Monday Memo: Emmy Noms Revealed as CHASING CORAL Hits Netflix


In a week in which scientists successfully actualized teleportation and Trump found himself mired in a Russian influenced campaign scandal, it may have been difficult to wade through the news stories to find the notable documentary related stories (light as they may be this week). Most noteworthy are the 2017 Emmy Awards nominations, which include AMANDA KNOX, THE BEATLES: EIGHT DAYS A WEEK – THE TOURING YEARS and 13TH among those in the running for Outstanding Documentary Or Nonfiction Special, and O.J.: MADE IN AMERICA, OKLAHOMA CITY and THE WHITE HELMETS up for an award for Exceptional Merit In Documentary Filmmaking.

Looking at the festival circuit, Basil Tsiokos noted that the 34th Jerusalem Film Festival is now in full swing (with a fascinating selection of docs in competition), while both the Melbourne International Film Festival and the Locarno Festival have announced their programs. More immediately relevant, today PBS is launching its 6th Annual PBS Online Film Festival where 25 films, including POV’s OUR VOICES ARE RARELY HEARD are available to stream through July 28th.

Though festival lineup announcements bring new feature length titles to the fore, PBS’s newly revealed fall lineup includes Ken Burns and Lynn Novick’s 18-hour, 10-part series, THE VIETNAM WAR, which will have its world premiere on Sundays through Thursdays beginning September 17th. Other notable fall inclusions are Michael Collins’ ALMOST SUNRISE (which Glenn Kenny warmly wrote about at RogerEbert.com this week) and John Scheinfeld’s CHASING TRANE.

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Monday Memo: CITY OF GHOSTS & THE REAGAN SHOW Reach Audiences


You may have noticed the lack of last week’s holiday styled memo, but this week we’ve returned with plenty of nonfiction news to get you up to speed. Up top we’ve got IndieWire’s Anne Thompson making her early predictions for what docs will be in the running for the 2018 Oscar for Best Documentary. Unsurprisingly, Matthew Heineman’s CITY OF GHOSTS (see this week’s slew of coverage on the film below), Agnès Varda’s FACES, PLACES, and Laura Poitras’ RISK are among the forerunners thus far.

In festival happenings, Ben Nicholson reported for Sight & Sound on this year’s edition of the Sheffield Doc/Fest, the first under its new chief programmer Luke Moody. At What (not) To Doc, Basil Tsiokos put forth his usual thorough overview of new nonfiction for the 35th edition of LA’s Outfest, noting a pair of centerpiece selections in Lori Kaye’s KEVIN AUCOIN: BEAUTY & THE BEAST IN ME and Katherine Fairfax Wright’s BEHIND THE CURTAIN: TODRICK HALL. Doc filmmakers should also take note that this coming Friday is DOC NYC‘s Extended Deadline for submissions for its 2017 edition.

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