Monday Memo: Cinema Eye Honors Go To Killing, Stories


Sarah Polley won the outstanding director award for her film STORIES WE TELL at this year's Cinema Eye Honors.

This week saw the 7th annual Cinema Eye Honors, with the award for outstanding feature going to Joshua Oppenheimer’s THE ACT OF KILLING. Sarah Polley took home the award for outstanding director for STORIES WE TELL. Adam Benzine had coverage for Realscreen, while Christopher Campbell did the same at Nonfics.com. Tom Roston reported on the awards for the POV blog, as did Nick Dawson at Filmmaker Magazine. And Adam Schartoff spoke with Esther Robinson about the awards in an episode of his Filmwax podcast.

In distro news, Paula Bernstein of Indiewire reported that Cinedigm picked up North American rights to REMOTE AREA MEDICAL, while Dave McNary of Variety also had the news. Also, Paula Bernstein reported that CITIZEN KOCH had been nabbed by Variance Films for theatrical release in the U.S. and Canada.

The British Academy of Film and Television Arts (BAFTA) this week announced its doc nominees, with Alexandra Zeevalkink of the DocGeeks blog on the news and Adam Benzine covering the event for Realscreen.

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Monday Memo: IFP Names 2013 Doc Lab Participants


BRINGING TIBET HOME was one of the 10 films selected to participate in this year's IFP Documentary Lab.

The Independent Filmmaker Project (IFP) this week named the 10 participants in its 2013 Doc Lab, a year-long fellowship for first-time filmmakers. Among the projects named to the program were BRINGING TIBET HOME from director Tenzin Tsetan Choklay, EVOLUTION OF A CRIMNAL from director Darius Clark Monroe and APPROACHING THE ELEPHANT from director Amanda Wilder. Kelly Anderson covered the announcement for Realscreen, while Peter Knegt did the same for Indiewire. Nick Dawson provided coverage for Filmmaker Magazine.

Sarah Polley’s STORIES WE TELL continues to draw the attention of the press, and for good reason. Germain Lussier of /Film (that’s not a typo) interviewed Polley, as did Nick Allen of The Scorecard Review. Tom Roston of the POV blog weighed in on the film, while NPR covered its release.

Cannes already seemed to be heating up doc acquisitions on the French Riveria. Realscreen’s Kelly Anderson reported that HBO had acquired US and Canadian television rights for James Toback’s new film SEDUCED AND ABANDONED, while Glenn Whipp of the Los Angeles Times had coverage of the same deal. Gregg Kilday of The Hollywood Reporter had the news that Phase 4 had nabbed all U.S. and Canadian rights for Lucy Walker’s film THE CRASH REEL. And Geoffrey Macnab of Screen Daily reported that Attraction Distribution had won worldwide rights to Hot Docs award winner DRAGON GIRLS from director Inigo Westmeier.

This week Stranger Than Fiction is hosting its last film of the Spring season, ON THE ROPES by directors Brett Morgen and Nanette Burstein. The film follows the lives of three boxers struggling to succeed at The Bed-Stuy Boxing Center in Brooklyn. Morgen and Burstein will be in attendance for a Q&A following the screening, which will take place on Tuesday, May 21 at the IFC Center in Manhattan. For more information or to purchase tickets please go here.

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Monday Memo: Polley’s Stories We Tell Released in Theaters


Sarah Polley's festival darling STORIES WE TELL hit theaters this week.

Sarah Polley’s film STORIES WE TELL bowed at theaters this week, attended by a rash of coverage. Writing for the New York Times, Mary Jo Murphy spoke with Polley about the creative impulses that drove the making of the film. Danny King of The Film Stage shared a review of the film, as did Tom Hall at Hammer to Nail. Indiewire republished a review from Eric Kohn dating to the Telluride Festival, and Steve Erickson of Studio Daily interviewed Polley herself.

Ground was broken this week on New York City’s first documentary-specific theater at DCTV in Manhattan. Cristina A. Gonzalez of Indiewire had details on the event, as did Stewart Nusbaumer at Filmmaker Magazine and Jennifer Merin of About.com. Kelly Anderson covered the news event for Realscreen.

News on Hot Docs continued to make its way online, as writers loosed their listicles on the festival. Writing for Indiewire, Basil Tsiokos highlighted eight films from the festival’s forum to keep an eye out for. Tom Roston shared seven reasons to love Hot Docs on the POV blog. At Realscreen, Adam Benzine provided a full recap of the festival, while Robert Greene continued the discussion on whether we are in a documentary golden age at Hammer To Nail.

This week Stranger Than Fiction is hosting a screening of FOLLOW THE LEADER from director Jonathan Goodman Levitt on Tuesday, May 14 at 8pm at the IFC Center. The film is is a real-life coming-of-age story of three traditional American boys with Presidential dreams. Goodman Levitt will be in attendance for a Q&A following the screening. For more information or to purchase tickets please go here.

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