Stringing together a narrative that scans like a solid heist flick, the film Better This World by directors Katie Galloway and Kelly Duane de la Vega explores the actions of David McKay and Bradley Crowder, a pair of young, idealistic radical activists who, in the leadup to the 2008 Republican National Convention in Minneapolis-St. Paul, constructed several gasoline bombs that they never used. Following an early morning police raid, the pair were arrested and labeled domestic terrorists by the government, then prosecuted as such. Clearly sympathetic to McKay and Crowder, Duane de la Vega and Galloway laudably grant federal investigators and prosecutors ample screen time in which they present a reductive picture of the two defendants as domestic terrorists. But it’s a picture that doesn’t gibe with the evidence uncovered by the filmmakers, which bolsters the claim that McKay and Crowder were led to potentially violent action by an undercover FBI informant. What makes the film truly chilling is the questions it raises regarding the role the government itself plays in creating these so-called terrorists, and the complicity of law enforcement informants acting as agents provocateur. Following the screening, friend of Stranger Than Fiction Hugo Perez spoke with director Katie Galloway. Click “Read more” below for the Q&A.[Photo: Director Katie Galloway, courtesy of Simon Luethi]
Stranger Than Fiction: I have to say that this is a really fantastic film—powerful, provocative. I watched it a couple of days ago and it provoked a lot of feeling. It just made me feel angry when I finished watching it, the situation that these two guys were in. How did you come to this story?
Katie Galloway: There’s an article in the movie, when the informant is revealed. And I assume many of you probably know a little bit about the story, and may have known the twist, but it gets a great response from audiences who don’t have a clue. When I first read about it in the New York Times it was early January 2009 and the headline was, “Activist Unmasks Himself as Federal Informant.” The story was about two young activists from Midland, Texas, which I thought was interesting, this informant and the allegation of entrapment. I also assume many of you are familiar with the pattern of cases around the country since 9/11 where there’s an FBI sting, domestic terrorism accusations and a counter-allegation of entrapment. I know in the current issue of Harper’s there’s a piece by Petra Bartosiewicz, and she does a great job of telling the national story. The people who are mostly affected are Muslim youth in the U.S. I know Mother Jones is dedicating a whole issue to that broader story.
STF: One of the things that struck me about this film, it’s not just a film about politics but it’s also about guys interacting with each other and male bonding and rites of passage. Can you talk about that powerful relationship that developed between Darby and Brad and David.
Galloway: I don’t know how much you glean from the film, sometimes I forget where the film ends and my knowledge ends. Brad’s father and grandfather were rodeo cowboys. The grandfather was pretty close to Brad, but his father … was just not around much. [Brad] admits to sort of looking around for a father, even though he wasn’t conscious of it at the time. A powerful male figure closer to his age that he respected was something that he craved. David’s Dad, I think, is an incredible father. He’s a bit of a hothead. I don’t know how much of that you get from this, but he sort of pushed David toward trial … and David didn’t always feel comfortable with that. [David] had a very tumultuous childhood being bounced around, and was sometimes without his father for long stretches. [David and Brad] both acknowledge that that was a big part, sort of seeking this older male’s love and respect. They also describe Brandon as like a tough football couch that you love, but that is sometimes very troubling. Sort of putting them to the test again and again. It’s not just the father issues, but really what everybody goes through when becoming an adult, being put to a test by an older male figure.
STF: One question I had was about the interview with Brandon Darby. Did you shoot that or did somebody else shoot that, and when was it done? It seemed to have a different texture.
Galloway: Fortunately for us, since he didn’t agree to participate in the film, he was the spokesperson for Common Ground Relief, which was an organization that did incredible work after Hurricane Katrina. He founded it with a former Black Panther named Malik Rahim and Scott Crow, and some others. Scott Crow, for any of you that caught the cover of the Times a few months ago, is the activist in Austin who’d been watched for three years. Brandon did tons of interviews, a couple of really good ones that we drew on mostly. One was by a German filmmaker, that sort of close up one. And so we were able to license it, thankfully, because for a minute there we thought we didn’t have a film. For a long time Brandon agreed to participate once the case was over, and then he changed his mind and we thought, oh shit, we don’t have funding.
STF: Did you milk that footage for every last second, or was there a lot of it?
Galloway: There will be more online at the POV website. We licensed it by the minute so the whole interview won’t be there, but there’s about an hour and a half there, and then another maybe hour and a half to two hours that another filmmaker made. That’s the footage where he’s sort of saying, we need to think about the people we love and we trust, and he’s got the fist behind him. That’s a student filmmaker.
Audience: How did you get the law enforcement agents and the prosecutors to talk candidly?
Galloway: Here I owe a real debt of gratitude to Lowell Bergman, who Al Pacino played in The Insider about the tobacco industry and 60 minutes pulling the story and all that. He was an early funder of the film and a coproducer with the Investigative Reporting Program at UC Berkley. When we went to go watch David’s trial, he said, when you’re in town just call the FBI and say you’d like to have coffee and meet with them and tell them what you’re doing. No cameras etc. So that’s exactly what we did and were sort of stunned to find that they were happy to meet us for coffee. We met with their public affairs officer, E.K. Wilson, the guy driving through the film. It turned out that he had worked the case and then it got transferred, so we got lucky that way. We met him, kept in touch with him, and then when we asked [FBI headquarters] for permission much later, they went back to Minneapolis and said, what do you think? They agreed to give us the interviews at that point. It wasn’t as hard as I thought, but I’ve made other films about prisons and at that initial point of human contact, some of the walls come down.
STF: Was the prosecutor and were the FBI as convinced of what they were saying in the film off-camera as they were on-camera? Did they 100% believe that what they were saying was the truth?
Galloway: I think those are two different questions. They had a complete poker face, a united front, on 99% of the time. E.K. Wilson admitted at one point that nobody wants to be put on domestic terrorism because there aren’t any domestic terrorists. It’s so incredibly bloated with so few real terrorists—they’re called aspirational, not operational. And I would argue that almost all of the cases since 9/11 have been aspirational, i.e. people who couldn’t have done anything. I don’t know if they believe it. I’ve seen again and again with prosecutors I’ve interviewed that there’s a true believer quality to some, and Jeffrey Paulson has that true believer quality. It’s really a black and white world and these are the bad guys.
Audience: I wanted to ask about the production of the film because there were so many interesting layers—the phone calls, journal entries. Some of those were reconstructed and some of those were source material. I’d love to hear about that process.
Galloway: We thought we’d be covering the trial, and then we didn’t get access to the courtroom. So the idea of the heart of the story being following these two guys and their families going through the legal process—we found out pretty quickly the heart of the story was what happened between Brandon Darby, Brad and David in the six months leading up to their arrests. Fortunately for us, because there was a trial, there was a discovery process, and there was a lot of material presented at trial—phone calls, Brandon’s letters to the FBI. That’s a voice actor who’s our voice of Darby in this film. But all the words of Darby were his real letters to the FBI, and one was really the backbone of the entrapment case. We had a lot of surveillance footage. The Department of Homeland Security gave the Twin Cities a $50,000 grant just for surveillance cameras at the RNC. It turned out that we as taxpayers have access to that footage, and someone gave us a tip about that. We just went through hundreds and hundreds of hours to find our characters on these various corners where we knew they were. The Wal-Mart footage—Wal-Mart tapes us all, I’m sure you guys know that. It would have been a lot harder to get all that had we not had access to it through discovery and the kindness of the defense attorney. We didn’t get anything through the Freedom of Information Act, although we FOIA’d everything. For a year and a half we got nothing but redacted stuff. And then we had reenactments, and those are, I hope reasonably easy to detect. Although they’re sort of tricky because there are a couple of real scenes that we have—like Bradley calling his mother and saying, they’re threatening me. Or David talking to his girlfriend. People think those are recreations and they’re not. Everything pre-2009, there’s a kind of treated, abstract quality to the footage and it’s intercut with interview bites.
Audience: Given that the film’s subject is pushing up against government conspiracy and government oppression, I was wondering if you ever got any pushback from individuals or agencies yourself in the process. Did anybody say, there’s a line in the sand, don’t cross it?
Galloway: Very early on my film partner Kelly Duane de la Vega—she had been the one interacting with Darby initially. And her e-mail was shut down when we first got to Minneapolis, and we called her service provider and they said that it would be back up after we left Minneapolis. That seemed to be very clearly related to the story we were trying to tell. A sort of early scare tactic, and it was scary. A lot of paranoia on our parts through the making of the film. We went to Brandon Darby’s house after he told us he wouldn’t participate. He lives in an undisclosed location and we figured out where it was and showed up at his house. He called the FBI and threatened us and all that. I was waiting, when I went to Hot Docs [in Canada] to get stopped at the border and have my computer confiscated and all that, but no such drama.
Audience: Can you talk about why Brandon flipped and when he flipped, and when was he outed as being an informer?
Galloway: Somebody dropped his name in court, and then it was known. So he then wrote this open letter to the activist community. Why he flipped, there are all kinds of theories about. One is that he was never a, quote, real activist and I think that is trajectory from early on is very suspicious. We’ll talk about it over beers and I can tell you what I think. But I would say a majority of people believe that he really fell out with the activists he had founded Common Ground with. It was a nonhierarchical organization and he was a very hierarchical guy. All sorts of things were going on there and he sort of fell from grace within the organization. A majority of people you’ll talk to will say he had a hero complex and that didn’t fit with that organization at that point. He was befriended by this local police sergeant, and then became the hero in the eyes of the FBI, or so he thought. That was before he was involved with this case. He was involved with another case [as an informant] very briefly. A guy named Riad Hamad who was a Palestinian rights activist who Brandon was working with. He wound up bound and gagged in Lady Bird Lake in Austin, dead, and it was ruled a suicide within 48 hours. And so that now has its own life in conspiracy. That was a really hard one to leave on the cutting room floor, but there’s only so much you can do in one movie.
Audience: The government, what do they need to convict somebody?
Galloway: I’d say the heart of the answer is the definition of entrapment that gets accepted at trial. There are two main definitions. One is the one that the prosecutor gives you at the beginning of the trial. You can take someone to the edge of the pool, but you can’t push them in. That was arguably what happened here. This informant, over the course of six months took these guys to the edge, including telling them in the van on the way up about this Italian anarchist hero who was chucking Molotovs, but then didn’t tell them, go make the Molotovs, here’s the money. There’s another definition of entrapment that I think of as the common sense definition, which is, if the government had never been involved with the accused, would they have committed a crime. That’s the one that was ultimately accepted in David’s first trial. I think that’s why he got a six-six split, which is insane. An entrapment defense is notoriously difficult to prove. He was lucky he had that definition in his case. But then he says that his win was based on his lie.
Audience: Has David seen the film? What’s his state right now?
Galloway: David just saw it about a month ago, first by himself and then with 20 of his closest friends in prison. They really responded to the phone calls and being cut off at that moment where you’re trying to convey that critical piece of information to your loved one. Apparently there were shouts and screams in the room when that happened. That was one of my happiest moments, hearing that all of the people watching it feeling like their experience was reflected in the film. He loves the film, thankfully. The e-mail he wrote us, it’s beautiful and we’re going to ask his permission to post it at some point. But we have it tacked over our edit bay back at the lab, because that’s the review you care about more than any other.
Related Film
Congrats! This is exciting.
I have a wonderful conversation on my blog with Astra—talented, talented woman!
http://stillinmotion.typepad.com/
Great essay, Thom. Many of us who write about books, serious literary fiction and literature in translation in particular, feel the same way; it’s a complaint commensurate with the shift/decline in print media.
Don’t discount blogs though. At least in the book world there are a lot of avid writers not only picking up where the old mainstream media left off, but finding new ways to critique and engage books (and pushing the blog format) – new online literary journals are popping up too, for the very same reason that there are more filmmakers: technology has reduced the barriers to entry. And now, former professional critics are becoming online critics, paid or not, and enjoying the freedom of the format and the connection with their audience that rarely existed in print. The result is an eclectic and vibrant mix of voices and I’d assert that if there’s an audience for doc films, which there is, then there’s the potential at least for the same sort of renaissance in doc-film criticism.
Bud Parr, blogger,
Chekhov’s Mistress
Words Without Borders
Nice going, Thom!
I’ve bemoaned the sad state of docu criticism on many occasions, but never really considered that there might be an alternative. Reading your piece made me realize what a boon reliably in-depth and insightful criticism would be to my work (and others’).
Maybe you should contact Pat Aufderheide. Now that she’s successfully revolutionized copyright, perhaps she can help fix things up in this arena. But seriously, I bet her Center could make a real contribution.
Thanks for opening eyes and pushing the field forward.
dvt
Thanks for the thoughtful analysis.
Problem is that we are dealing with “the Tyranny of Large Numbers”
When I was doing Network television in the early 60’s there were 4 channels- and a push from the FCC to do “ed B’castin” How does one do justice now to the abundance of programming bombarding us.
and more importantly-What in our contemp society encourages reflection, much less contemplation- we believe the lies because it’s easier than searching out the truth- and if they confirm our assumptions- so much the better.
But I, like you ,and thousands of others soldier on
—because even if unwanted or ignored- the pursuing of truth beauty and justice is our way of being in the world and I for one have no intention of changing course.
Bill Jersey
great essay Thom.
As a smalltown boy my own love of cinema was heavily reliant on film criticism. I didn’t have access to many of the films I was reading about (via by Pauline Kael, Ebert, and especially J. Hoberman, when I could find a Village Voice in Northern Ontario), but the writing fueled my interest and passion, and eventually led me to film school.
In Toronto, our best film critic, Geoff Pevere, become quite addicted to docs, and wrote incisively about them. I tangibly noticed what a difference it made in developing audience interest for the form here. Unfortunately we lost him to the Book Section!
But, I agree with Rosenbaum that sites like ROUGE (which is excellent) are picking up the critical slack, even if industry gossip sites continue get most of the hits.
Wow, this sounds great. Wish I had been there. Ever since I read her autobiography Dust Tracks on the Road, I have been obsessed with ZNH!
Also deserving a mention: the first Gucci Tribeca Documentary Fund Awards. Perhaps the fanciest documentary party ever, or, as one of the grantees commented, the scruffiest Gucci party ever. Not scruffy at all though.
Hey Thom, when are you going to head East and check out all the great stuff being made in East Asia? can’t you come to the Iron Horse, the Golden Horse or something?
Here’s a look back at the STFs I attended this past year:
http://www.thefilmpanelnotetaker.com/2008/12/thom-powers-top-10-favorite-doc-events.html
As well as my own top 10 list:
http://www.thefilmpanelnotetaker.com/2008/12/reflections-on-2008-and-top-10-favorite.html
Looking forward to the new season!
I spend most of my time reading and reviewing books, and interviewing authors. Engaging with the printed word is simply much more stimulating than watching 90% of the movies that are currently served up to the public..of the 10% that are worth thinking and writing about, I’d say most are documentaries…
This is, as you say, an interesting field in which to practice criticism; given the state of today’s media however, few are likely to be hired based on any particular knowledge of the documentary genre.
Good criticism is a function as much of what is criticized as of how the critic writes…and talented critics, when they have a choice, will always seek out the most challenging material, regardless of which medium it may appear in.
I saw VSPRS in Paris in October 2007 (on my honeymoon), and its was GREAT; I had no idea this was happening! Big fan of Sophie’s… glad to see PERVERT’S GUIDE get a run… and no idea she had done a VSPRS film…
Thanks for the update, Thom!
Great piece, Thom. Essential. A new doc criticism is necessary if only to encompass documentary filmmaking in countries like China, India, Africa and eastern Europe. Jia Zhangke, for example—Useless, 24 City—says he makes non-fiction films to stop the disappearing of images and stories and landscapes, endemic to postwar Chinese history.
Many thanks,
Deanna Kamiel
Thanks Raphaela for your account of the festival. I read evey word and felt like I was there. You and Thom are the best. Hope Kevin and I will get to see you soon at IFC for a screening!
Happy New Year
Paula
Beautiful evening. I especially enjoyed the screening of the 12-minute short on “The First World Festival of Negro Arts” I loved how Greaves captured the optimism of that early period of African independence so well.
Sean Jacobs
http://theleoafricanus.com/
just read it – now am in tears. Britical you write so bloody well, I want 1000’s and more to read your words !
nice enjoyment had taken place i m feeling jealous.
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It was initially disappointing to see so many empty seats in that room the other night, for this will certainly turn out to be one of the real cinema-going treats of 2009, but the post-film Q&A;felt more intimate because of it (although that one dude telling Peter Davis what he did and didn’t stage was… well, I would rather not get into that right now).
Lucky for us, and shame on everyone else for missing out (though maybe Cannes had something to do with that?). It sounds like there are no immediate plans for Icarus to release the Middletown series in a more affordable DVD boxed set edition, but maybe if enough of us complain it will kick them/someone else into gear. After having only seen Seventeen and Second Time Around, this already stands tall as the Decalogue of nonfiction. I might consider lopping off a finger to see the others. Hopefully it won’t come to that.
It was mildly disappointing, I suppose, that the theater wasn’t jam-packed, but the real disappointment is that these films aren’t available on DVD. In an age when EVERYTHING is available for download or rental or Netflix, it’s inexplicable that we shouldn’t all be able to order up these six beauties with the touch of a button (and, okay, maybe a credit card).
As for the so-called ‘argument’ about what was staged and what wasn’t—with all due respect, you missed the point. It wasn’t that anything was staged, and no one, not I, who got the conversation started, and not the other dude in the row behind me (who I think is the dude to whom you’re referring), was suggesting that any scenes were staged, but merely the rather obvious fact that the actions of the subjects of documentary films are of course altered by the presence of the camera.
(My point, and I am happy to make it again, and complete it, is that the scene where the couple talks about how much money the guy spends on his stamp collection was in particular affected by the camera’s presence; that without a camera there, it is likely these two may not have recognized how silly and wonderfully trivial the conversation was; that they might not have laughed so charmingly about the whole thing… I think it’s one of the strongest scenes in a very strong film, and the moments of acute self-consciousness on both their parts contributes to the scene being so terrific.)
And by the way, not that it matters (and it doesn’t), but I happen to know that Peter Davis agrees with me on the larger point. Other families talked politics at the dinner table; as much as Dad may like to think we talked about politics too, what we really talked about was stuff like this.
Nice synopsis of the panel. It’s interesting that journalists trapped in the world of mainstream media have a very difficult time of portraying the news and the underlying message due to the pressures of the companies they work for. grand rapids lasik
<a > thancks </a>
this post very very helped me !
Good Time
My vote for a great sports documentary goes to Blood, Sweat and Gears directed by Nick Davis
4TH AND GOAL – Coming soon. Sometimes the best is yet to happen.
Best Sports Doc? Blood Sweat + Gears Directed by Nick Davis
Thanks Thom for creating the CLIFF NOTES for the new indie distrib frontier. much much appreciated!! xo
I was at that IFP conference panel too and found it really fascinating. Thanks for filling me in on the TIFF and MoMa events. This is such a hot topic right now!
Zidane: A 21st Century Portrait would be near the top of my list; and maybe Speedo! (Why not)
Racing Dreams would also be worth some discussion—a great recent entry in the motorsports doc canon.
One of my faves is Quantum Hoops directed by Rick Greenwald.
How about that little diddy, “OLYMPIA”, by Leni Riefenstahl?
STF should start a dvd/streaming video platform!
“The box office on MRS GOLDBERG should be higher – except most of the tickets are at senior citizen prices.”
Hah! Great piece, Thom.
Raphaela & Thom,
We are all so happy for you both and expect to be updated on the big news.
Raphaela was radiant last night!
Laura
CONGRATULATIONS TO THE BEAUTIFUL FAMILY!!!
What do you mean ‘uncharacteristic’ profanity. Don’t be fooled by that sweet face
. Bez looks like he’s saying “Thank you very much, but I would have preferred the warmth and comfort of ‘inside’ rather than being forced to endure the cold wintry American weather. Ah, but in the last two photos he seems more reconciled and perhaps comforted by being embraced in dad’s arms and snuggling up against mom’s warm breasts.
What an amazing production! Hope you will reap lots of benefit from your work…..
Looking forward to seeing you in Toronto (I hope) later this year.
Love,
Eva
Congratulations! Having recently concluded similar negotiations, albeit with the use of drugs (on the part of the father of the deal), we are glad to hear that yours was successful and not especially protracted, though, it probably did not seem that way at the time.
Congratulations to Thom, Raphaela, Bez and the Powershausen families!!!Wishing you health, quick recovery and the occasional bit of sleep.
What a production!!!!!
Without a doubt the best STF experience! Besos to both and congratulations!!!!
What a cutie! (no Thom, I was talking about Bez)This newest little addition is oh-so-lucky to be on board with a such great team. Welcome Bez!!
What a beautiful baby!!
CONGRATULATIONS!!!! What wonderful news! Welcome to the world, Bez! Well, if you’re not ready to compete with Nina Davenport on the home-documentation front, maybe you could just do a Nikita Mikhalkov and film him once a year on his birthday!
xoxo
!!congratulations to the powershausen clan!! fantastic work on the delivery, rafferty of my heart! can’t wait to meet Bez soon
Congratulations to both of you!! Wonderful news! Mabrook!!
Congratulations, Thom and Raphaela. That lucky little guy’s got an incredible life ahead of him guaranteed, courtesy of two of the coolest parents he could’ve hoped for.—mark
You used the BEST Doula in all of Brooklyn. Congrats on the birth !
Pleased to meet you Bezalel!
You brought your charms into a really terrific family…AND you sure will woo your singing Grandmother.
We wish all of you lots of love and hugs!
Too cute! Congratulations to your family
Congratulations and Best Wishes Welcome Bez
We sit here with tears streaming down our faces as we first see our beautiful grandson, Bez, held by his daddy and mommy.
How blessed you are, Thom and Raphaela, and both families too, to have this precious gift of life in our midst. We laughed out loud when we saw the doula’s name was Meghan, the very Irish name we’d chosen had a second daughter been added to our family of Thomas, Patrick, Jr and Maureen. And so the greatest journey ever begins for Bez and his parents.
With hearts bursting with joy and gratitude to God, we send you our love.
Congrats, bro and sis! Such a beautiful baby. Shelley and I can’t wait to see him in NY in a few weeks.
Is it true that there is a bidding war for the Director’s Cut of the Bris?
Raphaela looks beautiful and glowing:) Great job, guys:)
Welcome Bez! And Mazel Tov to your parents. WE can’t wait to see all of your joyous faces in person
R
Tremendous! Congrats.
I have a feeling……. that Bez was already very present at our lunch last Sunday and – even more so -in the afternoon.
Please come soon to the farm and stay long!
Abbracci,
ML and Horst
OHMYGOD THAT IS THE SWEETEST THING I’VE EVER SEEN!!!!!!!!!!!!!!
i love the name!!!!!!!
so feminist too!!!!
can’t wait to meet him!!!
jasper loves him already.
Dear Bez,
Mazel tov! You couldn’t have picked a finer pair of parents to, er, represent you. Or to develop you? Make you manifest, express you—whatever they did, Powers and Raphaela did it beautifully! We can see that you’re a serious fellow, but we do hope you take the time to savor these first few days.
I’m so excited for you both, you all three, and I can’t wait to see you. Congratulations and love.
Raphaela and Thom—Congrats and so glad everyone is doing well! Can’t wait to meet Bez and welcome him to the world—enjoy your precious miracle!
Love,
Helen
Congratulations Raphaela and Thom! Will Bez be moderating the next Q&A
We are absolutely thrilled for you three.
Welcome to the world little Bez—many kisses await you.
Suni and Stephan
Congratulations! So much has happened since I was first introduced to you two. I can’t imagine two better parents for this lucky boy.
Best,
Jeanne
A big big congrats!!
I look forward to meeting him.
So cute! Congrats!
Marvelous accomplishment! My best to baby, mother, and father. Also my nomination for “best press release.”
Welcome Bez! Warm congratulations to your parents Raphaela and Thom, and the PowerHousen families!
Being a parent requires a sense of humour. I would like to share with you a wonderful editor’s message from a Toronto parent magazine. It goes like this:
A parent’s job description, if it was advertised:
Parents Wanted – Apply Within:
Long-term team players needed for challenging permanent work in a chaotic environment. Candidates must possess excellent communication and organizational skills and be willing to work days, evenings, weekends and 24-hour shifts on-call.
Responsibilities:
The rest of your life! Must be willing to be hated, at least temporarily, until someone needs $5. Also, must possess the physical stamina of a buck mule and go from 0 – 60 mph in 3 seconds flat, in case screams are not someone crying wolf. Must maintain character and coordinate homework projects. Must be willing to be indispensible one minute and embarrassed the next. Must assume final; complete accountability for the quality of the end product.
Possibilities for advancement:
None! Your job is to remain in the same position for years, constantly updating your skills without complaining.
Salary:
None! You pay them. A balloon payment is due when they turn 18, of the assumption that college will help them become financially independent. When you die, you give them whatever is left.
Benefits:
While no health or dental insurance, no pension, no tuition reimbursement, no paid holidays, and no stock options are offered, this job supplies limitless opportunities for personal growth, unconditional love, lots of laughter, and free hugs and kisses.
Raphaela and Thom, you are obviously up for the job! Mazel Tov!
All our love,
Stella, Kobi and Eitan
How wonderful! The world is already a better place. Congratulations, Thom and Raphaela!
The fruit of creation of your love that you have for one another is the perfect joy of having that baby boy cuddling warmly in your arms. Congratulations on the birth of your baby boy, BEZALEL!!)
My Best wishes!
XOX
Dearest Thom and Rafaela
Warmest congratulations!
Thom, your fathering an infant truly puts this event in the STF category. (You would probably respond that it’s Bezness as usual.)
Much love to both of you and Bez.
Debraj
Congratulations Thom and Raphaela!
He’s beautiful and best of all—he’s only one!
felicitaciones! i hope our boys can meet one day soon!
Congratulations to you all – what wonderful news! And big big CHAPEAU for doing it all without silly interventions and drugs!!!
Welcome to the beautiful exciting world, Bez!
Lots of love from London
Mazel Tov !!!!!! We are all very excited by this wonderful news. Way to go Raphaela and Thom. We know that your parents, grandparents and all family members are elated. We look forward to seeing you in Toronto later this year.
Best wishes !!
BRAVO FOR BEZ!!!!! LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE to all 3 of you!!!!!!
What a brilliant article and an even more brilliant ending !!!
Can not wait to see you both and I am so very happy for you – congratulations .This is very exciting !!!
STF Groupie and Filmmaker
amelia oxoxoxoxo
Raphaela and Thom, CONGRATULATIONS!!! What a beautiful baby. It’s so awesome, just 9 months of production… 20 years of distribution though!
We’re next in the production pipeline -hoping for an equally auspicious premiere!
Our best wishes,
Almudena and Robert
Mazel Tov!
I remember reading a story in religious school in the ‘70’s about a kid with that name (the gentile teacher wanted to call him Butch or Buzzy), but google-fu is failing me as to who wrote it.
Dear Thom and Raphaela,
I love the blog post and the photos! I was distracted by my first visit to Sundance (spectating and meeting folks) and arrived home to read about the great news.
Congratulations and best wishes.
-Theresa
My warmest congratulations, Raphaelochka! Molodetz!
Your new Commander in Chief is great! Lots of joy, happiness and strong health for little Bez and his wondrful parents!
Very happy for you,
Madlena, Dima Kroshka’s mum.
Standing ovation. Much love to you.
What was the third doc about Russia?
BEZ!!! Congratulations Thom and Mrs. Thom! I have indeed been lost in the Sundance fog, but this is definitely the best news of the week. Very cool. Wishing you the best of luck and at least a little sleep.
dusty
And the winner for the best photo layout and script introducing a new actor with superb supporting roles for his parents…Bez! Congratulations! —Howard
Congratulations! What a gorgeous addition to the family!
Beautiful baby! I hope the furniture is ready. Can’t wait to meet Bez.
Love,
Matt, Alicia and family
Congratulations on the cutest baby ever and pretty much the best baby announcement too! Enjoy every minute!
Congratulations once again !!
This is the most unusual and a beautiful welcome note…would love to see him sometime.
Wow, how amazing. Congrats to the whole family!! Bez is adorable. Hold him tight, because he is going to grow up before you know it. We loved the announcement. Can’t wait for regular updates. Hope to catch up with you guys in the summer. All our love,
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On Wednesday, Kenner paid a visit to STF where the film played strongly on the big screen. Introducing the night, STF host Thom Powers noted that it was somehow fitting to hold the screening on the day when Lent begins “because this film will make you want to give up all food.”
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I enjoyed watching “The Kids Grow Up” and attending drinks afterwards (I usually have to head home!). FYI, the nurse in the photo is also documentary filmmaker Claire Panke.
Thanks for ID’ing me Theresa! I’m a documentary filmmaker AND a nurse – thanks.
Just came across this. Great idea, especially presenting work from radio, audio, photography, writing etc. Needed. We have noticed that some festivals are including audio documentary. Our little Fest in Dayton does that. Will tell our audio buddies out here and in the City to submit work.
Be sure to notify the SALT Institute in Portland Me. and the Duke Center for Documentary Studies…each have a focus on writing, audio and photo.
Cute baby photo.
cheers,
julia
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The link for the Season pass doesn’t seem to be working. Please let me know how I can purchase it.
Thanks and looking forward to another great season of STF.
Happy New Year!
Charlotte
We have also the pleasure and the honour to show it in competition at Ronda International Film Festival.
Planning to see almost all of these… great preview!
Thanks for this! Recently read “And the Band Played On,” so am looking forward to “We Were Here” in particular.
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I am currently writing a story based on Ukrainian/Russian historical events showing Soviet oppression and acts of crimes against humanity that existed during the 30’s through the 90’s. People, on whose life experiences I am writing, are also dismayed, to say the least, of the last of interest or apathetic attitude toward this part of history. I am attempting to heighten awareness, but it will take an army of people along with myself to accomplish this. It can be done, but it will only be accomplished through book writing, cinema and documentaries. I am a new writer and would welcome support in bringing my book,and hopefully many others’ to completion. This would then be a sedgeway for encompassing “a lost era” and show the world a more complete history. I am an optimist by nature, and the story I am writing is showing a journey of those who suffered, but went on to success and fulfillment in their lives.
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Thom, Chris and I spent 4 years of home room and a couple of German classes together. He was the first guy I met at Terry Sanford (that I did already know as he went to another middle school. We laughed for 4 years and after college would have a beer or three at a local pub called the Highlander. And although I haven’t seen him in a few years I followed his work through his pictures and along with other Fayetteville natives and classmates on FB. Your words ring true. I will remember his smile and his work ethic. He was truly a unique soul and I find it hard to explain why it has hit me so hard. I sum it like this. Several years ago when my life seemed to be falling apart I ran into him in Fayetteville. He seemed to know that I was going through something and he said “Hey Holtet, let’s get beer.” Sadly we didn’t. But I have remembered that day for a long time. You just don’t get the chance too have friends like that in your life very often. He will be missed. Thank you for your words..
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Don’t miss a single one. Get a season pass and spend your summer watching great films. Full line-up below.
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Using footage of explosions, charred bodies, and the leveled neighborhoods of the poor, The Panama Deception turns again and again back to the U.S. media’s sanitized version of the “intervention” .
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The films preseved by the Registry are not just the big movies that appear on most lists.
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While it may be obscure to us, for others it’s home where hundreds of Libyans have been killed in recent weeks. Chris, Tim and their colleagues were attempting to tell that story.
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This article written by Aaron Cael, while well-informed in its correct views of the film, is wrong in the lack of respect shown in its final sentence: “the game of international politics that will likely keep his grandfather imprisoned for life.”
While my grandfather is currently serving time in Paris, against all Geneva Conventions, without evidence against him, on behalf of the United States Government, the actions currently being taken by the President of Panama Ricardo Martinelli and the current Secretary of State Hillary Clinton make his safe return to Panama imminent. While it was supposedly assumed that the United States should have had no role to play after the completion of his sentence in Miami, all actions point the opposite, and Barack Obama’s current Democratic presidency has to make up for the Republican scheming in the respect of my grandfather’s case.
Despite the use of the word ‘likely’ in the final sentence of this review, this sentence not only provokes unnecessary drama to my requested participation in the screening, but it also takes part in the deception of the media that the film discusses at length by suggesting a continued lack of justice.
-Jean Manuel Beauchamp
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Cool post! How much stuff did you have to look up in order to write this one? I can tell you put some work in.
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i must have to see “Between Two Worlds”,and i know it won’t upset me.
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Judaism is the world’s three largest a belief in god, the first and the most ancient religion, also is the jewish people’s way of life and faith. Judaism commandments and doctrine, mainly from pull, namely “the bible’s first five books. The most important teachings, Judaism is only one god, and eternal god is invisible. He let all the people, to do righteousness, good, because god in his mercy image made man, so people should have a dignity and respect to. The jews to study and prayer to serve god, and Moses directed on five through the commandment. For the holy covenant believe that, the jews believed that this was god’s call to them, they also is the world witness, their mission. But not for other ethnic groups that Judaism are redeemed and must accept her religious beliefs and worship the way; The world will because it has done a judgment, and, not for what it believed “and judgment; All the righteous nation all share the coming world peace. Therefore, Judaism and is not a positive missionary religion. Jewish church of teh, to accept the provisions of the authorities must comply with Judaism, because a person to convert to Judaism wasn’t just ego identity things.
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These Amazing Shadows, an 88-minute documentary, tells the history and importance of the Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself. The current list of 550 films includes selections from every genre – documentaries, home movies, Hollywood classics, avant-garde, newsreels and silent films. These Amazing Shadows reveals how “American movies tell us so much about ourselves…not just what we did, but what we thought, what we felt, what we aspired to, and the lies we told ourselves.”
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Almost every soldier in Iraq has been involved in some sort of incident like that or another, I would say. Their attitude about it was grim, but it wasn’t the end of their world. It was, “Well, kind of wished they’d stopped. We fired warning shots. Damn, I don’t know why the hell they didn’t stop. What’re you doing later, you want to play Nintendo? Okay.” Just a day’s work for them. That stuff happens in Iraq a lot.
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The fantastic requires the fulfillment of three conditions. First, the text must oblige the reader to consider the world of the characters as a world of living persons and to hesitate between a natural or supernatural explanation of the events described. Second, this hesitation may also be experienced by a character; thus the reader’s role is so to speak entrusted to a character, and at the same time the hesitation is represented, it becomes one of the themes of the work—in the case of naive reading, the actual reader identifies himself with the character. Third, the reader must adopt a certain attitude with regard to the text: he will reject allegorical as well as “poetic” interpretations.
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Better This World is really a very nice film .It’s a fantastic film which is powerful and provocative.I watched it a couple of days ago and it provoked a lot of feeling.i was shocked when i watched it the two gugs into the situation. SO cool. Thanks for your sharing and i like it very much.
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The Stevie is awesome.it really affected me, especially the two women Tanya and Patricia. Their wisdom was quite affecting.I like it very much and makes me think more about the life.Thanks for your sharing.
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This film is very intersting which is played like a 70s R&B/Soul field trip to Africa, which is also the most place attracts me.It has the flashbulbs, press conferences, backstage camaraderie and amazing performances that a concert film with a narrative arc promises and does it better than most.I like it very much .Thanks for your sharing.
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What the film really moved me is the questions it raises regarding the role the government itself plays in creating these so-called terrorists, and the complicity of law enforcement informants acting as agents provocateur. It reflect the truth and give us more sypathy with it. This film is really good and thanks for your sharing.
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i can learn from You’ve Been Trumped,which reflect the Trump’s development of a massive golf resort in an ecologically sensitive sand dune region in Scotland, and returned with a chronicle of his outright hostility to the plight of a small group of nearby property owners deemed by the business tycoon as a threat to his development.This must be a greed world and we have to be more self-contrled and have a sypasy towards life. Thanks for your sharing and it’s a very nice film which can give us more thoughts.
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Nice voice！I mean，Dixie Chicks always sing beautiful songs，And as we all know they often have their own position and political view，too。funny!But who does not？In this country people can support different parties whatever they like.I would like to see this film regardless of the politics.By the way,I really love their music！Thans for sharing！
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The trouble was, “16 in Webster Groves” wasn’t verité…. The producers came to town to film their (mistaken) hypothesis that 16-year-olds longed for adventure, but THESE 16-year-olds were a bunch of conformists who wanted a nice house and a nice family. They got the ages wrong— OLDER young people want that.
Apparently the producers didn’t have teens of their own, or didn’t pay attention to them.
As I recall, the film focused on large, impressive homes—not the tiny ranch house in which one of the most popular talking heads lived.
I had gone to Webster Groves High School a few years before “16 in WG” was filmed. It was a thrill to see the excellent photography capture the personalities of my teachers, and the self-satisfied energy of the Glee Club under the charismatic “Miss Rep,” singing, “This is my country, land of the free”—which I always found irritating.
But the manipulation and lazy political correctness of this TV show shaped my own writing and reporting in the opposite direction. Approach your subject with an open mind, gather information and viewpoints, and THEN tell your story.
Stlelar work there everyone. I’ll keep on reading.
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Thanks Aaron – that’s such a thoughtful post.
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Thank you for sharing this and helping inform the public about this tragedy.
Semper Fi,more than words !
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Broken link on the IFP / Adam Bowers post.
Who needs to spend hours scrolling through twitter when it’s all here in one bite-sized chunk. Great work!
P.S. Berlinger and Sinofsky were robbed!
Frequent STFer Hemal Trivedi was editor on Saving Face! Congrats to her and the team.
Hey Tim. I just tried the Bowers link and it seems to be working now. Thanks for reading all.
I want to echo some of the earlier comments – great job Rahul! Love that I can find a wrap-up of all recent doc news in this Monday Memo.
TheReview Hi There!, I’ve gone ahead and bookmarked your page on Digg so my ierfnds can see it too. I simply used your blog title as the title in my bookmark, as I figured if it’s good enough for you to title your blog post that, then you probably would like to
3) Take another look at the ofgtaoe and the way people are conducting themselves. Having a great time, doing the costume thing, saying farwell to the flesh before Lent. But NOT being obscene, obnoxious, or causing others to feel a need to be concerned for their safety or the safety of our children. It doesnt matter where you stand on the route in New Orleans, if the thugs havent shown up en masse before you get there, wait 5-10 minutes and a crowd will show.
Bruce and Patty due so much for there community and staff, I oewkrd for patty for 8 yrs and they are awesome people, I have seen many shows weather it be a christmas party or a concert in asbury or in ny. They always give a 110% to there family friends staff and fans. Anything they do will be great, also patty has some great musice out there and a very destintive voice, Her music deserves more credit , and behind every great man is great a great women/
http://bruggertheambassador.blogspot.com/ explains why THE AMBASSADOR is not a documentary nor a mockumentary, and reveals the inconvenient truth behind the story about what was left out.
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Hi Ken, An equally smart man such as yuorself should be able to engage in debate without misquoting the other person. At no stage did I refer to carbon trading as an innocuous tool, so please give me the courtesy of not putting words in my mouth. I spoke of it as a tool e.g a scalpel is a tool: hardly innocuous, and capable of being used for great good or great bad depending on how it is employed.It would also be good if you engaged in the discussion, and the different elements that need to considered, rather than bypassing the detail and pointing solely at polemics that agree with your position. Of the two webpages you provided, one wouldn’t load and you should read the other one more closely. The Greenwash Awards site comments that carbon trading has failed to reduce carbon emissions, because there are too many carbon credits in the system. Good comment but doesn’t that also identify a clear way of revising the system? I realise we’re in a throw-away society, but discarding the whole idea because it doesn’t work perfectly at the outset seems very hypocritical, especially when the problem has been identified.The same site goes on to say that business backed carbon trading and offestting as the main ways to reduce greenhouse gas emissions –allowing them to evade actual cuts . I agree 100% that it is ridiculous if such a system allows business to keep polluting as usual . That’s why I clearly stated that any carbon trading tool needs to be coupled with methods addressing other parts of the problem (i.e. reducing emissions). Without doing that, and without realistic caps, a carbon trading system does absolutely nothing.In flagging these concerns and again I freely acknowledge that there are concerns and issues that need to be addressed with carbon trading no one has yet answered my question above: i.e. what is better: current world fossil fuel consumption PLUS burning forests, or current world fossil fuel consumption WITHOUT burning forests? As I also stated, it might not be perfect, but it’s a major step in the right direction *while* (and that’s a key word) the other parts of the problem are being tackled.Being informed is about more than accepting other views without question. Perhaps a bit more engagement and research would help from yuorself, rather than simply relying on what the web is telling you. If we wait for everything to be perfect, it will never happen. In the meantime, positive work is underway on ground in Aceh whether that is happening in an ideal world or not.Best wishes,Niall.
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I find this hoopla over the NC17 to be quite silly. Here’s the deal: the MPAA is an uanifr organization marked by poor priorities, terribly consistency, and rendered completely stupid by the fact that it’s actually run by the big studios. The application of the NC17 is inconsistent at best and irresponsible at worst, but let’s face it, Shame is very much and NC17 movie. It’s a movie for adults and not at all for young teens or children.The issue then becomes the stigma, which I reject completely. This is a capitalist world and in the end it all comes down to money. The kinds of films that traditionally get NC17 ratings are not big blockbusters. They’re usually films that would get limited advertising for a limited release anyway. And guess what, if Shame gets a lot of awards buzz and a lot of interest from mainstream viewers, advertisers and theatre chains will make sure to get in on that money. The fact is, most ordinary people don’t even know what the NC17 is, so any stigma is crap. Completely manufactured and amplified by the fact that there are so few NC17 movies, they are usually given the rating for sexual material, and the films that get the rating usually wouldn’t play outside of the four or five major markets anyway.
Hi Wayne,Yeah watching the soduim is, what I think, the first step in the right direction. You should at least feel your pressure in the ear going down by that. I would also recommend you to watch coffee and alcohol. I personally feel a correlation between my Meniere’s and Alcohol more than with coffee or salt. Let’s say, if I drink 2-3 beers on empty stomach (after work) I can bet that my ear is getting worse if not that night, than the next day. So, salt, coffee and alcohol. And smoke. Cigarette smoke is also well known to affect the ear. About the ringing in the ear: Tinnitus is very difficult to treat. I personally don’t know of anything except acupuncture. And that’s something, if you read my last article there, I am just trying out. Now with Acupuncture that’s one of these things: 1. You need a good Acupuncturer otherwise the symptoms will not improve 2. In traditional Chinese Medicine they treat Meniere’s with Acupuncture EVERY day you can guess that this is something very unlikely achievable for us here. So, for the ringing but also for the overall improvement of your Meniere’s I would say find a good acupuncturer and try to create a short, frequent treatment. With that I mean 3 times for 1/2 weeks. I had 2 treatments and my dizziness attacks (I had for some reason 4-5 last week) disappeared and I feel less pressure in my ear. I do still have Tinnitus and hearing loss is pretty bad. But I am going to write an entry about that experience soon Mate, good luck with that and let me know how you are going and write me your experiences!
Tarkovsky is my favourite dietorcr so I own all of his movies (all 7 of them) from Kino International to Criterion versions. I own the book that Stalker’s loosely based on, Roadside Picnic , and I’ve played the 3 PC games that were inspired by the film. :O)The reason behind why I’m not a Godfather fan is because I don’t like the Italian mob. Cosa Nostra et all really bother me because of the Italian cliche9s that has resonated throughout the decades and the whole living with your mother who cooks spaghetti for you, etc is an annoyance. I also hate the you mess with one of us you, mess with all of us ideal because I believe that everyone can fight their own battles, which is why I much prefer the Yakuza; they almost never get into fights because they’d end up in wars and bloodshed. I’m going to rewatch The Godfather one day just so I could watch the second at one point in my life. I’m told that the first two films are basically one long movie and that the third’s the epilogue. Again, I hate the Italian mob so I’ll need to get in the mood. But Goodfellas is a movie that I love. It’s not mainly about the riches and the power, it’s about the hard work that goes into being a footsoldier and that I can relate to.I also didn’t like Pacino in the first Godfather film; I thought that his performance was decent at best but also that his character would not have become the Godfather that he turned into because I didn’t see it in his character to become that. It was lacking the portrayal. But that’s just me, and now that I’m far more experienced in movie watching I may enjoy it more, especially its cinematogrphy.
Hi Thom- I will also be there acquiring documentary films and selling our doc catalogue worldwide. Just acquired Joel Katz’s WHITE: A MEMOIR IN COLOR, Dani Menkin’s DOLPHIN BOY, Vic Sarrin’s DESERT RIDERS, David New’s TEACHING THE LIFE OF MUSIC, a film called THE LAST NAZI HUNTER, a new feature doc GREENWICH VILLAGE;MUSIC THAT DEFINED A GENERATION, “THEIR EYES WERE DRY”, Gabrielle Pfeiffer’s A POET ON THE FRONTLINE, THE HOUSE OF SUH,…and many more! Love to you and to Rafaella!!
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.(JavaScript must be enabled to view this email address)/johanna.samuel@gmail.com 416-566-2994
[…] Jump over to the Stranger than Fiction blog to get his Top 10 Twitter Tips for Filmmakers » […]
I saw both documentaries recently and they are absolutely excellent and so accurate about the reasons why so many Thai women end up with western husbands. Thailand is a hard country to live in if you are poor as there is no social service net, so you can’t blame the women doing what they do to help their children hopefully have a better life.
It was also nice to see a film that really did put the western men it followed in a good light, as it showed they were only trying to find someone to love which, let’s face it, isn’t a bad thing :)
Congratulations!!!! So happy for both of you- Love, Johanna
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الابتكا روالتطوير والتحديث المستمر في تصميمات مظلات وسواتر الدمام المتوفر لدى شركة السبيعي التي تقدم العديد من التصميمات المختلفة عن الجميع وجميعها بأجود الخامات الممتازة والقوية للمزيد من
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اقوى عروض رحلات الغردقة باقل الاسعار واعلى الخدمات وحجز في فنادق فخمة مجهزة بكافة سبل الراحة والمتعة لك عميلنا العزيز ..
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مراكز صيانة الكتروستار تقدم خدمات مميزه جدا لعملاءها ومستخدمي اجهزة ماركتها ومن مميزات المركز انخفاض تكلفته عن كثير من المراكز المعتمده
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تعتبر شركة مثلث الفرسان واحدة من الشركات الكبري المتخصصة للكثير من اعمال وخصومات افضل شركة نقل عفش بجدة باسعار مميزة جدا لدينا افضل الخصومات الكبيرة والاعمال المميزة من على موقعنا المتميز والرائع افضل شركة نقل اثاث بجدة اسعار مميزة جدا نقدمها الان اليكم من على موقعنا
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شركة الهامة واحدة من الشركات المتخصصة فى اعمال نقل العفش فى جدة باسعار مميزة جدا تناسب الجميع خصومات كبيرة جدا نقدمها الان اليكم من على موقعنا
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ال صالح لنقل الاثاث
افضل شركة نقل عفش بالدمام
اذا كنت خائف على اثاث منزلك من الكسر والخدش فلا تتردد فى الاتصال بشركة ال صالح شركة ال صالح لا تدع مجالا للخطاء فهى لديها فريق مدرب يؤدى عمله باتقان واسلوب محكم انها
افضل شركة نقل اثاث بالدمام
تقدم خدماتها ويسعدنا اتصالكم.
شركة ال صالح تقدم الكم خدماتها فهى
افضل شركة نقل عفش بالدمام
, تقوم بتغليف وفك وتركيب الاثاث وشحنه الى اى مكان بدون اى عواقب او اخطاء ,حيث ان لديها افراد مختصين وادوات شحن متطوره ,فنحن افضل شركة نقل اثاث بالدمام واسعرنا مميزه لن تجد لها مثيل ,سنصلك اينما كنت لا تتردد فى الاتصال