Monday Memo: JANE Tops Critics’ Choice Doc Awards as IDA & BIFA Noms Drop


Award season rolls on! Thursday evening saw the Broadcast Film Critics Association and the Broadcast Television Journalists Association announce the winners of the second annual Critics’ Choice Documentary Awards with Brett Morgen’s JANE being named Best Documentary, while Evgeny Afineevsky and Frederick Wiseman were co-honored with Best Director for CRIES FOR SYRIA and EX LIBRIS: THE NEW YORK PUBLIC LIBRARY, respectively. Ceyda Torun’s debut feature KEDI won Best First Documentary, as Ken Burns and Lynn Novick’s THE VIETNAM WAR took home Best Documentary Series.

In tandem with the Critics’ Choice Doc Awards, the International Documentary Association named its nominations for the 2017 IDA Awards, with Matthew Heineman’s CITY OF GHOSTS, Antonio Santini and Dan Sickles’s DINA, Agnès Varda and JR’s FACES PLACES, Dan Lindsay and TJ Martin’s LA 92, and Yance Ford’s STRONG ISLAND all up for Best Documentary. The British Independent Film Awards also unveiled their own nominations this past week. Those up for Best Documentary include Aaron Brookner’s UNCLE HOWARD, Carol Salter’s ALMOST HEAVEN, Lucy Cohen’s KINGDOM OF US, Morgan Matthews’s WILLAMS, and Daisy-May Hudson’s HALF WAY.

DOC NYC is nearing, and to celebrate they’ve been running flash sales on tickets at 5 for $5 for select films. The current sale runs through noon today. On Wednesday, the festival announced its 2017 jury members, featuring the likes of filmmakers Doug Block and Andrew Rossi, as well as Vox film critic Alissa Wilkinson, Women Make Movies’s Debra Zimmerman and more.

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Monday Memo: Lineup For DOC NYC & IDFA 2017!


As it happens, I am currently in Stockholm visiting my doc loving co-workers at Influence Film Club, but I would be remiss to share a mini memo that spreads the good word that DOC NYC has announced its complete 2017 lineup! Among the 111 feature length documentaries on offer this year, Guy Fiorita’s MOLE MAN and Julia Bacha’s NAILA AND THE UPRISING will have their world premieres as part of this year’s Viewfinders competition, while David Wexler’s VIGILANTE: THE INCREDIBLE TRUE STORY OF CURTIS SLIWA AND THE GUARDIAN ANGELS and Prudence Katze and William Lehman’s THE IRON TRIANGLE will world premiere in the Metropolis competition. Jessica Mach reported on the announcement for Realscreen, noting, “Over 350 filmmakers and special guests are scheduled to participate in panels or present their films.” Festival passes and individual screening tickets are now available for purchase.

Last week also saw the unveiling of IDFA‘s 2017 lineup, containing a mind-boggling “312 titles (from 3,886 submissions), of which 90 documentaries will have their world premieres during the festival.” The 30th edition of the festival will take place in Amsterdam from November 15 to 26. A boat load of brand new doc trailers are available at the festival’s YouTube page.

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Monday Memo: An Avalanche of Award Show Announcements


Light on general doc commentary and festival news, this week was instead overflowing with awards season announcements. First, the IDA Documentary Awards named their long list of nominees, with 13TH, FIRE AT SEA, O.J.: MADE IN AMERICA, CAMERAPERSON, I AM NOT YOUR NEGRO and WEINER listed in the running for Best Feature. The following day, the Cinema Eye Honors, now in their 10th year, released their own list of nominees, with the same films up for Outstanding Achievement in Nonfiction Feature Filmmaking, minus 13TH. On Thursday evening, Ezra Edelman and Ava DuVerney came away the big winners at the inaugural Critics’ Choice Documentary Awards, as O.J.: MADE IN AMERICA came away with 4 awards, including Best Documentary (Theatrical Feature) and Best Director (Theatrical Feature), and 13TH with 3 awards, including Best Documentary (TV/Streaming) and Best Director (TV/Streaming).

Across the pond, the British Independent Film Awards listed a completely different set of films with their 2016 nominees for Best Documentary – THE CONFESSION: LIVING THE WAR ON TERROR, DANCER, THE HARD STOP, NOTES ON BLINDNESS and VERSUS: THE LIFE AND FILMS OF KEN LOACH. The European Film Awards followed suit with another diverse list of nominees for Best European Documentary in 21 X NEW YORK, A FAMILY AFFAIR, MR. GAGA, S IS FOR STANLEY, THE LAND OF THE ENLIGHTENED and of course, FIRE AT SEA.

With DOC NYC on the verge of its inception, its director of programming, Basil Tsiokos, continues to preview the festival’s copious offerings at What (not) To Doc. David Morgan of CBS News also began to sift through the immense lineup, noting that “145 documentary features — nearly a record — have qualified for submission for this year’s Academy Awards. Audiences at this year’s DOC NYC Festival will find no shortage, either, with more than 250 films and events scheduled, including 110 feature-length documentaries, nearly half of which were directed or co-directed by women.” Riding that same wave of excitement, the folks over at Cinema Tropical listed the Latino films scheduled to screen at the festival.

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Monday Memo: Critics’ Choice Group Launches Doc Film Awards, TIFF Canadian Docs Named


Adding to the shower of award season shows, the Broadcast Film Critics Association and Broadcast Television Journalists Association, the organizations behind the Critics’ Choice Awards, are launching “the Critics’ Choice Documentary Awards, which will honor both documentary features and non-fiction television,” reports Scott Feinberg of The Hollywood Reporter. The inaugural show is currently slated to take place on November 3rd at BRIC in Brooklyn says Dave McNary of Variety, while the already established Critics’ Choice Awards will take in January, sans documentary and non-fiction categories.

While awards season feels a ways off yet, the fall festival circuit is creeping closer and closer with new lineup announces from both the Irish Film Institute Documentary Festival and the Toronto International Film Festival, whose Canadian lineup revealed new work from Hugh Gibson, Fred Peabody and Brigitte Berman, among others. POV Magazine’s Pat Mullen, IndieWire’s Kate Erbland and Realscreen’s Daniele Alcinii each covered TIFF’s announcement, while Alcinii followed up with several doc filmmakers to get a bit of early insight into their projects. Over at IDA’s page, Matt Turner wrote at length on the hybrid doc highlights of this year’s Karlovy Vary International Film Festival, while at What (not) To Doc, Basil Tsiokos previewed the non-fiction offerings to be presented at Kosovo’s 15th annual Dokufest and the 69th annual Locarno Film Festival.

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