THE AXE IN THE ATTIC

image from THE AXE IN THE ATTIC

Q&A with directors Lucia Small & Ed Pincus

Buy Tickets

SPECIAL: FIRST HUNDRED TICKET HOLDERS TO ARRIVE AT THE THEATER STARTING AT 7 PM WILL RECEIVE A BOXED DVD SET OF “THE KATRINA EXPERIENCE” - SEVEN FILMS INCLUDING “NEW ORLEANS MUSIC IN EXILE” AND MORE. COURTESY OF INDIEPIX.

Since its debut at the 2007 New York Film Festival, AXE IN THE ATTIC has been stirring audience debate for its heartfelt depictions of Hurricane Katrina evacuees and the questions it raises about the relationship between filmmakers and subjects.

Co-director Ed Pincus was a pioneer of documentary film, starting out in the 1960s with works like BLACK NATCHEZ. He made ground-breaking personal films such as DIARIES 1971-1976 and was an influential teacher in the 1970s, mentoring acclaimed directors such as Ross McElwee. Pincus’ book THE FILMMAKER’S HANDBOOK is considered the Bible of the field. AXE IN THE ATTIC marks his return after a long break from directing. We’re especially pleased to welcome him for a rare New York appearance, joining Lucia Small who won notoreity for her personal doc MY FATHER, THE GENIUS.

Here’s a description of AXE IN THE ATTIC from the film’s web site:

What does it mean to be exiled in your own country? Drawn together by outrage, documentary filmmakers Ed Pincus and Lucia Small embark on a sixty-day road trip from New England to Louisiana, and ultimately into the Katrina devastation zone to meet evacuees who have lost their homes. They make the uneasy choice of integrating themselves into the story, “because when you’re two white northerners heading South, remaining behind the camera just doesn’t feel like an option.”

When the film opens, it is six months since Katrina hit New Orleans and the levees breached causing the largest internal migration in American history. We first see the eerie beauty and horror of the shattered landscape, draped in heavy fog and emptied of its residents.

The story of an American Diaspora unfolds - the displaced struggling with loss of home, family, and culture. Emotions range from deep pain to surprising humor, as filmmakers and subjects tackle questions of race, class, and our government’s failure to protect its own.

Visit the film’s official website: www.theaxeintheattic.com

Director: Lucia Small & Ed Pincus
Running time: 110 minutes
Release date: 2008
Screened: WINTER 2009 February 10, 2009 8:00 pm
Related Blog Posts: THE AXE IN THE IFC





Tell a friend about this film






Please enter the word you see in the image below:



Upcoming Screenings

Sep 20: THE HOUSE OF STEINBRENNER

image from THE HOUSE OF STEINBRENNER by Barbara Kopple
STF pre-season MONDAY SPECIAL (Season passes now on sale at early bird rate through Thurs. Sept. 16; Individual tickets go on sale Fri. Sept. 17, subject to availability) Love them or hate them, ...
Get More info or Buy Tickets »

Sep 28: MARWENCOL

image from MARWENCOL by Jeff Malmberg
STF Fall Season Opening Night (Season passes now on sale at early bird rate through Thurs. Sept. 16; Individual tickets go on sale later in Sept.) STF kicks off its fall season with MARWENCOL, ...
Get More info or Buy Tickets »

Oct 5: AMERICAN SPLENDOR

image from AMERICAN SPLENDOR by Shari Springer Berman, Robert Pulcini
(Season passes now on sale at early bird rate through Thurs. Sept. 16; Individual tickets go on sale later in Sept.) STF pays tribute to Harvey Pekar, who recently died, with this special screening ...
Get More info or Buy Tickets »

Oct 12: ON COAL RIVER

image from ON COAL RIVER by Francine Cavanaugh & Adams Wood
Coal River Valley, West Virginia is a community surrounded by lush mountains and a looming toxic threat. ON COAL RIVER follows a former miner and his neighbors in a David-and-Goliath struggle for ...
Get More info or Buy Tickets »

Oct 19: THE CANAL STREET MADAM

image from THE CANAL STREET MADAM by Cameron Yates
Until an FBI bust upended her life, Jeanette Maier was a successful New Orleans madam. Her discreet clientele included a number of powerful, high-ranking politicians. The ensuing very public trial - ...
Get More info or Buy Tickets »

Oct 26: TAKING ON THE KENNEDYS

image from TAKING ON THE KENNEDYS by Joshua Seftel
“A film that would be mistaken for a Robert Altman political satire if it weren’t absolutely and horribly true.” —USA TODAY Originally released in 1996, the classic political documentary TAKING ON ...
Get More info or Buy Tickets »

Nov 2: WO AI NI MOMMY (I LOVE YOU MOMMY)

image from WO AI NI MOMMY (I LOVE YOU MOMMY) by Stephanie Wang-Breal
In presenting WO AI NI MOMMY with the Sterling Award for Best US Feature this past June, the jury at Silverdocs noted: “The film dives so deeply into its story that the filmmaker’s hands disappear. ...
Get More info or Buy Tickets »

Nov 9: WAR DON DON

image from WAR DON DON by Rebecca Richman Cohen
Profiled in Filmmaker Magazine’s 25 New Faces in Independent Film as an “up-and-comer poised to shape the next generation of independent film”, Rebecca Richman Cohen won Special Jury at SXSW and the ...
Get More info or Buy Tickets »

Nov 16: 12TH & DELAWARE

image from 12TH & DELAWARE by Heidi Ewing & Rachel Grady
Heidi Ewing and Rachel Grady, the filmmaking team behind the 2006 Oscar-nominated doc JESUS CAMP, take us on another controversial journey with 12TH & DELAWARE.  Description from Sundance 2010 ...
Get More info or Buy Tickets »

Nov 23: MARLENE

image from MARLENE by Maximilian Schell
Director Maximilian Schell got the reclusive Marlene Dietrich to agree to appear in this documentary only on the stipulation that she not be photographed as she looked today. Instead, we only hear ...
Get More info or Buy Tickets »

Nov 30: SURVIVING HITLER: A LOVE STORY

image from SURVIVING HITLER: A LOVE STORY by John-Keith Wasson
Winner of the Inspiration Award at the 2010 Full Frame Documentary Film Festival As a teenager in Nazi Germany, Jutta is shocked to discover she is Jewish. She joins the German resistance and meets ...
Get More info or Buy Tickets »