Ross McElwee & Grace Coddington take the STF stage

image Last week, STF sold out two nights in a row for unforgettable films and conversations. On Tuesday was A NIGHT WITH ROSS MCELWEE, featuring the acclaimed director of SHERMAN’S MARCH presenting two early short works CHARLEEN (1977) and BACKYARD (1984) that are rarely screened. McElwee described how both films were shot around the same time while he was still a graduate student at MIT, where the faculty included Ricky Leacock and Ed Pincus. In CHARLEEN, McElwee introduces the title character who would later appear in SHERMAN’S MARCH, TIME INDEFINITE and SIX O’CLOCK NEWS, exhibiting a knack for making poetry out of everyday life. In CHARLEEN, McElwee takes a traditional observational approach without his voice over commentary that became characteristic of his work. His transition to that style came in BACKYARD where he looks at his southern family and their longtime house workers, introducing his own voice as a guide. The Film Panel Notetaker blog has a full report of McElwee’s conversation here. STF host Thom Powers began the night with a tribute to the film editor Karen Schmeer who was killed in a car accident on the previous Friday.  (Photos courtesy of Joshua Weinstein)

image On Wednesday, STF hosted a special screening of THE SEPTEMBER ISSUE, followed by a conversation with director R.J. Cutler and Vogue creative director Grace Coddington. The audience was arguably the most fashionable looking STF audience ever. Coddington described her initial reluctance to get involved with the film. In order to woo her, Cutler gave her copies of A PERFECT CANDIDATE (that he directed) and MY ARCHITECT (shot by his DP Bob Richman). “I never did watch those,” said Coddington. See coverage on New York Magazine’s blog(Photos courtesy of EJ)

A NIGHT WITH ROSS McELWEE:

image Ross McElwee and Thom Powers during the Q&A.
imageFilmmaker Donal Mosher (OCTOBER COUNTRY) with a friend.
imageFilmmakers Hugo Perez and Francisco Bello.
imageFilmmaker David Redmon gets his Ross McElwee DVD autographed by the man himself.
imageFIlmmakers Nina Davenport (PARALLEL LINES, OPERATION FILMMAKER), Ross McElwee, Lucia Small (THE AXE IN THE ATTIC) and Joshua Seftel.
imageFilmmakers Doug Block (51 BIRCH STREET) and Michel Negroponte (I’M DANGEROUS WITH LOVE).

THE SEPTEMBER ISSUE:

image Thom Powers with Vogue creative director Grace Coddington.
image Director R.J. Cutler with Grace Coddington.
image from A NIGHT WITH ROSS McELWEE Related Film/Screening:
A NIGHT WITH ROSS McELWEE by Ross McElwee


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Upcoming Screenings

Sep 20: THE HOUSE OF STEINBRENNER

image from THE HOUSE OF STEINBRENNER by Barbara Kopple
STF pre-season MONDAY SPECIAL (Season passes now on sale at early bird rate through Thurs. Sept. 16; Individual tickets go on sale Fri. Sept. 17, subject to availability) Love them or hate them, ...
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Sep 28: MARWENCOL

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STF Fall Season Opening Night (Season passes now on sale at early bird rate through Thurs. Sept. 16; Individual tickets go on sale later in Sept.) STF kicks off its fall season with MARWENCOL, ...
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Oct 5: AMERICAN SPLENDOR

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(Season passes now on sale at early bird rate through Thurs. Sept. 16; Individual tickets go on sale later in Sept.) STF pays tribute to Harvey Pekar, who recently died, with this special screening ...
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Oct 12: ON COAL RIVER

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ON COAL RIVER takes viewers on a gripping emotional journey into the Coal River Valley of West Virginia, where longtime local residents begin to uncover the toxic effects of America’s increased ...
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Oct 19: THE CANAL STREET MADAM

image from THE CANAL STREET MADAM by Cameron Yates
Until an FBI bust upended her life, Jeanette Maier was a successful New Orleans madam. Her discreet clientele included a number of powerful, high-ranking politicians. The ensuing very public trial - ...
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Oct 26: TAKING ON THE KENNEDYS

image from TAKING ON THE KENNEDYS by Joshua Seftel
“A film that would be mistaken for a Robert Altman political satire if it weren’t absolutely and horribly true.” —USA TODAY When Kevin Vigilante took on Patrick Kennedy for a seat in the U.S. House ...
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Nov 2: WO AI NI MOMMY (I LOVE YOU MOMMY)

image from WO AI NI MOMMY (I LOVE YOU MOMMY) by Stephanie Wang-Breal
In presenting WO AI NI MOMMY with the Sterling Award for Best US Feature this past June, the jury at Silverdocs noted: “The film dives so deeply into its story that the filmmaker’s hands disappear. ...
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Nov 9: WAR DON DON

image from WAR DON DON by Rebecca Richman Cohen
Profiled in Filmmaker Magazine’s 25 New Faces in Independent Film as an “up-and-comer poised to shape the next generation of independent film”, Rebecca Richman Cohen won Special Jury at SXSW and the ...
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Nov 16: 12TH & DELAWARE

image from 12TH & DELAWARE by Heidi Ewing & Rachel Grady
Heidi Ewing and Rachel Grady, the filmmaking team behind the 2006 Oscar-nominated doc JESUS CAMP, take us on another controversial journey with 12TH & DELAWARE.  Description from Sundance 2010 ...
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Nov 23: MARLENE

image from MARLENE by Maximilian Schell
Director Maximilian Schell got the reclusive Marlene Dietrich to agree to appear in this documentary only on the stipulation that she not be photographed as she looked today. Instead, we only hear ...
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Nov 30: SURVIVING HITLER: A LOVE STORY

image from SURVIVING HITLER: A LOVE STORY by John-Keith Wasson
Winner of the Inspiration Award at the 2010 Full Frame Documentary Film Festival As a teenager in Nazi Germany, Jutta is shocked to discover she is Jewish. She joins the German resistance and meets ...
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