On Friday, the lengthy list of Hot Docs 2016 Festival award winners were announced. Among the winners was Aslaug Holm’s BROTHERS, which was named the Best International Feature, while Mike Day won the Emerging International Filmmaker Award for THE ISLANDS AND THE WHALES and Nettie Wild’s KONELĪNE: OUR LAND BEAUTIFUL took home the Best Canadian Feature Documentary Award. Getting at the heart of the festival, CBC’s Peter Knegt asked six Hot Docs filmmakers why documentaries matter. On a similar wavelength, Katie Couric proclaimed in an article by Jeffrey Fleishman in The Los Angeles Times that she now sees documentaries are the new journalism.
Plenty of coverage for films that screened at Hot Docs came through the wire over the past week, including a piece celebrating the festival’s Made in Australia program by Monica Tan in The Guardian, and a pair of reviews from Jason Gorber in POV Magazine for DE PALMA and PICKLE, as well as an interview with Joe Berlinger on his latest project, TONY ROBBINS: I AM NOT YOUR GURU. POV also published Jonas Jacobs‘ feature on director Min Sook Lee whose MIGRANT DREAMS screened in Toronto. At Realscreen, Kevin Ritchie interviewed Brendan J. Byrne about his film BOBBY SANDS: 66 DAYS, while Daniele Alcinii spoke with Deborah S. Esquenazi about her film SOUTHWEST OF SALEM. New York Magazine’s Will Leitch called the ESPN series O.J.: MADE IN AMERICA a masterpiece and I had similar thoughts about the Ross Brothers’ CONTEMPORARY COLOR at IONCINEMA.com. Running parallel to the main festival, the Hot Docs Forum saw filmmakers pitching projects throughout the week. Filmmaker Magazine’s Whitney Mallett reported on the forum, as did Realscreen’s Manori Ravindran, in two parts.
Hot Docs may have been the hot festival of the week, but it wasn’t the only one found its way in the news. Amy Taubin had a wrap up of Tribeca in Film Comment, Daniel Walber posted a dispatch from the New York African Film Festival at Nonfics, Realscreen’s Barry Walsh reported that AFI Docs has named Werner Herzog as their 2016 Charles Guggenheim Symposium Honoree this year, and Basil Tsiokos wrote a preview of DOK.fest Munich at What (not) To Doc.
Here at Stranger Than Fiction, we’re prepping for tomorrow’s screening of Rob Cannan and Ross Adam’s THE LOVERS AND THE DESPOT at IFC Center, co-presented with the New York Film Academy. The screening will be followed by a special Q&A with Robert Boynton, author of “The Invitation-Only Zone”. Tickets are still available here.