Netflix continued to grab newshole with the official announcement that it had acquired first-run rights for Jehane Noujaim’s film on the Egyptian revolution, THE SQUARE, as an “original documentary.” Alison Willmore of Indiewire had the news, as did Adam Benzine of Realscreen and Brian Stelter of the New York Times. At Filmmaker Magazine, Sarah Salovaara wondered what Netflix meant, exactly, by describing THE SQUARE as “original programming.” Shortly after announcing its acquisition of THE SQUARE, Netflix revealed that it had picked up another doc, THE SHORT GAME. Again, Alison Willmore reported the news for Indiewire, while Adam Benzine did the same at Realscreen. At the Los Angeles Times, Steven Zeitchik took the temperature of a handful of doc filmmakers on Netflix’s recent moves.
This week the Cinema Eye Honors announced the nominees for its awards; the honors are set to take place in January 2014. Christopher Campbell covered the announcement at Nonfics.com, while Peter Knegt had the news for Indiewire and Adam Benzine did the same for Realscreen. The POV blog used the nominations to rejigger its list of the best documentaries of 2013 thus far.
The documentary filmmaker Ed Pincus, perhaps best known for his film DIARIES, passed away this week at the age of 75 from leukemia. William Yardley penned an obit of Pincus for the New York Times, while Paula Bernstein remembered Pincus in a post for Indiewire.
This week Stranger Than Fiction is playing host to SHOTGUN FREEWAY: DRIVES THROUGH LOST L.A., a film by Morgan Neville about the city of angels. The screening takes place on Tuesday, Nov. 12 at 8 p.m. at the IFC Center in Manhattan, and will be followed by a Q&A with Neville. For more information or to purchase tickets please go here.