Just as The Associated Press proclaimed, last Thursday the curtain went up on a documentary-rich New York Film Festival and much has been written thus far to celebrate. Richard Brody notes in The New Yorker, Travis Wilkerson’s new standalone feature version of DID YOU WONDER WHO FIRED THE GUN? as a festival highlight, along with Varda and JR’s FACES PLACES. In Manohla Dargis‘s preview of this year’s edition for The New York Times she notes, “One program to explore is the Spotlight on Documentary, which features several worthwhile offerings, including ARTHUR MILLER: WRITER and JOAN DIDION: THE CENTER WILL NOT HOLD, two views from the inside.” Questioning the merits and future possibilities of literary docs like these at LitHub, Craig Hubert writes with fervor, “A writer’s work, or the work of a publication, especially over a long career, is slippery and often contradictory, and demands a portrait that challenges this ambivalence. What we get usually is something that acts as a visual Wikipedia page, a series of bullet-point facts presented without a critical eye.” As has become customary, Basil Tsiokos gave a thorough preview of the new nonfiction offerings at the fest via What (not) To Doc, while at Criterion Cast, Joshua Brunsting listed five recommendations to catch, including a trio of docs that top the list.
Just two days after Esquire published Nick Schager’s list of the best documentaries of 2017 so far, DOC NYC announced its 15-film Short List of Oscar contenders along with its TIFF debuted opening-night selection, THE FINAL YEAR. Breaking the news at IndieWire, Anne Thompson pointed out that “Historically, most DOC NYC picks do land on the Academy’s official 15-film Oscar Short List. For the past four years, the Short List had nine to 10 titles overlap, with four or five titles going on to Oscar nominations. For the last six years, DOC NYC screened the documentary that went on to win the Oscar.”