This week the first Art of the Real program at Lincoln Center kicked off. Writing for Artforum, Nick Pinkerton profiled the program, as did Jillian Steinhauer at Hyperallergic. The Brooklyn Rail republished a piece from Colin Beckett on Thom Andersen’s non-fiction films, and Fernando F. Croce previewed the Art of the Real at Mubi.com. Writing for Film Comment, Max Nelson did the same, as did Paul Dallas of Indiewire. Daniel Walber of Nonfics.com had a write-up on the series, and Basil Tsiokos recapped the lineup in a post at his What (Not) to Doc blog. In a piece for Slant Magazine, Ela Bittencourt reviewed a handful of the films screening at Lincoln Center. In a piece for the Wall Street Journal, Steve Dollar profiled the film ACTRESS from director Robert Greene, which closes out the film series.
The PBS documentary show POV announced that it had expanded its digital documentary initiatives with a new co-producing funding mechanism as well as a call for short web-native docs. In a post for the Knight Foundation, POV Digital Director Adnaan Wasey explained the impetus behind the push for digital content. Paula Bernstein covered the development for Indiewire, while Kevin Ritchie pulled similar duties at Realscreen.
POV this week also opened up its call for entries for the 2015 season.
Writing for Indiewire, Anthony Kaufman wrote on why the Full Frame Documentary Film Festival remained relevant in a crowded festival marketplace. In a piece for Nonfics.com, Jesse Paddock named his top five films from this year’s Full Frame. Over at the International Documentary Association (IDA) website, Angelica Das also submitted coverage of this year’s fest.