Monday Memo: STRONG ISLAND Tops 11th Annual Cinema Eye Honors


Director Yance Ford and his remarkable heart-wrenching debut STRONG ISLAND received a trio of major awards at the 11th annual Cinema Eye Honors in Queens on Thursday evening, including Outstanding Direction, Outstanding Debut and Outstanding Nonfiction Feature Film. Additionally, Brett Morgen’s JANE was honored with the Audience Choice Prize and the award for Outstanding Score, while Jonathan Olshefski’s QUEST won Outstanding Editing, Kareem Abeed, Stefan Kloos and Soren Steen Jespersen won Outstanding Production for LAST MEN IN ALEPPO, Andrew Ackerman and Jeff Orlowski won Outstanding Cinematography for CHASING CORAL, and Stefan Nadelman won Outstanding Graphic Design for LONG STRANGE TRIP.

Earlier in the week, the Directors Guild of America revealed its nominees for Best Documentary of 2017 – THE VIETNAM WAR, ICARUS, CITY OF GHOSTS, ABACUS: SMALL ENOUGH TO JAIL & WORMWOOD – as did the British Film Academy Awards (BATFAs) – CITY OF GHOSTS, I AM NOT YOUR NEGRO, ICARUS, AN INCONVENIENT SEQUEL & JANE. Leading the way in its support of women nonfiction filmmakers, Chicken & Egg Pictures, via Rachel Montpelier at Women and Hollywood, announced that the recipients of their annual Breakthrough Filmmaker Awards are Natalia Almada, Ramona Diaz, Laura Nix, Kimi Takesue, and Nanfu Wang. Each filmmaker is to recieve a $50,000 unrestricted grant and a year of professional mentorship.

As we wait for Sundance to kick off later this week, Akiva Gottlieb reported for IDA on UnionDocs‘ “weekend workshop called ‘Speculations in the Archive,’ a sold-out gathering that explored the archive’s potential to spur imagination and invention.” The verdict? “If there’s something that links the new practitioners of what might be called speculative archival filmmaking, it’s the conviction that documentary can be the product of solitude, and that communion with inanimate materials can generate the most thrilling, immediate forms of direct cinema.”

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Monday Memo: MOMA’s Documentary Fortnight Underway


The film PINE RIDGE from director Anna Eborn was among the films selected to play at the Documentary Fortnight program this year.

The Museum of Modern Art’s Documentary Fortnight program began on Friday. Writing at his What (Not) to Doc blog, Basil Tsiokos provided an overview of the program. At Twitch, Christopher Bourne wrote up some capsule reviews for some Doc Fortnight films.

Ben Beaumont-Thomas of the Guardian reported on THE ACT OF KILLING’s win at the British Academy of Film and Television Arts (BAFTA) for best documentary. Writing for Filmmaker Magazine, Scott Macaulay reported that director Joshua Oppenheimer’s speech appeared to have been edited to eliminate criticism of the British and U.S. governments in a video posted by the BAFTAs.

In an open letter posted on Facebook, filmmaker Dawn Porter criticized the decision by Washington, D.C., PBS station WETA not to air her film SPIES OF MISSISSIPPI on Monday, Feb. 10 at 10 p.m. Peter Hart of the Fairness and Accuracy in Reporting (FAIR) blog had additional reporting on the incident.

This week Stranger Than Fiction is hosting a screening of the classic D.A. Pennebaker film MONTEREY POP at the IFC Center in Manhattan on Tuesday, February 18 at 8 p.m. The film immortalized the now-famous Monterey International Pop Festival held in the summer of 1967. Following the screening D.A. Pennebaker will be in attendance, along with a number of crew members on the film, including Albert Maysles. For more information or to buy tickets please go here.

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