As I will soon be heading back to Columbia, MO for the True/False Film Festival, I would be lying if I didn’t share my excitement about this week’s unveiling of the festival’s 2018 lineup, with highlights ranging from a selection of films by this year’s True Vision Award winner Dieudo Hamadi, through hints about their hush-hush secret screenings and complete details about the return of their Neither/Nor series. The festival is set to run March 1st through the 4th. Riding that same wavelength, the Tribeca Film Festival announced that its 17th edition will open on April 18th with the world premiere of Lisa D’Apolito’s LOVE, GILDA, “which opens a window into the world of celebrated Emmy and Grammy award-winning comedian Gilda Radner, who became a cultural icon the moment audiences first laughed with her on the debut episode of Saturday Night Live.”
Back in 2016, we hosted the fine folks of Field of Vision for a special screening of their online series THE JOURNEY. This past week, Field of Vision announced a new fellowship, featuring a quartet of filmmakers in Garrett Bradley, Michelle Latimer, Charlie Lyne and Lyric Cabral, and its first-ever artist-in-residence, Josh Begley. The announcement continues, “The first year of fellows were selected from filmmakers who had worked with Field of Vision over the last three years. In addition to creating a framework for idea development, creative support, and a grant, Field of Vision will conduct workshops throughout the year in the areas of digital security, research, and legal issues. Fellows will also be invited to participate in Field of Vision’s editorial process, from identifying urgent stories to offering filmmaker feedback and guidance.”
Here at Stranger Than Fiction, our Winter 2018 season continues as we meditate on the 15th anniversary of America going to war in Iraq with a special screening of Oscar-nominated director Jehane Noujaim’s terrific CONTROL ROOM, with both film subject Josh Rushing and producer Rosadel Varela in attendance for a live Q&A. Tickets to the event are available here.
As you might have noticed, there was no memo last week due to the fact that I was away attending this year’s edition of Missouri’s hybrid focused True/False Film Festival. As Richard Brody summed it up so deftly in The New Yorker, it’s a festival “governed by an idea, the essence of which is documentary filmmakers thinking about what they’re doing and making that thinking integral to their films.” Maybe more than any year prior, there was a lengthy list of press folk in town to cover the fest, including Vikram Murthi for RogerEbert.com, Steven Zeitchik of the LA Times, Alissa Wilkinson writing for Vox, Jim Brunzell at Hammer To Nail, Vadim Rizov of Filmmaker Magazine and Glenn Heath Jr. for MUBI’s Notebook. I, myself, let my impressions loose over at Nonfics.
While I was away, Chicago’s DOC10 revealed their 2017 lineup. Programmed by Anthony Kaufman, the schedule includes DOC NYC Grand Jury Prize winner THE ISLAND AND THE WHALES, one of my favorites from True/False, RAT FILM and other gems like the Sundance highlights CASTING JONBENET and STEP, which will serve as the opening night picture.
Here at Stranger Than Fiction, our winter season continues tomorrow night at IFC Center with Sara Taksler’s TICKLING GIANTS, which sees “Bassem Youssef make a decision that’s every mother’s worst nightmare… He leaves his job as a heart surgeon to become a full-time comedian.” The screening will be followed by a live Q&A with director Taksler. Tickets are still available here.
I’ve returned after a week away from the cold, movies, the internet and headlines feeling mentally rejuvenated and ready to get back into the swing of things. A bit of ocean air seems to have done me well. And being that next month I’ll be heading to Columbia, Missouri once again for this year’s edition of the True/False Film Festival, it is exciting to find that they’ve revealed not only their 2017 lineup and schedule, but that they will be launching a new bi-weekly podcast – the True/False Podcast – on which “True/False programmers will sit down with filmmakers and tackle a new topic each episode.” The first episode is scheduled to go live two weeks before the festival begins, on February 23.
Speaking of podcasts, last week’s episode of Pure Nonfiction featured a conversation between our own Thom Powers and John Heilemann, co-creator of TRUMPED: INSIDE THE GREATEST POLITICAL UPSET OF ALL TIME, which aired on Showtime last week after its Sundance premiere.
Tomorrow, we here at Stranger Than Fiction are celebrating Valentine’s Day with a very special screening of THE LOVING STORY, which tells the dramatic story of Richard and Mildred Loving, an interracial couple living in Virginia in the 1950s, and their landmark Supreme Court Case, Loving v. Virginia, that changed history. Director Nancy Buirski will be on hand for a live post-screening Q&A. Tickets and season passes are still available here.
Photo by Shane Epping of Mizzou News
As you may have noticed, there was no Monday Memo last week thanks to the remarkable celebration of non-fiction cinema that is True/False Film Festival in Columbia, Missouri, which I had the pleasure of attending for the second year in a row. My thoughts on this year’s edition can be found over at IONCINEMA, as well as a trio of interviews that will follow shortly. Despite the festival’s rather small line-up, with each passing year it seems to garner more international attention thanks to its intelligent curation, community focused outlook and baseline fun factor. Steven Zeitchik of The Los Angeles Times wrote no less than four dispatches from the fest, outlining what sets it apart from other festivals, noting formal trends and thematic through-lines, as well as the game-shows and other carnivalesque happenings that only happen at True/False.
A whole host of other True/False round-ups were logged by indieWIRE’s Sam Adams, Hammer to Nail’s Jim Brunzell, AV Club’s Noel Murray, Alissa Wilkinson at RogerEbert.com, and Vadim Rizov, who posted a pair of dispatches at Filmmaker Magazine that focus “on the thorny subject of what happens when documentaries do — or antagonistically don’t — try to serve as compassionate ambassadors to the world on behalf of their subjects.” More specifically, indieWIRE’s Chris O’Falt reported on the emotionally charged premiere of CONCERNED STUDENT 1950, as well as exactly why a handful of filmmakers choose to have their films shown as a one of True/False’s fabled secret screenings before their world premiere at a festival geared more toward sales and distribution deals.
Here at Stranger Than Fiction, our winter season continues this week with a pair of screenings in Gabriel London’s THE MIND OF MARK DEFRIEST, about the legendary escape artist on Tuesday, and on Thursday, a special 10 Year Anniversary screening of the cult-hit documentary DARKON, by Luke Meyer & Andrew Neel, about American LARPers. The filmmakers of both films will be present for post-screening Q&As at each of their respective screenings. Tickets to both screenings are still available and can be purchased here.
David Carr in 2008. Photo by Stephen Chernin of Associated Press.
With NBC news anchor Brian Williams losing the world’s trust over a pack of lies and the tragic death of 60 MINUTES correspondent Bob Simon in an automobile accident, this week has been rough for journalism, but the passing of beloved New York Times cultural commentator David Carr late Thursday evening may be the toughest to take for many in the documentary filmmaking community. His family at The Times have put together a loving tribute with various articles from co-workers like A.O. Scott and many links to video moments with Carr, while Andrew Rossi, the director of PAGE ONE: INSIDE THE NEW YORK TIMES, a film in which Carr came to the fore as the heart and soul of the newspaper, wrote his own memorial to the man who he inevitably became friends with following the film.
In the wake of the unfortunate news, Variety’s James Rainey wrote his own appreciative piece on Carr’s unlikely career in journalism and Realscreen’s Barry Walsh collected responses to the news from the documentary community. Just hours before Carr collapsed in the offices of The Times, he hosted a discussion with the team behind CITIZENFOUR – Laura Poitras, Glenn Greenwald and Edward Snowden – as part of the TimesTalks series hosted at The New School’s John L Tishman Auditorium in New York.
Looking up, Stranger Than Fiction continues tomorrow at the IFC Center with BEST OF EGG: THE ARTS SHOW (2000-’03), curating the cream of the crop from a show considered by many to be one of the best arts programs ever broadcast in America. The screening begins at 8pm with a post-screening Q&A featuring producers Jeff Folmsbee, Mark Mannucci and others to follow.