This week Lotfy Nathan's film 12 O'CLOCK BOYS entered theaters.
This week the film 12 O’CLOCK BOYS from director Lotfy Nathan hit theaters. In his Filmwax podcast, Adam Schartoff spoke with Nathan, while NPR featured a piece on Nathan and his film. Mekado Murphy of the New York Times wrote up the film, and Eric Kohn of Indiewire reviewed it, giving it an A minus. In his weekly Docutopia post at the SundanceNOW blog, Anthony Kaufman considered both 12 O’CLOCK BOYS and RICH HILL, and Andrew Parker of Dorkshelf interviewed Nathan. Also, Josh Slates profiled the film in a piece for the International Documentary Association (IDA) website.
At Nonfics.com, Christopher Campbell issued a list of the best docs out of the Sundance Film Festival, as well as the Slamdance Film Festival. Campbell and Daniel Walber also dedicated the latest episode of their The Realness podcast to Sundance. Ondi Timoner released the first part of a long Bring Your Own Doc episode about Sundance this week, along with a second report from the festival. Writing for Ion Cinema, Jordan M. Smith turned out a few reviews, one for THE NOTORIOUS MR. BOUT and another for THE OVERNIGHTERS. And Sean Flynn wrote a piece for Indiewire on the interactive projects featured in Sundance’s New Frontier section.
This week Stranger Than Fiction is hosting a screening of LOU REED: ROCK AND ROLL HEART about the late rock legend Lou Reed on Tuesday, Feb. 4 at 8pm at the IFC Center in Manhattan. Following the screening, director Timothy Greenfield-Sanders will be in attendance for a Q&A. For more information or to purchase tickets please go here.
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First-time director Lotfy Nathan's 12 O' CLOCK BOYS is screening at SXSW this year.
For someone mired in New York City’s dark winter for far too long, South by Southwest holds the promise of warmer climes, reasonably priced barbeque and cold beer. This year–like any other–the festival’s programmers have put together a selection of non-fiction work designed to entice any self-proclaimed fan of documentary out of the sunshine and into a darkened theater. Here are five films I think are worth waiting in line for.
THESE BIRDS WALK (Visions) Last summer Filmmaker magazine anointed the duo of Omar Mullick and Bassam Tariq as among the 25 new faces of indie film, and for good reason. The pair earned a mountain of press for their 30 Mosques in 30 Days documentary project and its user-generated offshoot, 30 Days of Ramadan. Mullick and Tariq banned both voiceover and talking heads in the making of THESE BIRDS WALK, a portrait of a young runaway living in Karachi, over which hovers the story of Pakistani humanitarian Abdul Sattar Edhi. The film comes to Austin fresh from a screening at the True/False Film Fest, where it built both buzz and a solid base of support among viewers. Watch the trailer; if there’s a heart beating in your body I promise you will have goosebumps.
12 O’CLOCK BOYS (Feature Competition) Lotfy Nathan’s directorial debut ostensibly follows the not-quite-yet teenager Pug as he seeks to align himself with an outlaw dirt bike gang that runs roughshod over the streets of Baltimore. But the clear subtext of 12 O’CLOCK BOYS is the dire economic and class divisions that drive Charm City’s young bikers to define themselves oppositionally to the Baltimore police, along with pretty much any other established social institution. Nathan’s film ends with a major catharsis for his subject, but probably not in the way you’d expect.
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