Monday Memo: Mid-Summer Festival Doldrums, Another List and BRITDOC Gets A New Name

In a light week, the lights are shining back at the previous seventeen years. Following a string of fascinating lists naming the best films of the 21st century thus far, the IndieWire team has put together their choices for the Top 25 Best Documentaries of the 21st Century, which, while arguing for some surprising recent releases (ALL THESE SLEEPLESS NIGHTS, KEDI) and not so surprising choices (THE ACT OF KILLING, STORIES WE TELL), importantly notes how technology has shifted our perception of what is possible from the form. Astutely put, “On one hand, digital technology has infinitely expanded our range of vision, and some of the modern era’s most essential docs have been shot on consumer-grade equipment like iPhones and GoPro cameras. On the other hand, these tools haven’t just granted us new ways of seeing, they’ve also galvanized our desire to look, which in turn has stoked an unprecedented degree of interest in the documentary format on the whole.”

As far as festivals go, we are in the mid-summer doldrums, post-Karlovy Vary, pre-Locarno. That said, a bit of coverage of this year’s AFI Docs came in from Christopher Llewellyn Reed over at Hammer to Nail. Reed interviewed Stefan Avalos, the director of STRAD STYLE, a film about a man trying to replicate Giuseppe Guarneri’s “Il Cannone” violin, which had its debut earlier this year at Slamdance. He also reviewed Reuben Atlas and Samuel D. Pollard’s ACORN AND THE FIRESTORM, and Amanda Lipitz’s much loved STEP, which heads into wide release thanks to Fox Searchlight in the coming weeks.

Continue reading…