What went down in the documentary world this week? Here are 11 Tweets that caught our attention. We hope to make this a semi-regular feature on STF, so send your favorite doc Tweets to @thompowers
Congratulations, Cara Mertes, heading from Sundance to Ford!Seems like yesterday she was @ POV giving notes on roughcut of STREET FIGHT.
— Marshall Curry (@marshallcurry) May 30, 2013
This is thoughtful analysis/critique of @afidocs by @docsinprogress. Fest community needs more of this ow.ly/lwhNX
— David Wilson (@davidkinofist) May 30, 2013
Dream job? For past few weeks, @ebertdoc producer @zakpiper has been at WTTW archives watching every episode & outtakes of Siskel & Ebert.
— Kartemquin Films (@Kartemquin) May 30, 2013
HAPPY, HAPPY, HAPPY. My Bagdad time-lapse footage is beautiful.
— errolmorris (@errolmorris) May 30, 2013
Now and Then: Remarkable New Doc ‘La Camioneta,’ a Masterful Miniature (TRAILER) dlvr.it/3RWskf
— Anne Thompson (@akstanwyck) May 29, 2013
In Cannes, Nonfiction Still Rides Second-Class | Docutopia blog.sundancenow.com/weekly-columns…
— Anthony Kaufman (@antkaufman) May 29, 2013
Documentary filmmakers, I get it, old people can do things to. Sometimes they’re champs at it. Give me something more.
— Christopher Campbell (@thefilmcynic) May 29, 2013
Hard to believe but we’re gearing up again.Submissions start next wk. RT @cinemaeyehonors Year 7 is about to launch. Follow for details.
— AJ Schnack (@ajschnack) May 28, 2013
“How do you surrender to a drone?” bit.ly/12crDua — Dirty Wars (@DirtyWars) May 27, 2013
We just saw the excellent film Blackfish @mountainfilm, inspired by our 2011 feature on the deaths at SeaWorld bit.ly/mU8z00 — Outside Magazine (@outsidemagazine) May 26, 2013
“@variety: CANNES: “The Missing Picture” wins Un Certain Regard prize | on.variety.com/11hJg4a”a Well done to the Jury for selecting a doc!
— Ana Vicente (@anavdogwoof) May 26, 2013