STF: What was your father’s reaction to this film when he saw it?
Berliner: It’s probably one of the top two, or maybe three, moments of my life. I had the very good fortune of premiering this film at the New York Film Festival at Alice Tully Hall. The filmmaker sits in the director’s box, which is the mezzanine level, and in anticipation of the screening I asked the people at the festival if maybe my father could sit in the orchestra far away. I was really nervous, he hadn’t seen the film and I wasn’t sure what was going to happen and I didn’t want the pressure of him sitting next to me. There is a tradition at the New York Film Festival in which at the end of the film a light shines on the director and the audience applauds.
And I said, they can take the light and after they shine it on me, they can shine it on him, it might look nice. And they said, Alan, stop it. That’s the place he’s going to sit in. So, begrudgingly I had to agree. Then a rather amazing and unforgettable thing happened. The film was over and I stood up and received nice applause. My father stood up, then the applause got bigger, and then we both sat down which was the signal to the person in charge of the lights to shut the lights down and then we’d all go home. But that’s not what happened. We sat down and the applause was still going on and the light is still there, and now we’re in unscripted territory because I don’t know what to do. I motion to my father that he should stand up again, so my father stood up and about 1,100 people in the room all stood up, in effect giving him a standing ovation.
People were crying and I was crying, and it was just this amazing moment for me. And of course, during the course of the film I’m watching him watch the film and it wasn’t a very good screening for me because I was very nervous. He never mentioned it to me, really, but about three weeks later someone told me that he had mentioned to them that it was the happiest night of his life. In the mythology of this film, that’s a sort of signature moment. But then it was aired on POV, on public television. At that point I had been showing it at a lot of festivals, and screening it at a lot of different places. So I decided to buy him a closed captioned television so he could actually read the film—he had hearing issues, I wasn’t sure he was getting everything. So I went in his room and I set it up, and the film went on. So he’s listening, reading, watching the film. He was living in this senior citizen’s home, and because he was such an isolated person, I didn’t put a sign in the lobby or anything. So I went out in the hallway when he was watching the film—he was in room 710—and I walk down the hallway and in 708 I’m hearing my father’s voice, and again in 707. It’s a 16-story building on 95th Street and West End Avenue, and I realize that this whole building, or at least lots of it, is watching the film.
My father went from being completely anonymous—the next day men where shaking his hand, saying, oh man, you had a wife like that? He’s getting extra mashed potatoes in the cafeteria from the servers. His whole life changed. People now know is name. He used to sit by himself, now people are inviting him to sit next to them at meals. Now people are—in the ensuing weeks and months—now know who I am. People are keeping an eye out for him and I’m getting feedback. He’s getting recognized on the streets of Manhattan. You must know my son, he would tell them. No, I saw you on television. And so we flirted with this idea that he was a movie star in some sense. And the truth is, if I may say, and friends of mine who are social workers told me, having known him before and after, for about two years after this film, my father’s life changed. And they actually called it one of the most successful interventions—the film as intervention—that they’d ever witnessed.
I realize it wasn’t that I changed the way my father looked at himself, because as I introduced the film I said that he never really got it. And he really never did get it. But what the film did do, was that it changed the way people looked at him, and it forced him to deal with the world and with life differently. Because now he’s getting invited to sit with people at dinner, and so now he has to talk, even though he can’t hear—and that was another problem, his hearing really got in the way of many social interactions. But he had to deal, he wasn’t anonymous anymore, and in effect he had to rise to the occasion. And for about two years he got love letters and marriage proposals in the mail. But to my father, anyone who wrote to me or him, or especially to him, was a whacko—that’s his word. It was all quite silly, more than silly. It was a very interesting run we had with him for a few years, and then slowly, but surely, dementia started to set in. In fact he didn’t get his wish to be remembered as a man who has all his marbles. He, in effect lost all of his marbles.
Audience: How did you start this project? What made you want to make a film about your father?
Berliner: There are lots of different ways of answering that question. He was always there as a presence in my life, and his sadness was so heavy for me, always. Believe me I spent years and years trying to change him, trying to snap him out of this malaise. Here I am in the verbal prime of my life thinking I can do lots of things with words, and taking him here and there and sharing with him, and he would have none of it. I sometimes used to say, by way of analogy, in trying to reach him—and I’m not the only person in this room who has wanted to change their parent in some way—I rang the doorbell and he didn’t answer. And I knocked on the door and he didn’t answer. And then I knocked harder, and he didn’t answer. And then I stepped back and screamed up at the window, and he didn’t answer. And the only thing left to do was throw a rock through the window. This film is my rock through the window.
Audience: He seems so combative, how did you get him to sit down and talk with you in the first place?
Berliner: There are a lot of answers to that question. One is, we loved one another. And in a way, it was as if he was helping me with my homework. After, lo, many many years, he was helping me once again with my homework. But the other thing is this: my father’s life was very much an open book with one or two lines in it. I would call my father up and say, I’m going to do an interview with you on film on Friday. But before that I’m going to bring someone named David [Leitner] over on Wednesday at 10 o’clock just so you can meet him. Now I know my father’s schedule because he did the same thing everyday. So my father could never say, oh 10 o’clock on Wednesday, I’m going to a Mets game or a movie. He didn’t do anything. When I went through his things after he died, I thought I would find a special journal—even a bottlecap collection would have done it for me.
I went he was there at 10 o’clock on Wednesday because he had nothing else to do. And we went at 10 o’clock on Friday and he was there. But he also loved me, and I loved him. He was helping me with my homework. He’s a human being, and his son—I’m not sure how it would have been if it were someone else—but when I show up with a notebook with 400 questions saying I want to know everything about his life—there’s a vanity dimension to this and I think that appealed to him as well. And by the way, he threatened to get up out of the room several times—never did.
STF: How long did you actually spend interviewing him?
Berliner: This was shot on motion 16mm film, and we were shooting on eleven 400-foot increments and I had three magazines. Every ten minutes we have to stop, take a magazine off the camera, put another one in, shoot another ten minutes, stop. And then, at the end of that 30 minutes we have to unload each of the magazines and reload film in it, and it’s a delicate process. I think we shot three or four hours. There were several big interviews, but that three or four hours would take all day just based on logistics. And there were another couple pick up interviews I did with him, just audio interviews, for instance when I came back from Poland. I had to give him a chance to say I told you so, you wouldn’t find anything. After my sister gave birth to her daughter, I need him to weigh in about being a grandparent.
Audience: How much of the final film was in you mind when you started?
Berliner: As a filmmaker I’m a big believer in the idea that you should never really know where you’re going when you start. You should be changed by the process of doing what you do. I’m a big believer, also, in bad ideas, because I believe the way to good ideas is only through bad ideas. So I’m not afraid to have them, I’m proud of them. So I had a lot of bad ideas when I started making this film. I thought I was making a portrait of my father. That was a naive idea. For one thing, there’s no such thing as a portrait of a person, particularly because I’m asking him hundreds of questions over a period of time. I realize it’s about our relationship. And then when you think, naively, that you’re making a portrait of someone, it’s really about the universe of subjects and ideas and dynamics that are contained in that relationship, in that subject. So I wasn’t making a film about my father, I wasn’t even really making a film about our relationship. I was making a film about love and hate and generations and culture and history. And who owns the memories, how do we mediate the memories, who owns the past, how can we talk about the future? And that’s just the tip of the iceberg. I didn’t realize what kind of universe there was in his story. The evolution of my thinking was radical in terms of thinking what this movie could contain.
I had identified—through an expression my father once used to describe our combativeness—he used the phrase verbal sparring, it was a playful expression he had. Somehow I internalized that and started to think as a boxing match as a kind of visual metaphor. So I had that in the back of my head as I started to think about archival imagery, which I knew would be a layer to the film. My first inkling was to create a film that was structured around a heavyweight boxing match. And I was going to have title cards—round one, round two, round three. It seemed interesting, and then I realized it was a bad idea because if you have a bout and you actually have 15 rounds, then someone has to win. This isn’t about winning—someone in the audience saying, well we just finished round 10. I got the kid six-four, what about you? I didn’t want that kind of thinking. It’s about resiliency, the oedipal drama is about resiliency. It’s perpetual, and ideal.
So I let go of that idea, but I kept the boxing match, I tried to use it strategically throughout the film. When I began, I didn’t really understand the breadth of that metaphor. For instance, at some point my father says, you keep on hounding me and pounding me. Over the boxing footage, it takes on a different meaning. There was a certain point where we’re talking about the divorce—and keep in mind I’m the filmmaker so I have all the power—and my father says to me, apropos my parents’ divorce, that just shows your lack of feeling, that shows your lack of understanding, your lack of sensitivity, of understanding. And I kept those words in because I wanted my father to be able to hit me too. In a film I’m making, I don’t necessarily want those words in. But I consciously, purposely wanted to empower him to hit me, to land some body blows, or some psycho blows as it were. And I might not have put them in without the push and pull of how it helped the boxing metaphor somehow.
STF: In the film Wide Awake you bring us into your library of footage and you have cans and cans of footage that you’ve been collecting over the years and that you’ve drawn upon over the years. Can you talk about your collecting and how that began, where you get footage from?
Berliner: The first thing is that I recognized at a young age that my affinities were for making collage. I liked putting things together: ideas, moving images, still images. I liked making connections between things, and I did it when I was a little kid, I still do it now, and I’ll die doing it. I just, over the years, without even truly understanding why until later, have been surrounding myself with things—images, sounds, magazine articles—that I can put together. I don’t necessarily need to know how it goes together or what it goes together with. I just know the more things I have that go together, the more the algorithms of infinite possibilities exist, that I will find in playful ways, things to do with them. And that has been borne out. When I finish a film, the images that I use are not worn out, they’re not gone, they go back in the pool. If you were to look at all my films as a totality, you would see images and sounds reused continually, and that’s another little game I play through the body of my work. I’m using sounds and images, giving them new context and meaning by using them in different ways in different circumstances in different films. You probably noticed a few other shots that were in Nobody’s Business that were in City Edition. That’s a 15- or 16-year gap between those two films. So that’s another layer of fun for me.
STF: So where does this footage come from?
Berliner: When I came of age as a filmmaker in the mid- to late-70s, early 80s, film was everywhere. You could go to Willoughbys and buy motion picture film. You could buy reels of film—1960: The Year in Review—you could take home an hour-long film for ten bucks. I used to buy home movies. I had various film-related jobs that I would freelance at, there would be stuff in the garbage. I begged, I borrowed, I stole, filmmakers gave me their outs because they knew I had room on my shelf for them—still do to some extent. As long as there are shelves, there’s room for imagery to put on them, and there are collages to be made
Audience: Could you describe your editing process?
Berliner: Each film has its own process and is its own story. This film took about three years and included going to Poland. My personal life was in a bit of disarray in the middle of this, within that three years I took off six or eight months and forgot about it in a certain way. I also make installation projects and I had a gallery project that took me about three months, so it’s woven into life. Yes, the primary element of this film is the interview with my father, in a way it’s an ongoing conversation. When you start out to make a film—it doesn’t matter if you’re a poet or painter or writer—in some ways your motivation is because you want to include everything. Everything is potent and everything has meaning and everything’s good. It’s good to want to include everything, a film, like a novel, can’t include everything. How do you do a biography of a person’s life in an hour? It’s almost absurd. So there are many dimensions of my father’s life that we discussed that are not in the film, as interesting as they may have been. In some cases even funnier or more poignant than what’s in the film. Every film that I make begins with a kind of soft, faint heartbeat, and ends up during the course of its making with a strong personality. In the course of that building, in the evolution of that process, and I don’t mean to be mysterious or mystical here, but the film tells you what’s in and what’s out. I’m a big believer in listening to your film as your making it. In general, that’s a big part of my process, listening to my film.
This film premiered in September 1996 at the New York Film Festival, which means it had to be finished or close to finished for submission in July. My friend Spencer who was visiting from California came to look at it in May, and after about ten minutes told me to stop. He said he wanted to throw up, that it was claustrophobic, that the pathos of my father was just so much that he couldn’t bear it. Whatever pretensions I had to universality, it was not working on any level, and that I better do a radical rethink because I’m in big trouble. Not only that, he said to me, where’s that footage that you shot of that vault in Utah?
By the way it was really difficult to get permission to shoot in that vault. It’s run by the Mormon church, and I was the first person they allowed in 35, maybe 40 years. I wrote them a letter, they initially told me no. Why? Well we don’t let anyone in there. We get 100 requests a year and we say no to everybody. And then I got a Guggenheim Fellowship for this film, and I had written in the application that I hoped to get access to this vault. And I thought, maybe they gave it to me because of the vault. And I realized I wrote that in the application I really have to deliver here. And so I wrote to the head of public relations of the Mormon Church. I said to him, I know you said no, and I accept that completely, but can I ask again. Can I write another letter, and you can say no again, but I just needed permission to write another letter. And he’s a very courteous and generous guy, and he said, sure you can write another letter, I can’t stop you, but they’re going to say no because they say no to everybody. Anyway, three months later I get a phone call and he couldn’t believe it, he said you’ve been given permission to film in the granite vault. And he called it providential, which for a Mormon to say that is a heavy thing.
Back to the question, the footage from the vault was not in the film. I said to my friend, I haven’t really figured out how to use it and it might not be in the film. Obviously I have many other problems to solve in the making of the film besides how to use this film. Something between May and June, I figured it out. I figured out a way of connecting my father to that, if there are the names and other peripheral documents of more than two billion people in that room, well the key then, what if you could talk to one of them, or to someone who will one day become one of those two billion. I had already asked my father those questions and it was just a matter of recognizing this big crowd. Part of my father’s anonymity was his penchant for hiding in big crowds. And that was just another big crowd, that two billion deceased in the vault, and it was just about showing his face, in this case just his voice, in that crowd. And asking him to reflect upon the implications of that, and then it just opened up for me.
[Interview has been edited for clarity and length]
Congrats! This is exciting.
I have a wonderful conversation on my blog with Astra—talented, talented woman!
Great essay, Thom. Many of us who write about books, serious literary fiction and literature in translation in particular, feel the same way; it’s a complaint commensurate with the shift/decline in print media.
Don’t discount blogs though. At least in the book world there are a lot of avid writers not only picking up where the old mainstream media left off, but finding new ways to critique and engage books (and pushing the blog format) – new online literary journals are popping up too, for the very same reason that there are more filmmakers: technology has reduced the barriers to entry. And now, former professional critics are becoming online critics, paid or not, and enjoying the freedom of the format and the connection with their audience that rarely existed in print. The result is an eclectic and vibrant mix of voices and I’d assert that if there’s an audience for doc films, which there is, then there’s the potential at least for the same sort of renaissance in doc-film criticism.
Bud Parr, blogger,
Words Without Borders
Nice going, Thom!
I’ve bemoaned the sad state of docu criticism on many occasions, but never really considered that there might be an alternative. Reading your piece made me realize what a boon reliably in-depth and insightful criticism would be to my work (and others’).
Maybe you should contact Pat Aufderheide. Now that she’s successfully revolutionized copyright, perhaps she can help fix things up in this arena. But seriously, I bet her Center could make a real contribution.
Thanks for opening eyes and pushing the field forward.
Thanks for the thoughtful analysis.
Problem is that we are dealing with “the Tyranny of Large Numbers”
When I was doing Network television in the early 60’s there were 4 channels- and a push from the FCC to do “ed B’castin” How does one do justice now to the abundance of programming bombarding us.
and more importantly-What in our contemp society encourages reflection, much less contemplation- we believe the lies because it’s easier than searching out the truth- and if they confirm our assumptions- so much the better.
But I, like you ,and thousands of others soldier on
—because even if unwanted or ignored- the pursuing of truth beauty and justice is our way of being in the world and I for one have no intention of changing course.
great essay Thom.
As a smalltown boy my own love of cinema was heavily reliant on film criticism. I didn’t have access to many of the films I was reading about (via by Pauline Kael, Ebert, and especially J. Hoberman, when I could find a Village Voice in Northern Ontario), but the writing fueled my interest and passion, and eventually led me to film school.
In Toronto, our best film critic, Geoff Pevere, become quite addicted to docs, and wrote incisively about them. I tangibly noticed what a difference it made in developing audience interest for the form here. Unfortunately we lost him to the Book Section!
But, I agree with Rosenbaum that sites like ROUGE (which is excellent) are picking up the critical slack, even if industry gossip sites continue get most of the hits.
Wow, this sounds great. Wish I had been there. Ever since I read her autobiography Dust Tracks on the Road, I have been obsessed with ZNH!
Also deserving a mention: the first Gucci Tribeca Documentary Fund Awards. Perhaps the fanciest documentary party ever, or, as one of the grantees commented, the scruffiest Gucci party ever. Not scruffy at all though.
Hey Thom, when are you going to head East and check out all the great stuff being made in East Asia? can’t you come to the Iron Horse, the Golden Horse or something?
Here’s a look back at the STFs I attended this past year:
As well as my own top 10 list:
Looking forward to the new season!
I spend most of my time reading and reviewing books, and interviewing authors. Engaging with the printed word is simply much more stimulating than watching 90% of the movies that are currently served up to the public..of the 10% that are worth thinking and writing about, I’d say most are documentaries…
This is, as you say, an interesting field in which to practice criticism; given the state of today’s media however, few are likely to be hired based on any particular knowledge of the documentary genre.
Good criticism is a function as much of what is criticized as of how the critic writes…and talented critics, when they have a choice, will always seek out the most challenging material, regardless of which medium it may appear in.
I saw VSPRS in Paris in October 2007 (on my honeymoon), and its was GREAT; I had no idea this was happening! Big fan of Sophie’s… glad to see PERVERT’S GUIDE get a run… and no idea she had done a VSPRS film…
Thanks for the update, Thom!
Great piece, Thom. Essential. A new doc criticism is necessary if only to encompass documentary filmmaking in countries like China, India, Africa and eastern Europe. Jia Zhangke, for example—Useless, 24 City—says he makes non-fiction films to stop the disappearing of images and stories and landscapes, endemic to postwar Chinese history.
Thanks Raphaela for your account of the festival. I read evey word and felt like I was there. You and Thom are the best. Hope Kevin and I will get to see you soon at IFC for a screening!
Happy New Year
Beautiful evening. I especially enjoyed the screening of the 12-minute short on “The First World Festival of Negro Arts” I loved how Greaves captured the optimism of that early period of African independence so well.
just read it – now am in tears. Britical you write so bloody well, I want 1000’s and more to read your words !
nice enjoyment had taken place i m feeling jealous.
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It was initially disappointing to see so many empty seats in that room the other night, for this will certainly turn out to be one of the real cinema-going treats of 2009, but the post-film Q&A;felt more intimate because of it (although that one dude telling Peter Davis what he did and didn’t stage was… well, I would rather not get into that right now).
Lucky for us, and shame on everyone else for missing out (though maybe Cannes had something to do with that?). It sounds like there are no immediate plans for Icarus to release the Middletown series in a more affordable DVD boxed set edition, but maybe if enough of us complain it will kick them/someone else into gear. After having only seen Seventeen and Second Time Around, this already stands tall as the Decalogue of nonfiction. I might consider lopping off a finger to see the others. Hopefully it won’t come to that.
It was mildly disappointing, I suppose, that the theater wasn’t jam-packed, but the real disappointment is that these films aren’t available on DVD. In an age when EVERYTHING is available for download or rental or Netflix, it’s inexplicable that we shouldn’t all be able to order up these six beauties with the touch of a button (and, okay, maybe a credit card).
As for the so-called ‘argument’ about what was staged and what wasn’t—with all due respect, you missed the point. It wasn’t that anything was staged, and no one, not I, who got the conversation started, and not the other dude in the row behind me (who I think is the dude to whom you’re referring), was suggesting that any scenes were staged, but merely the rather obvious fact that the actions of the subjects of documentary films are of course altered by the presence of the camera.
(My point, and I am happy to make it again, and complete it, is that the scene where the couple talks about how much money the guy spends on his stamp collection was in particular affected by the camera’s presence; that without a camera there, it is likely these two may not have recognized how silly and wonderfully trivial the conversation was; that they might not have laughed so charmingly about the whole thing… I think it’s one of the strongest scenes in a very strong film, and the moments of acute self-consciousness on both their parts contributes to the scene being so terrific.)
And by the way, not that it matters (and it doesn’t), but I happen to know that Peter Davis agrees with me on the larger point. Other families talked politics at the dinner table; as much as Dad may like to think we talked about politics too, what we really talked about was stuff like this.
Nice synopsis of the panel. It’s interesting that journalists trapped in the world of mainstream media have a very difficult time of portraying the news and the underlying message due to the pressures of the companies they work for. grand rapids lasik
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this post very very helped me !
My vote for a great sports documentary goes to Blood, Sweat and Gears directed by Nick Davis
4TH AND GOAL – Coming soon. Sometimes the best is yet to happen.
Best Sports Doc? Blood Sweat + Gears Directed by Nick Davis
Thanks Thom for creating the CLIFF NOTES for the new indie distrib frontier. much much appreciated!! xo
I was at that IFP conference panel too and found it really fascinating. Thanks for filling me in on the TIFF and MoMa events. This is such a hot topic right now!
Zidane: A 21st Century Portrait would be near the top of my list; and maybe Speedo! (Why not)
Racing Dreams would also be worth some discussion—a great recent entry in the motorsports doc canon.
One of my faves is Quantum Hoops directed by Rick Greenwald.
How about that little diddy, “OLYMPIA”, by Leni Riefenstahl?
STF should start a dvd/streaming video platform!
“The box office on MRS GOLDBERG should be higher – except most of the tickets are at senior citizen prices.”
Hah! Great piece, Thom.
Raphaela & Thom,
We are all so happy for you both and expect to be updated on the big news.
Raphaela was radiant last night!
CONGRATULATIONS TO THE BEAUTIFUL FAMILY!!!
What do you mean ‘uncharacteristic’ profanity. Don’t be fooled by that sweet face . Bez looks like he’s saying “Thank you very much, but I would have preferred the warmth and comfort of ‘inside’ rather than being forced to endure the cold wintry American weather. Ah, but in the last two photos he seems more reconciled and perhaps comforted by being embraced in dad’s arms and snuggling up against mom’s warm breasts.
What an amazing production! Hope you will reap lots of benefit from your work…..
Looking forward to seeing you in Toronto (I hope) later this year.
Congratulations! Having recently concluded similar negotiations, albeit with the use of drugs (on the part of the father of the deal), we are glad to hear that yours was successful and not especially protracted, though, it probably did not seem that way at the time.
Congratulations to Thom, Raphaela, Bez and the Powershausen families!!!Wishing you health, quick recovery and the occasional bit of sleep.
What a production!!!!!
Without a doubt the best STF experience! Besos to both and congratulations!!!!
What a cutie! (no Thom, I was talking about Bez)This newest little addition is oh-so-lucky to be on board with a such great team. Welcome Bez!!
What a beautiful baby!!
CONGRATULATIONS!!!! What wonderful news! Welcome to the world, Bez! Well, if you’re not ready to compete with Nina Davenport on the home-documentation front, maybe you could just do a Nikita Mikhalkov and film him once a year on his birthday! xoxo
!!congratulations to the powershausen clan!! fantastic work on the delivery, rafferty of my heart! can’t wait to meet Bez soon
Congratulations to both of you!! Wonderful news! Mabrook!!
Congratulations, Thom and Raphaela. That lucky little guy’s got an incredible life ahead of him guaranteed, courtesy of two of the coolest parents he could’ve hoped for.—mark
You used the BEST Doula in all of Brooklyn. Congrats on the birth !
Pleased to meet you Bezalel!
You brought your charms into a really terrific family…AND you sure will woo your singing Grandmother.
We wish all of you lots of love and hugs!
Too cute! Congratulations to your family
Congratulations and Best Wishes Welcome Bez
We sit here with tears streaming down our faces as we first see our beautiful grandson, Bez, held by his daddy and mommy.
How blessed you are, Thom and Raphaela, and both families too, to have this precious gift of life in our midst. We laughed out loud when we saw the doula’s name was Meghan, the very Irish name we’d chosen had a second daughter been added to our family of Thomas, Patrick, Jr and Maureen. And so the greatest journey ever begins for Bez and his parents.
With hearts bursting with joy and gratitude to God, we send you our love.
Congrats, bro and sis! Such a beautiful baby. Shelley and I can’t wait to see him in NY in a few weeks.
Is it true that there is a bidding war for the Director’s Cut of the Bris?
Raphaela looks beautiful and glowing:) Great job, guys:)
Welcome Bez! And Mazel Tov to your parents. WE can’t wait to see all of your joyous faces in person
I have a feeling……. that Bez was already very present at our lunch last Sunday and – even more so -in the afternoon.
Please come soon to the farm and stay long!
ML and Horst
OHMYGOD THAT IS THE SWEETEST THING I’VE EVER SEEN!!!!!!!!!!!!!!
i love the name!!!!!!!
so feminist too!!!!
can’t wait to meet him!!!
jasper loves him already.
Mazel tov! You couldn’t have picked a finer pair of parents to, er, represent you. Or to develop you? Make you manifest, express you—whatever they did, Powers and Raphaela did it beautifully! We can see that you’re a serious fellow, but we do hope you take the time to savor these first few days.
I’m so excited for you both, you all three, and I can’t wait to see you. Congratulations and love.
Raphaela and Thom—Congrats and so glad everyone is doing well! Can’t wait to meet Bez and welcome him to the world—enjoy your precious miracle!
Congratulations Raphaela and Thom! Will Bez be moderating the next Q&A
We are absolutely thrilled for you three.
Welcome to the world little Bez—many kisses await you.
Suni and Stephan
Congratulations! So much has happened since I was first introduced to you two. I can’t imagine two better parents for this lucky boy.
A big big congrats!!
I look forward to meeting him.
So cute! Congrats!
Marvelous accomplishment! My best to baby, mother, and father. Also my nomination for “best press release.”
Welcome Bez! Warm congratulations to your parents Raphaela and Thom, and the PowerHousen families!
Being a parent requires a sense of humour. I would like to share with you a wonderful editor’s message from a Toronto parent magazine. It goes like this:
A parent’s job description, if it was advertised:
Parents Wanted – Apply Within:
Long-term team players needed for challenging permanent work in a chaotic environment. Candidates must possess excellent communication and organizational skills and be willing to work days, evenings, weekends and 24-hour shifts on-call.
The rest of your life! Must be willing to be hated, at least temporarily, until someone needs $5. Also, must possess the physical stamina of a buck mule and go from 0 – 60 mph in 3 seconds flat, in case screams are not someone crying wolf. Must maintain character and coordinate homework projects. Must be willing to be indispensible one minute and embarrassed the next. Must assume final; complete accountability for the quality of the end product.
Possibilities for advancement:
None! Your job is to remain in the same position for years, constantly updating your skills without complaining.
None! You pay them. A balloon payment is due when they turn 18, of the assumption that college will help them become financially independent. When you die, you give them whatever is left.
While no health or dental insurance, no pension, no tuition reimbursement, no paid holidays, and no stock options are offered, this job supplies limitless opportunities for personal growth, unconditional love, lots of laughter, and free hugs and kisses.
Raphaela and Thom, you are obviously up for the job! Mazel Tov!
All our love,
Stella, Kobi and Eitan
How wonderful! The world is already a better place. Congratulations, Thom and Raphaela!
The fruit of creation of your love that you have for one another is the perfect joy of having that baby boy cuddling warmly in your arms. Congratulations on the birth of your baby boy, BEZALEL!!)
My Best wishes!
Dearest Thom and Rafaela
Thom, your fathering an infant truly puts this event in the STF category. (You would probably respond that it’s Bezness as usual.)
Much love to both of you and Bez.
Congratulations Thom and Raphaela!
He’s beautiful and best of all—he’s only one!
felicitaciones! i hope our boys can meet one day soon!
Congratulations to you all – what wonderful news! And big big CHAPEAU for doing it all without silly interventions and drugs!!!
Welcome to the beautiful exciting world, Bez!
Lots of love from London
Mazel Tov !!!!!! We are all very excited by this wonderful news. Way to go Raphaela and Thom. We know that your parents, grandparents and all family members are elated. We look forward to seeing you in Toronto later this year.
Best wishes !!
BRAVO FOR BEZ!!!!! LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE to all 3 of you!!!!!!
What a brilliant article and an even more brilliant ending !!!
Can not wait to see you both and I am so very happy for you – congratulations .This is very exciting !!!
STF Groupie and Filmmaker
Raphaela and Thom, CONGRATULATIONS!!! What a beautiful baby. It’s so awesome, just 9 months of production… 20 years of distribution though!
We’re next in the production pipeline -hoping for an equally auspicious premiere!
Our best wishes,
Almudena and Robert
I remember reading a story in religious school in the ‘70’s about a kid with that name (the gentile teacher wanted to call him Butch or Buzzy), but google-fu is failing me as to who wrote it.
Dear Thom and Raphaela,
I love the blog post and the photos! I was distracted by my first visit to Sundance (spectating and meeting folks) and arrived home to read about the great news.
Congratulations and best wishes.
My warmest congratulations, Raphaelochka! Molodetz!
Your new Commander in Chief is great! Lots of joy, happiness and strong health for little Bez and his wondrful parents!
Very happy for you,
Madlena, Dima Kroshka’s mum.
Standing ovation. Much love to you.
What was the third doc about Russia?
BEZ!!! Congratulations Thom and Mrs. Thom! I have indeed been lost in the Sundance fog, but this is definitely the best news of the week. Very cool. Wishing you the best of luck and at least a little sleep.
And the winner for the best photo layout and script introducing a new actor with superb supporting roles for his parents…Bez! Congratulations! —Howard
Congratulations! What a gorgeous addition to the family!
Beautiful baby! I hope the furniture is ready. Can’t wait to meet Bez.
Matt, Alicia and family
Congratulations on the cutest baby ever and pretty much the best baby announcement too! Enjoy every minute!
Congratulations once again !!
This is the most unusual and a beautiful welcome note…would love to see him sometime.
Wow, how amazing. Congrats to the whole family!! Bez is adorable. Hold him tight, because he is going to grow up before you know it. We loved the announcement. Can’t wait for regular updates. Hope to catch up with you guys in the summer. All our love,
isn’t “The Cove” amazing? get involved and help save the dolphins!!! http://www.takepart.com/thecove
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On Wednesday, Kenner paid a visit to STF where the film played strongly on the big screen. Introducing the night, STF host Thom Powers noted that it was somehow fitting to hold the screening on the day when Lent begins “because this film will make you want to give up all food.”
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I enjoyed watching “The Kids Grow Up” and attending drinks afterwards (I usually have to head home!). FYI, the nurse in the photo is also documentary filmmaker Claire Panke.
Thanks for ID’ing me Theresa! I’m a documentary filmmaker AND a nurse – thanks.
Just came across this. Great idea, especially presenting work from radio, audio, photography, writing etc. Needed. We have noticed that some festivals are including audio documentary. Our little Fest in Dayton does that. Will tell our audio buddies out here and in the City to submit work.
Be sure to notify the SALT Institute in Portland Me. and the Duke Center for Documentary Studies…each have a focus on writing, audio and photo.
Cute baby photo.
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The link for the Season pass doesn’t seem to be working. Please let me know how I can purchase it.
Thanks and looking forward to another great season of STF.
Happy New Year!
We have also the pleasure and the honour to show it in competition at Ronda International Film Festival.
Planning to see almost all of these… great preview!
Thanks for this! Recently read “And the Band Played On,” so am looking forward to “We Were Here” in particular.
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I am currently writing a story based on Ukrainian/Russian historical events showing Soviet oppression and acts of crimes against humanity that existed during the 30’s through the 90’s. People, on whose life experiences I am writing, are also dismayed, to say the least, of the last of interest or apathetic attitude toward this part of history. I am attempting to heighten awareness, but it will take an army of people along with myself to accomplish this. It can be done, but it will only be accomplished through book writing, cinema and documentaries. I am a new writer and would welcome support in bringing my book,and hopefully many others’ to completion. This would then be a sedgeway for encompassing “a lost era” and show the world a more complete history. I am an optimist by nature, and the story I am writing is showing a journey of those who suffered, but went on to success and fulfillment in their lives.
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Thom, Chris and I spent 4 years of home room and a couple of German classes together. He was the first guy I met at Terry Sanford (that I did already know as he went to another middle school. We laughed for 4 years and after college would have a beer or three at a local pub called the Highlander. And although I haven’t seen him in a few years I followed his work through his pictures and along with other Fayetteville natives and classmates on FB. Your words ring true. I will remember his smile and his work ethic. He was truly a unique soul and I find it hard to explain why it has hit me so hard. I sum it like this. Several years ago when my life seemed to be falling apart I ran into him in Fayetteville. He seemed to know that I was going through something and he said “Hey Holtet, let’s get beer.” Sadly we didn’t. But I have remembered that day for a long time. You just don’t get the chance too have friends like that in your life very often. He will be missed. Thank you for your words..
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Don’t miss a single one. Get a season pass and spend your summer watching great films. Full line-up below.
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Using footage of explosions, charred bodies, and the leveled neighborhoods of the poor, The Panama Deception turns again and again back to the U.S. media’s sanitized version of the “intervention” .
The films preseved by the Registry are not just the big movies that appear on most lists.
While it may be obscure to us, for others it’s home where hundreds of Libyans have been killed in recent weeks. Chris, Tim and their colleagues were attempting to tell that story.
This article written by Aaron Cael, while well-informed in its correct views of the film, is wrong in the lack of respect shown in its final sentence: “the game of international politics that will likely keep his grandfather imprisoned for life.”
While my grandfather is currently serving time in Paris, against all Geneva Conventions, without evidence against him, on behalf of the United States Government, the actions currently being taken by the President of Panama Ricardo Martinelli and the current Secretary of State Hillary Clinton make his safe return to Panama imminent. While it was supposedly assumed that the United States should have had no role to play after the completion of his sentence in Miami, all actions point the opposite, and Barack Obama’s current Democratic presidency has to make up for the Republican scheming in the respect of my grandfather’s case.
Despite the use of the word ‘likely’ in the final sentence of this review, this sentence not only provokes unnecessary drama to my requested participation in the screening, but it also takes part in the deception of the media that the film discusses at length by suggesting a continued lack of justice.
-Jean Manuel Beauchamp
Cool post! How much stuff did you have to look up in order to write this one? I can tell you put some work in.
this film is a fantasy and not the realty .but people would like to take into consideration and have a rdeam with it.
i’m crazy about the New York’s film and the polts are so attractive to me.
i must have to see “Between Two Worlds”,and i know it won’t upset me.
i’m crazy about the New York’s film and the polts are so attractive to me.
i must have to see “Between Two Worlds”,and i know it won’t upset me.
Chinese history is all ethnic groups of China education and the development history of Christmas. It developed the feudal society, has created the world’s highest civilization contemporary. But when some areas into western capitalism, especially when the western capitalist powers after China invaded China, more and more behind. In 1911 the revolution to overturn the monarchy and establish China, China won the new starting point forward. In 1949, the People’s Republic of China opened up in the socialist road on the prospect of the rejuvenation of the Chinese.
Judaism is the world’s three largest a belief in god, the first and the most ancient religion, also is the jewish people’s way of life and faith. Judaism commandments and doctrine, mainly from pull, namely “the bible’s first five books. The most important teachings, Judaism is only one god, and eternal god is invisible. He let all the people, to do righteousness, good, because god in his mercy image made man, so people should have a dignity and respect to. The jews to study and prayer to serve god, and Moses directed on five through the commandment. For the holy covenant believe that, the jews believed that this was god’s call to them, they also is the world witness, their mission. But not for other ethnic groups that Judaism are redeemed and must accept her religious beliefs and worship the way; The world will because it has done a judgment, and, not for what it believed “and judgment; All the righteous nation all share the coming world peace. Therefore, Judaism and is not a positive missionary religion. Jewish church of teh, to accept the provisions of the authorities must comply with Judaism, because a person to convert to Judaism wasn’t just ego identity things.
These Amazing Shadows, an 88-minute documentary, tells the history and importance of the Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself. The current list of 550 films includes selections from every genre – documentaries, home movies, Hollywood classics, avant-garde, newsreels and silent films. These Amazing Shadows reveals how “American movies tell us so much about ourselves…not just what we did, but what we thought, what we felt, what we aspired to, and the lies we told ourselves.”
Almost every soldier in Iraq has been involved in some sort of incident like that or another, I would say. Their attitude about it was grim, but it wasn’t the end of their world. It was, “Well, kind of wished they’d stopped. We fired warning shots. Damn, I don’t know why the hell they didn’t stop. What’re you doing later, you want to play Nintendo? Okay.” Just a day’s work for them. That stuff happens in Iraq a lot.
The fantastic requires the fulfillment of three conditions. First, the text must oblige the reader to consider the world of the characters as a world of living persons and to hesitate between a natural or supernatural explanation of the events described. Second, this hesitation may also be experienced by a character; thus the reader’s role is so to speak entrusted to a character, and at the same time the hesitation is represented, it becomes one of the themes of the work—in the case of naive reading, the actual reader identifies himself with the character. Third, the reader must adopt a certain attitude with regard to the text: he will reject allegorical as well as “poetic” interpretations.
The cycle of abuse concept is widely used in domestic violence programs, particularly in the United States. Critics have argued the theory is flawed as it does not apply as universally as Walker suggested, does not accurately or completely describe all abusive relationships, and may favor ideological presumptions over empirical data.
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Better This World is really a very nice film .It’s a fantastic film which is powerful and provocative.I watched it a couple of days ago and it provoked a lot of feeling.i was shocked when i watched it the two gugs into the situation. SO cool. Thanks for your sharing and i like it very much.
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The Stevie is awesome.it really affected me, especially the two women Tanya and Patricia. Their wisdom was quite affecting.I like it very much and makes me think more about the life.Thanks for your sharing.
This film is very intersting which is played like a 70s R&B/Soul field trip to Africa, which is also the most place attracts me.It has the flashbulbs, press conferences, backstage camaraderie and amazing performances that a concert film with a narrative arc promises and does it better than most.I like it very much .Thanks for your sharing.
What the film really moved me is the questions it raises regarding the role the government itself plays in creating these so-called terrorists, and the complicity of law enforcement informants acting as agents provocateur. It reflect the truth and give us more sypathy with it. This film is really good and thanks for your sharing.
i can learn from You’ve Been Trumped,which reflect the Trump’s development of a massive golf resort in an ecologically sensitive sand dune region in Scotland, and returned with a chronicle of his outright hostility to the plight of a small group of nearby property owners deemed by the business tycoon as a threat to his development.This must be a greed world and we have to be more self-contrled and have a sypasy towards life. Thanks for your sharing and it’s a very nice film which can give us more thoughts.
Nice voice！I mean，Dixie Chicks always sing beautiful songs，And as we all know they often have their own position and political view，too。funny!But who does not？In this country people can support different parties whatever they like.I would like to see this film regardless of the politics.By the way,I really love their music！Thans for sharing！
The trouble was, “16 in Webster Groves” wasn’t verité…. The producers came to town to film their (mistaken) hypothesis that 16-year-olds longed for adventure, but THESE 16-year-olds were a bunch of conformists who wanted a nice house and a nice family. They got the ages wrong— OLDER young people want that.
Apparently the producers didn’t have teens of their own, or didn’t pay attention to them.
As I recall, the film focused on large, impressive homes—not the tiny ranch house in which one of the most popular talking heads lived.
I had gone to Webster Groves High School a few years before “16 in WG” was filmed. It was a thrill to see the excellent photography capture the personalities of my teachers, and the self-satisfied energy of the Glee Club under the charismatic “Miss Rep,” singing, “This is my country, land of the free”—which I always found irritating.
But the manipulation and lazy political correctness of this TV show shaped my own writing and reporting in the opposite direction. Approach your subject with an open mind, gather information and viewpoints, and THEN tell your story.
Stlelar work there everyone. I’ll keep on reading.
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Thanks Aaron – that’s such a thoughtful post.
Thank you for sharing this and helping inform the public about this tragedy.
Semper Fi,more than words !
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Broken link on the IFP / Adam Bowers post.
Who needs to spend hours scrolling through twitter when it’s all here in one bite-sized chunk. Great work!
P.S. Berlinger and Sinofsky were robbed!
Frequent STFer Hemal Trivedi was editor on Saving Face! Congrats to her and the team.
Hey Tim. I just tried the Bowers link and it seems to be working now. Thanks for reading all.
I want to echo some of the earlier comments – great job Rahul! Love that I can find a wrap-up of all recent doc news in this Monday Memo.
TheReview Hi There!, I’ve gone ahead and bookmarked your page on Digg so my ierfnds can see it too. I simply used your blog title as the title in my bookmark, as I figured if it’s good enough for you to title your blog post that, then you probably would like to
3) Take another look at the ofgtaoe and the way people are conducting themselves. Having a great time, doing the costume thing, saying farwell to the flesh before Lent. But NOT being obscene, obnoxious, or causing others to feel a need to be concerned for their safety or the safety of our children. It doesnt matter where you stand on the route in New Orleans, if the thugs havent shown up en masse before you get there, wait 5-10 minutes and a crowd will show.
Bruce and Patty due so much for there community and staff, I oewkrd for patty for 8 yrs and they are awesome people, I have seen many shows weather it be a christmas party or a concert in asbury or in ny. They always give a 110% to there family friends staff and fans. Anything they do will be great, also patty has some great musice out there and a very destintive voice, Her music deserves more credit , and behind every great man is great a great women/
http://bruggertheambassador.blogspot.com/ explains why THE AMBASSADOR is not a documentary nor a mockumentary, and reveals the inconvenient truth behind the story about what was left out.
Funding docs ALL OVER. Founding sponsor Channel 4. Partner w/ Bertha Foundation, w/ Sundance on #GoodPitch and w/ PUMA.Creative on Catalyst & Impact Awards. Wow
What about @dogwoof, UK distributor of docs and global sales qgent for various titles
Hi Ken, An equally smart man such as yuorself should be able to engage in debate without misquoting the other person. At no stage did I refer to carbon trading as an innocuous tool, so please give me the courtesy of not putting words in my mouth. I spoke of it as a tool e.g a scalpel is a tool: hardly innocuous, and capable of being used for great good or great bad depending on how it is employed.It would also be good if you engaged in the discussion, and the different elements that need to considered, rather than bypassing the detail and pointing solely at polemics that agree with your position. Of the two webpages you provided, one wouldn’t load and you should read the other one more closely. The Greenwash Awards site comments that carbon trading has failed to reduce carbon emissions, because there are too many carbon credits in the system. Good comment but doesn’t that also identify a clear way of revising the system? I realise we’re in a throw-away society, but discarding the whole idea because it doesn’t work perfectly at the outset seems very hypocritical, especially when the problem has been identified.The same site goes on to say that business backed carbon trading and offestting as the main ways to reduce greenhouse gas emissions –allowing them to evade actual cuts . I agree 100% that it is ridiculous if such a system allows business to keep polluting as usual . That’s why I clearly stated that any carbon trading tool needs to be coupled with methods addressing other parts of the problem (i.e. reducing emissions). Without doing that, and without realistic caps, a carbon trading system does absolutely nothing.In flagging these concerns and again I freely acknowledge that there are concerns and issues that need to be addressed with carbon trading no one has yet answered my question above: i.e. what is better: current world fossil fuel consumption PLUS burning forests, or current world fossil fuel consumption WITHOUT burning forests? As I also stated, it might not be perfect, but it’s a major step in the right direction *while* (and that’s a key word) the other parts of the problem are being tackled.Being informed is about more than accepting other views without question. Perhaps a bit more engagement and research would help from yuorself, rather than simply relying on what the web is telling you. If we wait for everything to be perfect, it will never happen. In the meantime, positive work is underway on ground in Aceh whether that is happening in an ideal world or not.Best wishes,Niall.
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I find this hoopla over the NC17 to be quite silly. Here’s the deal: the MPAA is an uanifr organization marked by poor priorities, terribly consistency, and rendered completely stupid by the fact that it’s actually run by the big studios. The application of the NC17 is inconsistent at best and irresponsible at worst, but let’s face it, Shame is very much and NC17 movie. It’s a movie for adults and not at all for young teens or children.The issue then becomes the stigma, which I reject completely. This is a capitalist world and in the end it all comes down to money. The kinds of films that traditionally get NC17 ratings are not big blockbusters. They’re usually films that would get limited advertising for a limited release anyway. And guess what, if Shame gets a lot of awards buzz and a lot of interest from mainstream viewers, advertisers and theatre chains will make sure to get in on that money. The fact is, most ordinary people don’t even know what the NC17 is, so any stigma is crap. Completely manufactured and amplified by the fact that there are so few NC17 movies, they are usually given the rating for sexual material, and the films that get the rating usually wouldn’t play outside of the four or five major markets anyway.
Hi Wayne,Yeah watching the soduim is, what I think, the first step in the right direction. You should at least feel your pressure in the ear going down by that. I would also recommend you to watch coffee and alcohol. I personally feel a correlation between my Meniere’s and Alcohol more than with coffee or salt. Let’s say, if I drink 2-3 beers on empty stomach (after work) I can bet that my ear is getting worse if not that night, than the next day. So, salt, coffee and alcohol. And smoke. Cigarette smoke is also well known to affect the ear. About the ringing in the ear: Tinnitus is very difficult to treat. I personally don’t know of anything except acupuncture. And that’s something, if you read my last article there, I am just trying out. Now with Acupuncture that’s one of these things: 1. You need a good Acupuncturer otherwise the symptoms will not improve 2. In traditional Chinese Medicine they treat Meniere’s with Acupuncture EVERY day you can guess that this is something very unlikely achievable for us here. So, for the ringing but also for the overall improvement of your Meniere’s I would say find a good acupuncturer and try to create a short, frequent treatment. With that I mean 3 times for 1/2 weeks. I had 2 treatments and my dizziness attacks (I had for some reason 4-5 last week) disappeared and I feel less pressure in my ear. I do still have Tinnitus and hearing loss is pretty bad. But I am going to write an entry about that experience soon Mate, good luck with that and let me know how you are going and write me your experiences!
Tarkovsky is my favourite dietorcr so I own all of his movies (all 7 of them) from Kino International to Criterion versions. I own the book that Stalker’s loosely based on, Roadside Picnic , and I’ve played the 3 PC games that were inspired by the film. :O)The reason behind why I’m not a Godfather fan is because I don’t like the Italian mob. Cosa Nostra et all really bother me because of the Italian cliche9s that has resonated throughout the decades and the whole living with your mother who cooks spaghetti for you, etc is an annoyance. I also hate the you mess with one of us you, mess with all of us ideal because I believe that everyone can fight their own battles, which is why I much prefer the Yakuza; they almost never get into fights because they’d end up in wars and bloodshed. I’m going to rewatch The Godfather one day just so I could watch the second at one point in my life. I’m told that the first two films are basically one long movie and that the third’s the epilogue. Again, I hate the Italian mob so I’ll need to get in the mood. But Goodfellas is a movie that I love. It’s not mainly about the riches and the power, it’s about the hard work that goes into being a footsoldier and that I can relate to.I also didn’t like Pacino in the first Godfather film; I thought that his performance was decent at best but also that his character would not have become the Godfather that he turned into because I didn’t see it in his character to become that. It was lacking the portrayal. But that’s just me, and now that I’m far more experienced in movie watching I may enjoy it more, especially its cinematogrphy.
Hi Thom- I will also be there acquiring documentary films and selling our doc catalogue worldwide. Just acquired Joel Katz’s WHITE: A MEMOIR IN COLOR, Dani Menkin’s DOLPHIN BOY, Vic Sarrin’s DESERT RIDERS, David New’s TEACHING THE LIFE OF MUSIC, a film called THE LAST NAZI HUNTER, a new feature doc GREENWICH VILLAGE;MUSIC THAT DEFINED A GENERATION, “THEIR EYES WERE DRY”, Gabrielle Pfeiffer’s A POET ON THE FRONTLINE, THE HOUSE OF SUH,…and many more! Love to you and to Rafaella!!
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I saw both documentaries recently and they are absolutely excellent and so accurate about the reasons why so many Thai women end up with western husbands. Thailand is a hard country to live in if you are poor as there is no social service net, so you can’t blame the women doing what they do to help their children hopefully have a better life.
It was also nice to see a film that really did put the western men it followed in a good light, as it showed they were only trying to find someone to love which, let’s face it, isn’t a bad thing :)
Congratulations!!!! So happy for both of you- Love, Johanna
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ابحث عن شركة تنظيف لندن التي تلبي الاحتياجات الخاصة بك. في أقرب وقت كنت قد اخترت بعض الشركات، ويذهب أكثر من ملفهم الشخصي، الخدمات المقدمة، ومعدلات والسرعة والكفاءة، والموقع، الأحكام والشروط حتى تتمكن من تحديد ما إذا كانت الشركة التي تبحث عنها. مقارنة بين ميزات والأسعار للحصول على أفضل الصفقات.
Don’t forget @sima_awards :)
يعتبر توكيل شارب من افضل توكيلات الاجهزة الكهربائية لانه يقوم بتصنيع اجهزة متكطورة ومبتكرة وحديثة تتماشى مع جميع الاذواق والمختلفة ويتوفر جميع التصميمات التي تتلبي احتياجات جميع العملاء الكرام والاسعار مخفضة ورائعة تابعونا عبر
ايقوم فريق عمل كاريير صيانة
بأستخدام اساليب حديثة ومبتكرة في صيانة الاجهزة وتصلحيها حتى يوفر لكم درجة عالية من الحماية بالاضافة الى انه يقدم لكم قطع غيار مضمونة واصلية ومستوردة هدفنا ان نوفر لكم الحماية للمزيد تابعونا عبر
تعتبر شركة السبيعي من افضل شركات جميع اعمال السواتر وبيوت الشعر و مظلات السيارات الفخمة والقوية والمنفذة بتصميمات رائعة ومختلفة عن الجميع واسعارها مخفضة ومغرية تتناسب مع الجميع للمزيد من المعلومات تاعبونا عبر
لا تحتار كثيرا وسارع في الاتصال برقم شركة محمد ابو صالح الذي يقدم لكم جميع اعمال الديكورات من شلالات وفاير بليس ومدافئ امريكية و باربكيو وجميعها بتصميمات رائعة و اسعار خيالية ومغرية تتناسب مع الجميع للمزيد تاعبونا عبر
789896332 _ 790614242
بمجرد اشتراكك مع موقع سوقنى سوف تتمتع بافضل عروض وباقات مقدمة على جميع اعمال التسويق الاكتروني حيث يقوم فريق العمل بدراسة المواقع دراسة كاملة من جميع جوانبه ووضع خطة قوية لنجاح الموقع للمزيد تابعونا عبر
الابتكا روالتطوير والتحديث المستمر في تصميمات مظلات وسواتر الدمام المتوفر لدى شركة السبيعي التي تقدم العديد من التصميمات المختلفة عن الجميع وجميعها بأجود الخامات الممتازة والقوية للمزيد من
المعلومات تابعونا عبر
0500296699 – 0112277479
اذا كنت ترغب في تنفيذ حملات صيانة لاجهزتك الكهربائية لا تتجه الى اي شركة اخرى وسارع في الاتصال برقم توكيل فريش وتمتع بافضل صيانة وافضل اجهزة تعمل بشكل سليم وامن للمزيد تابعونا عبر
لمزيد من المعلومات حول شركة نقل عفش في جدة بأرخ الاسعار , زوروا موقعنا الان . واتصلوا بنا
شركة الاخلاص والامانه هى افضل شركة تقوم بنقل عفش فى مكة وبارخص الاسعار , اتصلوا بنا الان .
0550018083 _ 0565277186
اقوى عروض رحلات الغردقة باقل الاسعار واعلى الخدمات وحجز في فنادق فخمة مجهزة بكافة سبل الراحة والمتعة لك عميلنا العزيز ..
للاستفسار يمكنك الاتصال على الرقم التالي :
افضل مركز لتعليم معادلة كلية هندسة باقل الاسعار واعلى الخدمات لما لدينا اساتذة ذو خبرة عالية
[URL=”http://www.companysaudiarabia.com/menu.php”]افضل شركة كشف تسربات المياه بالرياض[/URL]
[URL=”http://arabianislandco.com/%D8%B9%D8%B2%D9%84-%D9%85%D8%A7%D8%A6%D9%8A.php”]افضل شركة عزل مائي بالرياض[/URL]
[URL=”http://waters-isolate-leaks.com/%D8%B9%D8%B2%D9%84-%D9%85%D8%A7%D8%A6%D9%89.php”]افضل شركة عزل خزانات بالرياض[/URL]
[URL=”http://www.companysaudiarabia.com/%D9%85%D9%83%D8%A7%D9%81%D8%AD%D8%A9-%D8%A7%D9%84%D8%AD%D8%B4%D8%B1%D8%A7%D8%AA.php”]افضل شركه مكافحة حشرات بالرياض[/URL]
[URL=”http://arabianislandco.com/”]اصلاح حمامات ومطابخ بالرياض[/URL]
[URL=”http://waters-isolate-leaks.com/%D8%B9%D8%B2%D9%84-%D9%85%D8%A7%D8%A6%D9%89.php”]افضل شركة عزل حمامات وخزانات[/URL]
[URL=”http://www.companysaudiarabia.com/”]عزل مائي وحرارى للاسطح[/URL]
مراكز صيانة الكتروستار تقدم خدمات مميزه جدا لعملاءها ومستخدمي اجهزة ماركتها ومن مميزات المركز انخفاض تكلفته عن كثير من المراكز المعتمده
تعتبر شركة اجازتنا واحدة من افضل الشركات المتخصصة للكثير من خدمات عروض شرم الشيخ مع شركة اجازتنا لدينا الكثير من الخصومات الكبيرة والاعمال المميزة التى نقدمها الان اليكم من على موقعنا المتميز والرائع, خصومات كبيرة جدا نقدمها الان اليكم رحلات شرم الشيخ باسعار ميمزة جدا تناسب الجميع
تعتبر شركة مثلث الفرسان واحدة من الشركات الكبري المتخصصة للكثير من اعمال وخصومات افضل شركة نقل عفش بجدة باسعار مميزة جدا لدينا افضل الخصومات الكبيرة والاعمال المميزة من على موقعنا المتميز والرائع افضل شركة نقل اثاث بجدة اسعار مميزة جدا نقدمها الان اليكم من على موقعنا
موقعنا واحد من المواقع المتخصصة فى مصر المسؤلة عن شركة امن وحراسة افضل الخصومات الكبيرة من على موقعنا المتميز اعمال مميزة جدا نقدمها الان اليكم من على موقعنا شركة حراسات خاصة خصومات كبيرة جدا نقدمها الان اليكم من على موقعنا المتميز خصومات رائعة نقدمها الان اليكم
شركة الهامة واحدة من الشركات المتخصصة فى اعمال نقل العفش فى جدة باسعار مميزة جدا تناسب الجميع خصومات كبيرة جدا نقدمها الان اليكم من على موقعنا
الشاحنات التى نقدمها اليكم مجهزة افضل شركة نقل اثاث بجدة من الداخل والخارج حفاظا على الاثاث داخل الشاحنة تمتع بخدمة نقل عفش منزلك مع شركات نقل العفش بجدة مع افضل شركة نقل عفش بجدة شركة الخيالة الشركة المتخصصة شركة نقل عفش بجدة فى نقل الاثاث بجدة شركة نقل اثاث بجدة ومكافحة الحشرات
ال صالح لنقل الاثاث
افضل شركة نقل عفش بالدمام
اذا كنت خائف على اثاث منزلك من الكسر والخدش فلا تتردد فى الاتصال بشركة ال صالح شركة ال صالح لا تدع مجالا للخطاء فهى لديها فريق مدرب يؤدى عمله باتقان واسلوب محكم انها
افضل شركة نقل اثاث بالدمام
تقدم خدماتها ويسعدنا اتصالكم.
شركة ال صالح تقدم الكم خدماتها فهى
افضل شركة نقل عفش بالدمام
, تقوم بتغليف وفك وتركيب الاثاث وشحنه الى اى مكان بدون اى عواقب او اخطاء ,حيث ان لديها افراد مختصين وادوات شحن متطوره ,فنحن افضل شركة نقل اثاث بالدمام واسعرنا مميزه لن تجد لها مثيل ,سنصلك اينما كنت لا تتردد فى الاتصال