New York Times article and won attention for its poster on the Auteurs site.

This film will begin its official run at the IFC Center starting on Friday.

(Photos courtesy of Joshua Z Weinstein)




THE COVE and STARTUP.COM come to STF

image Last week, STF audiences enjoyed great docs from both ends of the decade. On Monday, director Louie Psihoyos and producer Fisher Stevens (pictured here) presented their Oscar-nominee THE COVE that plays like a thriller. The pair received a rare standing ovation from the sold out audience. During the Q&A, they announced that they had just fulfilled a long held ambition to have the film distributed theatrically in Japan where it takes place. The New York Times Carpetbagger has a report on the Japan deal and Film Panel Notetaker offers a report on the Q&A. Afterwards, the crowd moved to The Dove lounge on Thompson Street (a one night departure from our usual hangout at the Alibi Lounge) to keep the conversation going.

On Tuesday, the STF screening of STARTUP.COM took us back to the start of the decade when New York City was undergoing the boom and bust of the dotcom economy. In her Q&A, co-director Chris Hegedus recalled how she had researched several Internet companies - including Prodigy featured in the recent film WE LIVE IN PUBLIC – before joining forces with collaborator Jehane Noujaim to focus on GovWorks.com.

See below for photos from both nights:




Spike Jonze comes to IFC Center

image STF fans, we want to alert you to a very special documentary presentation at the IFC Center. On Wed. Feb 24 at 8pm, there will be a screening of TELL THEM ANYTHING YOU WANT: A PORTRAIT OF MAURICE SENDAK (2009), followed by a Q&A w/ directors Lance Bangs & Spike Jonze.  Tickets are available here:.

In conjunction with the filming of WHERE THE WILD THINGS ARE, director Spike Jonze teamed up with Lance Bangs to document an intimate portrait of the author behind the original book.  TELL THEM ANYTHING YOU WANT is a deeply moving tribute to Maurice Sendak, whose conflict with success and lifelong obsession with death have subtly influenced his work. Now 81, Sendak is best known for WILD THINGS, which he created twelve years into his career as a writer and illustrator. WILD THINGS would go on to become one of the most beloved and critically lauded children’s books of all time and, much to Sendak’s chagrin, would come to define his career. Through his own words, personal photos, and illustrations, Sendak offers a rare, intimate, and unexpected look at his exceptional life.

Following the 40-minute film, Jonze and Bangs will join me for an extended conversation about the making of this work.

Please note, the STF season pass does NOT apply to this event; a separate ticket is required.


Ross McElwee & Grace Coddington take the STF stage

image Last week, STF sold out two nights in a row for unforgettable films and conversations. On Tuesday was A NIGHT WITH ROSS MCELWEE, featuring the acclaimed director of SHERMAN’S MARCH presenting two early short works CHARLEEN (1977) and BACKYARD (1984) that are rarely screened. McElwee described how both films were shot around the same time while he was still a graduate student at MIT, where the faculty included Ricky Leacock and Ed Pincus. In CHARLEEN, McElwee introduces the title character who would later appear in SHERMAN’S MARCH, TIME INDEFINITE and SIX O’CLOCK NEWS, exhibiting a knack for making poetry out of everyday life. In CHARLEEN, McElwee takes a traditional observational approach without his voice over commentary that became characteristic of his work. His transition to that style came in BACKYARD where he looks at his southern family and their longtime house workers, introducing his own voice as a guide. The Film Panel Notetaker blog has a full report of McElwee’s conversation here. STF host Thom Powers began the night with a tribute to the film editor Karen Schmeer who was killed in a car accident on the previous Friday.  (Photos courtesy of Joshua Weinstein)

image On Wednesday, STF hosted a special screening of THE SEPTEMBER ISSUE, followed by a conversation with director R.J. Cutler and Vogue creative director Grace Coddington. The audience was arguably the most fashionable looking STF audience ever. Coddington described her initial reluctance to get involved with the film. In order to woo her, Cutler gave her copies of A PERFECT CANDIDATE (that he directed) and MY ARCHITECT (shot by his DP Bob Richman). “I never did watch those,” said Coddington. See coverage on New York Magazine’s blog(Photos courtesy of EJ)




“BIGGEST CHINESE RESTAURANT” IS BIG HIT AT STF

imageTHE BIGGEST CHINESE RESTAURANT IN THE WORLD played to a sold out audience on January 26. The film’s editor Jean Tsien regaled the audience in her Q&A, discussing how she first worked with Chinese director Weijun Chen on the film PLEASE VOTE FOR ME without ever having met him. The tapes from the film were shipped from China to her base in New York. Working without any input, Tsien constructed the film from raw tapes. The same working method was used for BIGGEST CHINESE RESTAURANT IN THE WORLD. In addition to the feature length version, Tsien also cut the material as a series for Sundance Channel and BBC.

Tsien recalled her own family experience running a Chinese restaurant in the Bronx and her monotonous labor as a teenager peeling cold shrimp. Another chore was to shove take-out menus under apartment doors in the neighborhood. The audience included past collaborators including Barbara Kopple, director of SHUT UP & SING and THE HAMPTONS; and Danny Anker, director of SCOTTSBORO: AN AMERICAN TRAGEDY and MUSIC FROM THE INSIDE OUT. All four of those titles were edited by Tsien.

(Above photo courtesy of EJ; below photos courtesy of Jean Tsien)




Page 2 of 30 pages  <  1 2 3 4 >  Last »


Upcoming Screenings

Mar 16: DAVID HOLZMAN’S DIARY

image from DAVID HOLZMAN’S DIARY by Jim McBride
This landmark work blending fiction and reality made a deep impression on the 1970s generation of filmmakers. STF is pleased to show this rare big screen appearance, accompanied by a Q&A with the ...
Get More info or Buy Tickets »

Apr 6: AND EVERYTHING IS GOING FINE

image from AND EVERYTHING IS GOING FINE by Steven Soderbergh
AND EVERYTHING IS GOING FINE provides an intimate portrait of master monologist Spalding Gray, as described by his most critical, irreverent and insightful biographer: Spalding Gray. Director Steven ...
Get More info or Buy Tickets »

Apr 13: HORSES

image from HORSES by Liz Mermin
An unusual, beautifully detailed documentary following a year in the lives of three charismatic Irish racehorses.  Ireland’s horse-racing culture has produced some of the finest athletes in the ...
Get More info or Buy Tickets »

Apr 14: FAMILY AFFAIR

image from FAMILY AFFAIR by Chico Colvard
Wednesday Night Special Description from Sundance catalogue: At 10 years old, Chico Colvard shot his older sister in the leg. This seemingly random act detonated a chain reaction that exposed ...
Get More info or Buy Tickets »

Apr 20: THE KIDS GROW UP

image from THE KIDS GROW UP by Doug Block
In his previous documentary, the internationally acclaimed 51 BIRCH STREET, Doug Block looked at his parents’ seemingly ordinary marriage and uncovered a universal story about an archetypal, ...
Get More info or Buy Tickets »

Apr 27: CLEANFLIX

image from CLEANFLIX by Andrew James and Joshua Ligairi
Description from Toronto International Film Festival catalogue: Mormons can be movie lovers too. The problem is that their religious leaders strongly discourage R-rated content. As one Mormon ...
Get More info or Buy Tickets »

May 4: PIN GODS

image from PIN GODS by Larry Locke
Inspired by the record breaking accomplishments of Walter Ray Williams, Jr., the reigning professional bowler of the year, three newcomers set out to chase their own dreams of pro bowling greatness. ...
Get More info or Buy Tickets »

May 11: LIFE 2.0

image from LIFE 2.0 by Jason Spingarn-Koff
Description from Sundance catalogue: Every day, across all corners of the globe, hundreds of thousands of users log onto Second Life, a virtual online world not entirely unlike our own. They enter ...
Get More info or Buy Tickets »

May 18: MY PERESTROIKA

image from MY PERESTROIKA by Robin Hessman
Description from Sundance catalogue: The Bolshevik revolution, the cold war, and the collapse of the Soviet Union defined the history of the twentieth century. With such a past, what does it mean ...
Get More info or Buy Tickets »

May 25: MAN WITH A MOVIE CAMERA

image from MAN WITH A MOVIE CAMERA by Dziga Vertov
Soviet director Dziga Vertov’s experimental film grew out of his belief, shared by his editor, Elizaveta Svilova (who was also his wife), and his cinematographer, Mikhail Kaufman (also his brother), ...
Get More info or Buy Tickets »

Jun 1: HAYNESVILLE

image from HAYNESVILLE by Gregory Kallenberg
HAYNESVILLE: A Nation’s Hunt for Energy takes place in the Louisiana backwoods, and follows the momentous discovery of the largest natural gas field in the United States (and maybe the world). The ...
Get More info or Buy Tickets »

Jun 8: CLOSING NIGHT FILM: TBA

image from CLOSING NIGHT FILM: TBA by
...
Get More info or Buy Tickets »