Ross McElwee & Grace Coddington take the STF stage
- by Raphaela Neihausen, February 07, 2010
Last week, STF sold out two nights in a row for unforgettable films and conversations. On Tuesday was A NIGHT WITH ROSS MCELWEE, featuring the acclaimed director of SHERMAN’S MARCH presenting two early short works CHARLEEN (1977) and BACKYARD (1984) that are rarely screened. McElwee described how both films were shot around the same time while he was still a graduate student at MIT, where the faculty included Ricky Leacock and Ed Pincus. In CHARLEEN, McElwee introduces the title character who would later appear in SHERMAN’S MARCH, TIME INDEFINITE and SIX O’CLOCK NEWS, exhibiting a knack for making poetry out of everyday life. In CHARLEEN, McElwee takes a traditional observational approach without his voice over commentary that became characteristic of his work. His transition to that style came in BACKYARD where he looks at his southern family and their longtime house workers, introducing his own voice as a guide. The Film Panel Notetaker blog has a full report of McElwee’s conversation here. STF host Thom Powers began the night with a tribute to the film editor Karen Schmeer who was killed in a car accident on the previous Friday. (Photos courtesy of Joshua Weinstein)
On Wednesday, STF hosted a special screening of THE SEPTEMBER ISSUE, followed by a conversation with director R.J. Cutler and Vogue creative director Grace Coddington. The audience was arguably the most fashionable looking STF audience ever. Coddington described her initial reluctance to get involved with the film. In order to woo her, Cutler gave her copies of A PERFECT CANDIDATE (that he directed) and MY ARCHITECT (shot by his DP Bob Richman). “I never did watch those,” said Coddington. See coverage on New York Magazine’s blog. (Photos courtesy of EJ)
A NIGHT WITH ROSS McELWEE:
Ross McElwee and Thom Powers during the Q&A.
Filmmaker Donal Mosher (OCTOBER COUNTRY) with a friend.
Filmmakers Hugo Perez and Francisco Bello.
Filmmaker David Redmon gets his Ross McElwee DVD autographed by the man himself.
FIlmmakers Nina Davenport (PARALLEL LINES, OPERATION FILMMAKER), Ross McElwee, Lucia Small (THE AXE IN THE ATTIC) and Joshua Seftel.THE SEPTEMBER ISSUE:
Thom Powers with Vogue creative director Grace Coddington.
Director R.J. Cutler with Grace Coddington.
Related Film/Screening: A NIGHT WITH ROSS McELWEE by Ross McElwee
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Feb 7: UNFINISHED SPACES
by Alysa Nahmias and Benjamin Murray“Cuba will count as having the most beautiful academy of arts in the world.” —Fidel Castro (1961) Cuba’s ambitious National Art Schools project, designed by three young artists in the wake of ...
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Feb 14: ZELIG
by Woody Allen”[Allen’s] new, remarkably self-assured comedy is to his career what… Berlin Alexanderplatz is to Rainer Werner Fassbinder’s and… Fanny and Alexander is to Ingmar Bergman’s ... Zelig is not only ...
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Feb 21: TOOTIE’S LAST SUIT
by Lisa Katzman“Tootie represented a kind of soulfulness in the community, and a certain type of style, and everybody loved him.” – Wynton Marsalis TOOTIE’S LAST SUIT explores the complex relationships, rituals, ...
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Feb 28: THE PROMISE: THE MAKING OF DARKNESS ON THE EDGE OF TOWN
by Thom ZimnyDescription from TIFF 2010 catalog by Thom Powers: The Promise: The Making of Darkness on the Edge of Town takes us into the studio with Bruce Springsteen & the E Street Band for the recording of ...
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Mar 6: SMASH HIS CAMERA
by Leon Gast“Famously and successfully sued by Jackie Onassis, and slugged just as famously and successfully by Marlon Brando, denounced from the pulpits of punditry for decades, Galella has been a man easy to ...
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Mar 13: THE MAN NOBODY KNEW: IN SEARCH OF MY FATHER, CIA SPYMASTER WILLIAM COLBY
by Carl ColbyA son’s riveting look at a father whose life seemed straight out of a spy thriller, THE MAN NOBODY KNEW: IN SEARCH OF MY FATHER, CIA SPYMASTER WILLIAM COLBY uncovers the secret world of a legendary ...
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Mar 20: GIRL MODEL
Description from TIFF 2011 catalog by Thom Powers: Girl Model shows a rarely seen side of the fashion industry. The film brings a novelist’s eye for emotional and psychological complexity to its ...
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