This week WNET Thirteen announced that it was removing the doc showcases Independent Lens and POV from Monday nights.
This week Dru Sefton at Current.org reported that New York’s PBS station, WNET, planned to pull both POV and Independent Lens from its lineup in January. At Realscreen, Manori Ravindran also covered the development. At the Kartemquin Films website, the Indie Caucus–a group of independent filmmakers–issued a statement criticizing the move. The Indie Caucus posted a FAQ on WNET’s decision on its blog, asking concerned parties to sign a petition at Change.org.
The International Documentary Association (IDA) site set up a poll for documentary filmmakers regarding Fair Use issues. You can go here to complete it.
Writing for the IDA Jack Lerner wrote on the legal implications of the film THE INNOCENCE OF MUSLIMS.
At Realscreen, Julianna Cummins reported on the development of a new diversity doc training program from Hot Docs and Shaw Media. Also at Realscreen, Manori Ravindran covered the winners of the Alfred I. duPont-Columbia University Awards.
Dave McNary of Variety reported that PARIS IS BURNING from director Jennie Livingston would receive the Legacy Award from the Cinema Eye Honors for Nonfiction Filmmaking. Kevin Ritchie of Realscreen also covered the news.
Writing for Canada’s POV Magazine, Christina Clarke interviewed director Thom Andersen.
At Nonfics.com, Christopher Campbell shared a list of docs available on home viewing platforms like VOD this week. Also at Nonfics.com, Landon Palmer had a list of six docs from the year that had to be seen.
In a piece for Indiewire, Melissa Silverstein shared a list of the best woman-directed docs of 2014.
Back at Realscreen, Charlie Phillips of The Guardian responded to a year-end doc quiz presented by Manori Ravindran.
At Filmmaker Magazine, Esther B. Robinson gathered some pitching advice gleaned from the forum at this year’s CPH:DOX. Also at Filmmaker Magazine, Eli Brown had a piece on 10 tips and observations on pitching docs at this year’s International Documentary Film Festival Amsterdam (IDFA).
At his Kino-Eye site, David Tames interviewed HOLLOW director Elaine McMillion. Tames also had a separate post on the updates to Final Cut Pro X, and its viability as a go-to NLE platform.
Writing for the POV blog, Tom Roston had a piece making the case for Steve James to win an Oscar for his film LIFE ITSELF.
Back at the IDA site, Ron Deutsch had a piece on the effects that two Montreal-based festivals have had on the documentary form.
At the POV blog, Pamela Yates wrote about an ethical complication she encountered after completing the film WHEN THE MOUNTAINS TREMBLE.
Also at the POV blog, Brian Chirls penned a post on the use of a virtual reality map.
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