Director Yance Ford and his remarkable heart-wrenching debut STRONG ISLAND received a trio of major awards at the 11th annual Cinema Eye Honors in Queens on Thursday evening, including Outstanding Direction, Outstanding Debut and Outstanding Nonfiction Feature Film. Additionally, Brett Morgen’s JANE was honored with the Audience Choice Prize and the award for Outstanding Score, while Jonathan Olshefski’s QUEST won Outstanding Editing, Kareem Abeed, Stefan Kloos and Soren Steen Jespersen won Outstanding Production for LAST MEN IN ALEPPO, Andrew Ackerman and Jeff Orlowski won Outstanding Cinematography for CHASING CORAL, and Stefan Nadelman won Outstanding Graphic Design for LONG STRANGE TRIP.
Earlier in the week, the Directors Guild of America revealed its nominees for Best Documentary of 2017 – THE VIETNAM WAR, ICARUS, CITY OF GHOSTS, ABACUS: SMALL ENOUGH TO JAIL & WORMWOOD – as did the British Film Academy Awards (BATFAs) – CITY OF GHOSTS, I AM NOT YOUR NEGRO, ICARUS, AN INCONVENIENT SEQUEL & JANE. Leading the way in its support of women nonfiction filmmakers, Chicken & Egg Pictures, via Rachel Montpelier at Women and Hollywood, announced that the recipients of their annual Breakthrough Filmmaker Awards are Natalia Almada, Ramona Diaz, Laura Nix, Kimi Takesue, and Nanfu Wang. Each filmmaker is to recieve a $50,000 unrestricted grant and a year of professional mentorship.
As we wait for Sundance to kick off later this week, Akiva Gottlieb reported for IDA on UnionDocs‘ “weekend workshop called ‘Speculations in the Archive,’ a sold-out gathering that explored the archive’s potential to spur imagination and invention.” The verdict? “If there’s something that links the new practitioners of what might be called speculative archival filmmaking, it’s the conviction that documentary can be the product of solitude, and that communion with inanimate materials can generate the most thrilling, immediate forms of direct cinema.”
After ten days of film-going, the Toronto International Film Festival came to a close last night after the Grolsch People’s Choice Documentary Award was bestowed upon Agnès Varda and JR for their L’Œil d’or winning collaboration FACES, PLACES at the awards ceremony at the TIFF Bell Lightbox. The week prior, the Board of Governors of the Academy of Motion Picture Arts and Sciences voted to honor Varda with an Oscar at the annual honorary Governors Awards to take place in November, reported Anne Thompson at IndieWire.
Unsurprisingly, there have been reams of coverage coming out of Toronto, from round-ups such as Thompson‘s documentary breakouts or The Hollywood Reporter‘s Best of the Fall Festivals, which names Greg Barker’s “fascinating, frequently moving” THE FINAL YEAR and Brett Morgan’s “wondrous, moving account of” trailblazing wildlife conservationist Jane Goodall among its rank, as well as copious doc reviews logged (too many to individually list here) by the hardworking folks over at Cinema Scope, MUBI’s Notebook, IndieWire, Nonfics & POV Magazine. In IDA’s The Feedback, Tom White spoke with director Erika Cohn about her TIFF debuted feature THE JUDGE, which had a rough cut preview earlier this year as part of IDA’s DocuClub. Jeremy Elphick talked to Ben Russell about his new mining doc GOOD LUCK, “his lengthy relationship with Suriname, and the experience of shooting for the first time in Serbia,” at 4:3. Additionally, Nicolas Rapold interviewed Lucien Castaing-Taylor and Véréna Paravel, the directors behind the much discussed CANIBA, “about the film’s aesthetics and ethics beachside at the Venice film festival, where CANIBA had its world premiere before screening at TIFF and in Projections at the New York Film Festival.” Let’s not forget that the team at Realscreen covered TIFF’s Doc Conference, with Jessica Mach on gender barriers in the doc industry, Daniele Alcinii on lessons in privately financing your documentary, and Selina Chignall on building a career in documentary. More will surely surface in the week to come.