WINTER ON FIRE: Front Row to the Ukrainian Revolution

It’s an all too familiar story – a peaceful protest fueled by a deep desire for change becomes a violent battle for basic human rights. In the past few years, we’ve witnessed the rise of revolutions in Egypt, in Spain, and in the US, but on the opening night of the Fall season of Stranger Than Fiction, we had a front row seat to an uprising in The Ukraine, and a country’s struggle for independence, freedom, and a better future.

WINTER ON FIRE: UKRAINE’S FIGHT FOR FREEDOM follows 93 days of protests that began in Kiev’s Maidan Square, following then-president Viktor Yanukovych’s refusal to sign an agreement that would allow his country to enter the European Union. The people of Ukraine saw inclusion in the EU as a move that would help stabilize the long-flailing country, and usher in a new era of hope, independence, and eventual prosperity. But Yanukovych instead signed a major deal with Russian President Vladimir Putin, and in the eyes of millions of Ukrainians, betrayed his country and his people.

Director Evgeny Afineevsky brings viewers to the front lines of this turbulent time in Ukraine’s history, and shows how a peaceful youth movement morphed into a bloody struggle. With a crew of over 20 cinematographers using a combination of cameras, Afineevsky and his team capture the major battles and hidden moments that fueled a revolution.

“For the people of Ukraine, this was an important moment in their history, and a chance for them to show that the people still have the power,” Afineevsky said during the Q&A following Tuesday’s screening at the IFC Center. “It started as a joyful youth movement. No one expected thing to unfold the way they did.”

Continue reading…

Monday Memo: FIELD OF VISION & JUNUN Set For Online Debuts Post-NYFF

After being inundated by an avalanche of doc news in the wake of TIFF, this past week has been comparatively quite quiet. Coverage from Toronto keeps trickling in through pieces like Jason Gorber‘s list of the festival’s top docs that was published over at Nonfics and film reviews like my piece on Kent Jones’ HITCHCOCK/TRUFFAUT posted at IONCINEMA, while most media has already trained their eyes on the New York Film Festival which kicked off last Friday. Prior to opening night, Manohla Dargis wrote a thorough preview of the fest for The New York Times, as did Basil Tsiokos at What (not) To Doc, both of whom somehow overlooked the world premiere of Laura Poitras, AJ Schnack and Charlotte Cook’s FIELD OF VISION short subject series, which took place last night. If (like most of us) you weren’t able to make yesterday’s screening at the Film Society of Lincoln Center, the series is scheduled to hit the net tomorrow!

As reported by Stephen Holden in The New York Times, Noah Boambach’s DE PALMA is set to make a splash later this week, as is Paul Thomas Anderson’s first non-fiction feature JUNUN, on his friend and frequent creative collaborator Jonny Greenwood. Most excitedly, much like FIELD OF VISION, JUNUN will be available for online viewing the day after its NYFF premieme on October 9th via the meticulously curated streaming service, MUBISophie Monks Kaufman wrote about the surprise development for Little White Lies.

Here at Stranger Than Fiction, tomorrow night marks the opening of our Fall 2015 season with a very special screening of TIFF’s People’s Choice Documentary Award winner WINTER ON FIRE: UKRAINE’S FIGHT FOR FREEDOM at the IFC Center! Director Evgeny Afineevsky will also be on hand for a post-screening Q&A. Season passes are still available here.

Continue reading…