THE INTERNET'S OWN BOY: THE STORY OF AARON SWARTZ will open this year's Hot Docs festival in Canada.
This week Hot Docs announced its lineup for 2014, with the Brian Knappenberger-helmed THE INTERNET’S OWN BOY: THE STORY OF AARON SWARTZ set to open the festival. At The Hollywood Reporter, Etan Vlessing reported on Hot Docs’ lineup, as did Adam Benzine of Realscreen and the Indiewire site.
The Ekathimerini news site reported on the awards handed out at this year’s Thessaloniki Documentary Festival, with ON THE EDGE OF THE WORLD from director Claus Drexel taking home the top foreign feature award. At his What (Not) to Doc blog, Basil Tsiokos provided an overview of the docs screening at this year’s festival.
Writing for the New York Times, John Anderson profiled FINDING VIVIAN MAIER from directors John Maloof and Charlie Siskel. At Nonfics.com Dan Schindel penned a review of the film, giving it four stars.
RICH HILL from directors Tracy Droz Tragos and Andrew Droz Palermo took home the grand jury prize for a U.S. film at Sundance this year.
The Sundance Film Festival awards were handed out Jan. 25, with Adam Benzine of Realscreen reporting that the film RICH HILL from directors Tracy Droz Tragos and Andrew Droz Palermo took home the Grand Jury Prize for U.S. Documentary, and Talal Derki won the World Cinema Grand Jury Prize for RETURN TO HOMS. Sean P. Means of the Salt Lake Tribune had more coverage of all the award winners. Eric Eidelstein of Indiewire had an interview with RICH HILL cinematographer Andrew Droz Palermo. And Manori Ravindran reported on the short doc films that won awards at Sundance.
In Sundance Distro news, Realscreen’s Adam Benzine reported that RADiUS-TWC had picked up FED UP from filmmaker Stephanie Soechtig. Benzine also had the news that Pivot and Univision had bought U.S. television rights to the Cesar Chavez doc CESAR’S LAST FAST from filmmakers Richard Ray Perez and Lorena Parlee. Colleague Kevin Ritchie reported that BBC Storyville had nabbed U.K. television rights for WEB JUNKIE from filmmakers Shosh Shlam and Hilla Medalia. Ritchie also reported that Dogwoof had grabbed international rights for DINOSAUR 13. And writing for the Los Angeles Times, Daniel Miller broke down the behind-the-scenes moves that led to DINOSAUR 13’s U.S. acquisition by Lionsgate and CNN Films.
Writing for POV, Tom Roston shared his five major takeaways from Sundance. And in his Docutopia post at SundanceNOW, Anthony Kaufman looked at five Sundance docs dealing with the legacy of colonialism and the exploitation of the developing world. At Deadline, Dominic Patton reported that the Open Society Foundations had given a $5 million grant to Sundance to help fund docs. At Nonfics.com, Daniel Walber interviewed CONCERNING VIOLENCE director Goran Hugo Olsson. Writing for Realscreen, Manori Ravindran took a look at some of the Sundance docs focused on the Arab Spring. Colleague Kelly Anderson spoke to Stanley Nelson on his film FREEDOM SUMMER.
This week Stranger Than Fiction is hosting a screening of FINDING THE FUNK, a road trip in search of the past, present and future of funk music from director Nelson George. The film will be screened at the IFC Center in Manhattan on Tuesday, January 28 at 8pm, and will be followed by a Q&A with George and special guests. For more information or to purchase tickets please go here. Don’t forget that a season pass granting admission for nine films and free popcorn can be bought for $99.