Every year the London based FOCAL Awards celebrate the best use and preservation of archival material in cinema. Last Tuesday, the 2018 FOCAL International Award winners were announced – Bill Morrison’s DAWSON CITY: FROZEN TIME won Best Use of Footage in an Arts Production, Raoul Peck’s I AM NOT YOUR NEGRO won Best Use of Footage in a Cinematic Feature, Peter Bratt’s DOLORES took home Best Use of Footage in a Factual Production, and Daniel Lindsay and T. J. Martin’s LA 92 was honored with Best Use of Footage in a History Feature.
On that award season wavelength, the Academy of Motion Picture Arts and Sciences revealed that it is “extending invitations to join the organization to 928 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures.” Of those invited, 49% are female, bringing the overall Academy membership of women to 31%, and 38% of new members are 38%, bringing the overall membership of people of color to 16%, and 85 of those invited work in the documentary field. Those invited include doc filmmakers such as Bill and Turner Ross, Evgeny Afineevsky, Nanfu Wang, Yance Ford, Petra Costa and Katy Chevigny.
While the Academy is tinkering with its very makeup, Ben Travers at IndieWire is already debating what films might win big at the Emmys. He notes, “HBO has a slew of contenders, all of which have caused a stir in and outside the industry. ANDRE THE GIANT has big-name subjects supporting the doc on the famous wrestler-turned-actor, including Arnold Schwarzenegger, Robin Wright, Billy Crystal, and David Letterman. THE ZEN DIARIES OF GARRY SHANDLING is a personal passion project from Judd Apatow, and his intimate understanding of the late comedian combined with his influential friends should help set the doc apart. Meanwhile, ELVIS PRESLEY: THE SEARCHER has the pull of The King himself.”