THE WEATHER UNDERGROUND

image from THE WEATHER UNDERGROUND

Q&A with director Bill Siegel and special guest Mark Rudd; Co-presented by Docurama

Buy Tickets

MONDAY NIGHT SPECIAL

The Oscar-nominated award-winning film interweaves extensive archival material with modern-day interviews to explore the incredible story of “The Weather Underground.” As former members reflect candidly about the idealistic passion that drove them to “bring the war home,” they paint a compelling portrait of troubled and revolutionary times, with unexpected and often striking connections to the current world situation.

A New York Times Critic’s pick when released, here is the NYT review:

‘‘When you feel you have right on your side, you can do some pretty horrific things.’’  So says Brian Flanagan in ‘‘The Weather Underground,’’ an intelligently assembled documentary that opens today at Film Forum in Manhattan. Mr. Flanagan is a former member of the Weathermen, the revolutionary antiwar group that began in 1969, and his remark suggests both the motivation and the modus operandi of the organization.

‘‘Underground’’ tells the story of a splinter group of young people from the Students for a Democratic Society, or S.D.S. And here the directors Sam Green and Bill Siegel have unearthed a great story that had fallen into oblivion: the young, violent and glamorous antiestablishment militants of the 1960’s.

The film notes that the group took its name from a Bob Dylan song with the lyric ‘‘You don’t need a weatherman to know which way the wind blows.’’ The song, by the way, is ‘‘Subterranean Homesick Blues’‘; its title describes the feelings of some of the Weathermen, who were forced to live underground for much longer than they had expected.

This terrifically smart and solid piece of filmmaking lets the former Weathermen, now in their 50’s and older, speak into the camera and reveal a bit of their personal histories as well as what the peace movement meant to them. The narration is introduced about 10 minutes into the film. At first we’re introduced to former activists as they looked when ‘‘Underground’’ was filmed; then we’re shown more youthful images.

The stars of ‘‘Underground’’ were, as Weathermen, determined to overthrow the United States government, believing it had criminally waged war in Vietnam and persecuted groups like the Black Panthers. Voluble and charismatic, young, white and articulate, they spent a lot of time in the news media spotlight; figures like Bernadette Dohrn, Bill Ayers, Mark Rudd, Naomi Jaffe and Mr. Flanagan were clearly sexy criminals. Todd Gitlin, who was an S.D.S. president and is now an author and a professor of journalism at Columbia, summarizes their appeal: ‘‘Like Bonnie and Clyde, many of them were attractive personally. They were into youth, exuberance, sex, drugs. They wanted action.’‘

That exuberance has been captured by the filmmakers. Mr. Green and Mr. Siegel have made ‘‘Underground’’ a film of passions, showing what a turbulent period the late 1960’s were and slyly contrasting the peace-and-love vibe with events of the time. The S.D.S. began as a nonviolent movement that adopted armed struggle only to make a statement, the movie explains. But the Weathermen felt that S.D.S. wasn’t going far enough. As a former Weatherman, Ms. Jaffe, puts it, her voice still girlishly soft: ‘‘We felt that doing nothing in a period of repressive violence was itself a form of violence. That’s really the part I think is hardest for people to understand.’‘

Mr. Green and Mr. Siegel convey the volatility of the time through news film. The documentary is packed with some of the most powerful images of violence of the period: a bound Vietnamese man being shot in the head at point-blank range, the bloody bed of the Black Panther Fred Hampton after he was shot to death by the authorities. The movie captures a movement in motion, with its contradictions of good intentions and narcissism—a revolt so accelerated and noisy, there was no time for reflection during its heyday.

But ‘‘Underground’’ doesn’t let its subjects off the hook, despite an apparent sympathy for their politics. Reflecting on the impact of their behavior—the group took responsibility for bombing two dozen public buildings, including the Pentagon—these former radicals now reconsider their approach. Mr. Rudd, who now teaches math at a community college, smiles painfully when he talks about telling his students what he did in the 60’s. ‘‘My students look at me as if I were from another planet,’’ he says.

Mr. Flanagan draws a connection between the Weathermen’s actions and the Oklahoma City bombing. The men now see as much wrong as right in their previous lives.

The women are still full of hope. By the end Ms. Jaffe admits that she’d do it again if she could be smarter about it. That mixture of optimism and toughness was what started the Weathermen, and it still has a place in Ms. Jaffe’s heart. It’s also the spirit of ‘‘The Weather Underground.’’ 

Co-presented by Docurama in honor of their 10th anniversary.  Director Bill Siegel and former Weather Underground member Mark Rudd will be in attendance. 

Director: Sam Green & Bill Siegel
Running time: 92 minutes
Release date: 2002
Screened: FALL 2009 November 16, 2009 8:00 pm
Related Blog Posts: STF’s night of American radicals: THE WEATHER UNDERGROUND


image from THE WEATHER UNDERGROUND


Tell a friend about this film






Please enter the word you see in the image below:



Upcoming Screenings

Mar 16: DAVID HOLZMAN’S DIARY

image from DAVID HOLZMAN’S DIARY by Jim McBride
This landmark work blending fiction and reality made a deep impression on the 1970s generation of filmmakers. STF is pleased to show this rare big screen appearance, accompanied by a Q&A with the ...
Get More info or Buy Tickets »

Apr 6: AND EVERYTHING IS GOING FINE

image from AND EVERYTHING IS GOING FINE by Steven Soderbergh
AND EVERYTHING IS GOING FINE provides an intimate portrait of master monologist Spalding Gray, as described by his most critical, irreverent and insightful biographer: Spalding Gray. Director Steven ...
Get More info or Buy Tickets »

Apr 13: HORSES

image from HORSES by Liz Mermin
An unusual, beautifully detailed documentary following a year in the lives of three charismatic Irish racehorses.  Ireland’s horse-racing culture has produced some of the finest athletes in the ...
Get More info or Buy Tickets »

Apr 14: FAMILY AFFAIR

image from FAMILY AFFAIR by Chico Colvard
Wednesday Night Special Description from Sundance catalogue: At 10 years old, Chico Colvard shot his older sister in the leg. This seemingly random act detonated a chain reaction that exposed ...
Get More info or Buy Tickets »

Apr 20: THE KIDS GROW UP

image from THE KIDS GROW UP by Doug Block
In his previous documentary, the internationally acclaimed 51 BIRCH STREET, Doug Block looked at his parents’ seemingly ordinary marriage and uncovered a universal story about an archetypal, ...
Get More info or Buy Tickets »

Apr 27: CLEANFLIX

image from CLEANFLIX by Andrew James and Joshua Ligairi
Description from Toronto International Film Festival catalogue: Mormons can be movie lovers too. The problem is that their religious leaders strongly discourage R-rated content. As one Mormon ...
Get More info or Buy Tickets »

May 4: PIN GODS

image from PIN GODS by Larry Locke
Inspired by the record breaking accomplishments of Walter Ray Williams, Jr., the reigning professional bowler of the year, three newcomers set out to chase their own dreams of pro bowling greatness. ...
Get More info or Buy Tickets »

May 11: LIFE 2.0

image from LIFE 2.0 by Jason Spingarn-Koff
Description from Sundance catalogue: Every day, across all corners of the globe, hundreds of thousands of users log onto Second Life, a virtual online world not entirely unlike our own. They enter ...
Get More info or Buy Tickets »

May 18: MY PERESTROIKA

image from MY PERESTROIKA by Robin Hessman
Description from Sundance catalogue: The Bolshevik revolution, the cold war, and the collapse of the Soviet Union defined the history of the twentieth century. With such a past, what does it mean ...
Get More info or Buy Tickets »

May 25: MAN WITH A MOVIE CAMERA

image from MAN WITH A MOVIE CAMERA by Dziga Vertov
Soviet director Dziga Vertov’s experimental film grew out of his belief, shared by his editor, Elizaveta Svilova (who was also his wife), and his cinematographer, Mikhail Kaufman (also his brother), ...
Get More info or Buy Tickets »

Jun 1: HAYNESVILLE

image from HAYNESVILLE by Gregory Kallenberg
HAYNESVILLE: A Nation’s Hunt for Energy takes place in the Louisiana backwoods, and follows the momentous discovery of the largest natural gas field in the United States (and maybe the world). The ...
Get More info or Buy Tickets »

Jun 8: CLOSING NIGHT FILM: TBA

image from CLOSING NIGHT FILM: TBA by
...
Get More info or Buy Tickets »