It will be a busy week for film festival goers, with New York’s Human Rights Watch Film Festival, Sheffield Doc/Fest and the long running Sydney Film Festival all having begun late last week and running though the end of this weekend. Basil Tsiokos outlined the new non-fiction offerings for each festival over at his What (not) To Doc blog, just as Joshua Brunsting previewed the films at the 28th edition of the Human Rights Watch Film Festival and Tom Roston spoke with the festival’s senior programmer, Leah Sapin, about this year’s curatorial focus on empowerment for Salon. Writing for The Star, Graham Walker listed twenty things to see and do this year at Sheffield Doc/Fest, while Matt Turner looked at how a trio of docs are challenging the narrative around the Syria crisis for Little White Lies. Covering the Sydney Film Festival, the fine folks at 4:3 have already published Ivan Čerečina‘s review of AUSTERLITZ and Anders Furze‘s take on KING OF THE BELGIANS.
Last Thursday, the Sundance Institute “announced the eight projects selected for its annual Documentary Edit and Story Labs, taking place in two sessions at the Sundance Resort in Utah from June 23-July 1 and July 7-15.” Projects selected include IMPEACHMENT by Brazilian director Petra Costa and editor Jordana Berg, and PEOPLE’S REPUBLIC OF DESIRE by director Hao Wu and editor Nanfu Wang. IndieWire’s Kate Erbland dissected the announcement, noting that projects “explore such timely themes as modern day lynchings, the Dakota Access Pipeline, impeachment, immigration detention centers, and more.” Looking back at the Sundance Documentary Film Program and the Karen Schmeer Film Editing Fellowship’s 3rd annual Contemplating the Cut series, which took place back at the beginning of April, Colin Nusbaum outlined his tips and takeaways for doc editors over at the POV Blog.