Monday Memo: O.J.: MADE IN AMERICA Wins Best Doc at Oscars & Independent Spirits


Before last night’s best picture debacle cemented the 2017 Oscars as one of the wildest on record, Ezra Edelman’s eight hour American epic O.J.: MADE IN AMERICA made history as the longest film to ever win an Oscar, regardless of category, just after taking Best Documentary Feature at the Independent Spirit Awards the night before.. Shortly thereafter, Orlando von Einsiedel took home the award for Best Doc Short Subject for THE WHITE HELMETS. The full list of Oscar winners can be found here. Leading up to the ceremony, Joel Bocko made a video essay for Fandor on the many merits of Edelman’s film, titled NOT JUST O.J., Mandalit Del Barco looked at the trio of docs up for Oscars that dealt directly with Syria’s civil war at NPR, while at ABC News, Taylor Maple outlined in detail how the Student Academy Awards may open doors to the film industry for its young honorees. And over at IDA’s blog, Caty Borum Chattoo shared a telling study of race and gender in Oscar-shortlisted documentaries from 2008-2017.

Tomorrow night at the IFC Center, we will be hosting a very special 25th anniversary screening of Joe Berlinger and Bruce Sinofsky’s landmark documentary BROTHER’S KEEPER. To help mark the occasion, Berlinger will be on hand for a live Q&A moderated by Morgan Spurlock! This show is now sold out.

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Monday Memo: Cinema Eye Honors Shorts Nominees Announced


The short film HACKED CIRCUIT from filmmaker Deborah Stratman was among the short films nominated for a Cinema Eye Honors award this year.

This week the Cinema Eye Honors for Nonfiction Filmmaking released the list of nonfiction short films nominated for an award this year.  Kevin Ritchie covered the news for Realscreen, while Daniel Walber did the same at Nonfics.com, as did Jake Folsom of Indiewire.

At Indiewire, Peter Knegt updated the staff’s Oscar prediction for best doc. In a separate piece at Indiewire, Steve Greene reported on the docs topping the critics’ lists thus far in 2014. Over at Nonfics.com, Christopher Campbell contemplated which fall festival docs had a shot at winning the Oscar.

At the POV blog, staff interviewed Christopher Allen of Uniondocs about the interactive short project 89 STEPS: A CHAPTER OF LIVING LOS SURES. The blog also hosted an interview with Theo Rigby, creator of interactive doc IMMIGRANT NATION.

This week Stranger Than Fiction continues its fall season devoted to the works of Chris Hegedus and D.A. Pennebaker with a screening of JANE, along with the shorts DAYBREAK EXPRESS and BABY, on Tuesday, September 30 at 8 p.m. at the IFC Center in Manhattan. JANE is a rarely seen film following actress Jane Fonda as she prepares for a recurring role in the Broadway show “The Fun Couple.” Pennebaker will be in attendance for a Q&A following the film. For more information or to purchase tickets please go here.

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Monday Memo: Doc Community Mourns the Passing of Bendjelloul


This week SEARCHING FOR SUGAR MAN director Malik Bendjelloul passed away.

This week the documentary community lost the Oscar-winning filmmaker Malik Bendjelloul, who died from an apparent suicide at the age of 36. Bruce Weber of the New York Times penned an obit of Bendjelloul, while Realsceen’s Adam Benzine rounded up some tributes made to the director. Adam Schartoff released an interview conducted with Bendjelloul on his Filmwax Radio podcast. At Indiewire, Paula Bernstein also reported on Bendjelloul’s passing. Michael Dunaway remembered the director in an encomium published at Paste Magazine, and Xan Brooks did the same at The Guardian.

At Screen Daily, Colin Brown took a look at the doc lineup at this year’s Cannes International Film Festival. Daniel Walber of Nonfics.com had a great piece on the festival’s history of ignoring docs, and Basil Tsiokos provided an overview of docs screening there for his What (Not) to Doc blog.

At Nonfics.com, Christopher Campbell had a chance to interview director Joe Berlinger about his new documentary television series on Al Jazeera America, The System. At Realscreen, Kelly Anderson also spoke with Berlinger about The System, and at the International Documentary Association (IDA) website, Darianna Cardilli also profiled the series.

This week Stranger Than Fiction is hosting a screening of the film 9 MAN from director Ursula Liang about a streetball game often played in Chinatown. The film will screen on Tuesday, May 20 at 8 p.m. at the IFC Center in Manhattan, and will be followed with a Q&A with director Liang. For more information or to purchase tickets please go here.

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ANNOUNCING THE STF SPRING/SUMMER 2014 SEASON


Stranger Than Fiction, the weekly documentary film series hosted by Thom Powers and Raphaela Neihausen and presented by IFC Center, begins on Tuesday with a retrospective screening of SANS SOLEIL (May 6), Chris Marker’s 1983 masterpiece. Film critic Jonathan Rosenbaum names it one of the key nonfiction films of our time and describes it as “a film about subjectivity, death, photography, social custom, and consciousness itself.” The screening will be accompanied by a conversation with filmmaker Jem Cohen, who cites Marker as a key influence on his own work. This presentation coincides with a month-long retrospective “Chris Marker & His Legacy” on Sundance NOW Doc Club, also curated by Powers.

The season bring many new films from STF alum to the IFC Center. Joe Berlinger‘s WHITEY: United States of America v. James J. Bulger (May 13) follows the trial of the infamous gangster James “Whitey” Bulger, using the courtroom action as a springboard to examine accusations of multi-faceted corruption within our nation’s law enforcement and legal systems. Acclaimed documentarian, Doug Block, has supported his career over the last two decades with a side business of videotaping weddings. In 112 WEDDINGS (June 3), he tracks down and interviews the more memorable of his 112 wedding couples. Marina Zenovich‘s ROMAN POLANSKI: WANTED AND DESIRED (June 17) revisits the key players involved Polanski’s controversial and complex sexual abuse conviction.

9-MAN (May 20) gives a glimpse into Chinese-American community through an athletic game that has been played exclusively Chinatowns across America since the 1930s. THE FRONT MAN (Thurs, May 29) is a non-fiction rock ‘n roll comedy love story about an everyman middle-class musician burdened by the desire for stardom.

The spring season closes with a special Wednesday screening of THE PLEASURES OF BEING OUT OF STEP (Wed, June 25), director David L. Lewis’ portrait of Nat Hentoff, a pioneer in music criticism, who has spent more than six decades championing jazz in the pages of the Village Voice, The Wall Street Journal, Down Beat, and numerous other publications. A New York story, the film won the DOC NYC Metropolis Grand Jury Prize in 2013.

The STF spring/summer season will take place weekly at the IFC Center for the next eight weeks. All screenings are Tuesday night at 8:00 pm, besides the special Thursday, May 29 screening of THE FRONT MAN, and the Wednesday, June 25 screening of THE PLEASURES OF BEING OUT OF STEP. Each event includes a discussion with the filmmakers, followed by a gathering at a nearby bar. The STF titles for May 27 and June 10 will be announced shortly.

Tickets are available for individual shows or season passes can be bought for $99 for 9 films.

With a season pass, you receive many perks including a free DVD from Docurama; free popcorn at every STF show; assurance that you never miss a sold out show (as long as you arrive by 15 min. prior); and the ability to transfer your pass to a friend, if you can’t come.

Click here to buy the Spring/Summer Season Pass.