The pattern of dehumanization and humiliation documented by Frederick Wiseman in TITCUT FOLLIES (1967) prefigures the abuses committed by the U.S. military at the Abu Ghraib prison in Iraq by some 30 years. That knowledge makes the film, already disturbing enough on its own, even more difficult to consider; it seems the brutalization of the prisoners at the Bridgewater State Hospital for the Criminally Insane plays out a power dynamic destined to be repeated time and again. Wiseman’s film is an unblinking catalog of the mistreatment that man can commit against fellow human beings who have been shorn of their free will. The most damning evidence of the complete moral failure by the state of Massachusetts to care for their charges came from the state itself, when the Massachusetts Supreme Court ordered the film banned and the negative destroyed on the grounds that Wiseman had violated obscenity laws and privacy concerns in making it. It took 25 years for that ruling to finally be fully overturned. What still remains to be resolved is how the cycle of prisoner abuse can be escaped. Following the screening, friend of Stranger Than Fiction Hugo Perez spoke with Wiseman. Click “Read more” below for the Q&A.
Stranger Than Fiction: I’d like to ask you about the circumstances making this film, and the legal situation that resulted when you tried to distribute the film.
Frederick Wiseman: I had permission, obviously, to make the film. You don’t parachute into Bridgewater in the middle of the night and leave at dawn. I had permission from the lieutenant governor, who was in charge of the prison system, the commissioner of corrections and the superintendent at Bridgewater. The lieutenant governor who arranged for me to make the film was Elliot Richardson, who went on to greater fame in Watergate and the Nixon Administration. When the film was finished I showed it to all of those people and they liked it. Then the reviews began to appear and the reviews were critical of the state of Massachusetts for allowing Bridgewater to exist. And a social worker who lived in Minnesota who had formerly lived in Massachusetts wrote a letter to the governor of Massachusetts expressing her horror at the fact that there were naked men shown in the film. It was the first the governor had heard of the film. The attorney general at that point was Eliott Richardson, because in the year between the time the film was shot and the time it was released Richardson had become attorney general. Richardson wanted to run for either governor or the Senate, and he thought his political career would be damaged when it became known he had been instrumental in my getting permission. He had the choice of either supporting the film and saying, yeah let Wiseman make the film because Bridgewater was a pretty horrible place and we wanted to have the public aware of it so perhaps the legislature would appropriate more money. But he made the other choice, which was to protect himself, and got an injunction preventing the film from being shown in Massachusetts. He tried to prevent it from being shown in New York and failed, because New York courts wouldn’t accept it. Then there was a legislative hearing to determine how I got permission to make the film, which was really an effort by the Democrats in the Massachusetts legislature to get Richardson. Then there was a trial in Massachusetts, and there were three principle points in the trial. First, that I had breached the privacy of Jim, the man shown naked in his cell. Two, that I had breached an oral contract giving the state editorial control over the film. And three, that the receipts should be held in a trust for the benefit of the inmates. I won on the trust issue, which was what they call a pyrrhic victory since there were no receipts. The court found that the right of privacy existed in Massachusetts. It was the first time the right had been found to exist in the state, because the right either exists as a result of the legislature, or common law tradition. The judge ordered the negative be burnt and described the film as a nightmare of ghoulish obscenities. The case was appealed to the Mass Supreme Court, which said the film had value, but could only be seen by limited audiences consisting of doctors, lawyers, judges, legislators, people interested in custodial care and students in these and related fields, but not the merely curious general public. I could show the film on condition that I give the court and attorney general’s office a week’s notice of any screening, and then file an affidavit after that everybody who saw the film fell into the class of people allowed to see the film. That would require a personal police force, so the film was never shown. Then, around 1973, there was a new attorney general for Massachusetts, and he amended the restraining order and allowed me to rely on someone else’s representations. So if a college wanted to show the film and represented to me that the audience consisted of the allowable class of people, I could then rely on that and file a requisite affidavit. So the film was shown quite a bit on campuses and in public libraries. And then in the mid 80s, the original judge died—there was a headline in the Boston Globe that read, “Titicut Follies Judge Dead.” I wasn’t disappointed to read that. I brought another case asking that a new judge reconsider. The new judge appointed a lawyer to investigate whether the showing of the film would harm the surviving inmates. At that point, there were 31 surviving inmates. He determined that if the film were shown it would not only not hurt them, but benefit them. The judge then said I could show the film if I blanked out the faces of the inmates. I refused to do that and appealed. He finally reconsidered and said the film was protected by the First Amendment, and the film was shown. I barely resisted when the film was shown in a theater in Boston to put on the marquee, “A Nightmare of Ghoulish Obscenities.” That’s sort of the short version of the story.
STF: In 1967, when you were shooting this film, did you have any idea that you would, on and off, spend 24 years fighting for your film to get seen.
Wiseman: No, of course not. Also, I was very naive.
STF: How did going through that experience affect your work in the future as a filmmaker?
Wiseman: It confirmed me in my view that Duck Soup was a documentary.
STF: One of the scenes in this film that I think catches everybody’s attention is the forcefeeding scene. The way that it’s edited, the parallel narrative—you’re cutting back and forth between the forcefeeding and the same inmate’s body being prepared for embalming. It was something that was not common editing.
Wiseman: Well I wouldn’t do it now, I think it was a mistake. It forces the issue too much. At the time, I thought it was terrific. But now it embarrasses me. It forces the issue in the sense that it’s too heavy handed editorially. It would have been better, I think, to show the force feeding, and then a couple of sequences later, show the guy being made up for his funeral. Then you could come to the conclusion yourself that he was treated better in death than in life. The way I edited it, it’s heavy handed.
STF: People refer to your work as observational cinema, or verite or direct cinema, and I understand that you don’t care for any of these terms.
Wiseman: Well, I don’t know what they mean. As far as I’m concerned, I make movies. That’s a good enough designation.
STF: Do you have a philosophy to your filmmaking?
Wiseman: Shoot a lot of film, and find the story in the editing. That’s very deep.
STF: Works for us. Over the course of your career you’ve made films at a lot of different institutions that, taken as a whole, give us a look at our entire society. Is there an important institution of our society that you haven’t been able to hit?
Wiseman: Oh yeah, lots.
STF: Any that you still think about chronicling?
Wiseman: The White House, the CIA, the FBI. You know, I’d never get permission. There’s an inexhaustible list of subjects. I don’t think even in one lifetime you could do all possibilities. Even if I’d started when I was six.
STF: I wish you had started at six.
Wiseman: Me too.
Audience: What happened to Vladimir?
Wiseman: He got out of Bridgewater maybe eight or nine years after the film was made. He then went to work in Brockton, Massachusetts at a supermarket and died a few years later. When he got out of prison I invited him to come and see the film. He liked the film, which pleased me. He was a nice man—the scene with Vladimir is really the key scene of the film as far as I’m concerned. It’s clear that Vladimir is sick, but it’s also quite clear that he’s not getting any treatment at Bridgewater, or any useful treatment, I guess.
Audience: Was the film begun as an advocacy project?
Wiseman: In the mid-70s, long after Richardson had gone to greater glory, there was a new prison built, and a lot of prisoners at Bridgewater who had been there for many years—some for 40 or 50 or 60 years—were discharged. The prison population went down from about 900 to about 350. They had a modern building and the medical and psychiatric services were provided by a consortium of the teaching hospitals in the Boston area. That persisted for a number of years, 15 or 20 years. Then the medical schools lost the contract and it was given to a group of private doctors. And I’ve been told, although I don’t know this from my own experience, that the quality of care has deteriorated. That’s what I heard, I don’t know that for a fact.
Audience: How did your experience with Titicut Follies change the way you approach the different institutions to get permission?
Wiseman: Well, I approached it the same way, in the sense that I asked for permission, and then afterward wrote a letter summarizing what my understanding was. And then I asked whoever I was dealing with, usually the head of the institution, to sign the letter, which became an informal contract which stated how the film was going to be shot, where it might be shown, how it was going to be edited, and that I would have complete control over it. In the Follies, I tried to get written releases from everybody, and I got them from many people. But there were some people that I didn’t get releases for, not because they refused, but because in the press of events I didn’t get them, by negligence really. At the trial, that was made to appear as if they had turned me down. For all subsequent films I never got written releases, but I get tape recorded consents. Sometimes before the sequence is shot, but most often after the sequence is shot. And that, in Massachusetts, is valid. I explain that I’m tape recording, and explain, basically, the same kind of things that are in the letter, and ask them to give their assent. It’s very rare that anyone turns me down.
STF: You studied law before becoming a filmmaker—
Wiseman: Well, my little joke about that is that I was physically present in law school. It’s the word study that I had a problem with.
STF: Do you think an understanding of the law is beneficial to filmmakers?
Wiseman: I think the fact that I went to law school sometimes intimidates people in contractual negotiations, but I don’t think it’s had any effect on the way I make the films or anything else.
Audience: Has your method of making films changed over the years, in regard to production and also in regard to how you carry yourself in the spaces you’re filming in?
Wiseman: Basically, it’s the same system. I’d like to think that over the course of the years I’ve learned something about how to make a film. And I think I’ve learned most about how to make a film because I edit them myself. When you’re editing one film and don’t have the shot you need, you tend to remember to get the shot the next time you’re out and in a similar situation. Basically, it’s pretty much the same system. Small crew, I don’t do any research. The shooting is the research. Shoot a lot of film, anywhere from—the least is 75 hours, the most is 250, and figure it out in the editing. I don’t even begin to think about structure until I’m seven or eight months into the editing, when I’ve edited all of the so-called sequences that I think might make it into the film. When I’ve got all those candidate sequences hanging on the wall, then I work out the first structure in three or four days. Then I have an assembly, and it takes me six or seven weeks to arrive at the final form of the film. At that point, it’s mainly working on the rhythm, the internal rhythm within the sequence, and the relationship between the sequences. Then the last thing I do is look at all of the rushes to see if there’s anything that I’ve forgotten that might solve a problem that I haven’t resolved.
Audience: When you were filming, especially when men were naked, did you ever feel moments of awkwardness, as if you were complicit in their humiliation?
Wiseman: No, I’d seen naked men before. No, I thought the fact that many men were kept naked in their cells at Bridgewater was an important part of the subject. There was no reason, for example, that they couldn’t have paper suits. The rationale for keeping them naked was that they were suicidal. A principle other reason was that they were incontinent, or some of them were incontinent. Some of them may have been incontinent in response to the way they were kept. But even if they were incontinent they could have been given a paper suit, because a paper suit is easy to take off. It was really that the guards objected, it was messier to deal with a fouled paper suit.
Audience: Do you follow the rest of the contemporary documentary scene, and if you do, what you think about other documentaries.
Wiseman: I don’t go to the movies very much, I don’t have time.
Audience: Obviously this was shot on film, was Crazy Horse also shot on film?
Wiseman: No, Crazy Horse was shot on HD. I can’t get the money to shoot on film. It’s hard enough to get the money to shoot on HD. There’s such an enormous difference. Forty-eight minutes of HD is about $40. And 48 minutes of film is about $1,100.
STF: You also previously made the jump to color from black and white for technical reasons, because the color stocks were faster. But do you ever get the itch to shoot in black and white again?
Wiseman: Near Death was shot in black and white, and The Last Letter, which is a fiction film, was also shot in black and white. I wanted to do Ballet in black and white because I thought it would be more stylized, I thought it would look better in black and white. But we looked at the rushes the first day shooting, and they were unusable because the light was so bad. We went back the next day with fast color stock and it was fine.
Audience: What period of time did you spend in Bridgewater?
Wiseman: Twenty-nine days over a period of three months.
Audience: I’m wondering about the follies themselves, and when you came over that. It’s just such an amazing built-in metaphor. Did you know early on that it was going to be the open and close of the film, the title of the film?
Wiseman: When I planned to shoot the film, I knew they were rehearsing and performing Titicut Follies. They did it annually, and they continued to do it after the movie was made, but they changed the name of the show. Titicut is actually an old Indian name and Bridgewater, the prison, was on Titicut Street. There’s nothing prurient about the title.
Audience: What was it like to shoot this movie, because watching this movie makes you feel kind of crazy? What was it like for you going to work to shoot?
Wiseman: It was really interesting. I basically couldn’t stay away. It was certainly a strange experience but it was a fascinating one. But that’s always the experience because all these worlds, which are the subject of the film, most of them, with the exception of High School and Basic Training, are new to me. The fact that you’re working is also a kind of defense against some of the horrible things that you’re seeing. That makes it easier to deal with emotionally.
Congrats! This is exciting.
I have a wonderful conversation on my blog with Astra—talented, talented woman!
Great essay, Thom. Many of us who write about books, serious literary fiction and literature in translation in particular, feel the same way; it’s a complaint commensurate with the shift/decline in print media.
Don’t discount blogs though. At least in the book world there are a lot of avid writers not only picking up where the old mainstream media left off, but finding new ways to critique and engage books (and pushing the blog format) – new online literary journals are popping up too, for the very same reason that there are more filmmakers: technology has reduced the barriers to entry. And now, former professional critics are becoming online critics, paid or not, and enjoying the freedom of the format and the connection with their audience that rarely existed in print. The result is an eclectic and vibrant mix of voices and I’d assert that if there’s an audience for doc films, which there is, then there’s the potential at least for the same sort of renaissance in doc-film criticism.
Bud Parr, blogger,
Words Without Borders
Nice going, Thom!
I’ve bemoaned the sad state of docu criticism on many occasions, but never really considered that there might be an alternative. Reading your piece made me realize what a boon reliably in-depth and insightful criticism would be to my work (and others’).
Maybe you should contact Pat Aufderheide. Now that she’s successfully revolutionized copyright, perhaps she can help fix things up in this arena. But seriously, I bet her Center could make a real contribution.
Thanks for opening eyes and pushing the field forward.
Thanks for the thoughtful analysis.
Problem is that we are dealing with “the Tyranny of Large Numbers”
When I was doing Network television in the early 60’s there were 4 channels- and a push from the FCC to do “ed B’castin” How does one do justice now to the abundance of programming bombarding us.
and more importantly-What in our contemp society encourages reflection, much less contemplation- we believe the lies because it’s easier than searching out the truth- and if they confirm our assumptions- so much the better.
But I, like you ,and thousands of others soldier on
—because even if unwanted or ignored- the pursuing of truth beauty and justice is our way of being in the world and I for one have no intention of changing course.
great essay Thom.
As a smalltown boy my own love of cinema was heavily reliant on film criticism. I didn’t have access to many of the films I was reading about (via by Pauline Kael, Ebert, and especially J. Hoberman, when I could find a Village Voice in Northern Ontario), but the writing fueled my interest and passion, and eventually led me to film school.
In Toronto, our best film critic, Geoff Pevere, become quite addicted to docs, and wrote incisively about them. I tangibly noticed what a difference it made in developing audience interest for the form here. Unfortunately we lost him to the Book Section!
But, I agree with Rosenbaum that sites like ROUGE (which is excellent) are picking up the critical slack, even if industry gossip sites continue get most of the hits.
Wow, this sounds great. Wish I had been there. Ever since I read her autobiography Dust Tracks on the Road, I have been obsessed with ZNH!
Also deserving a mention: the first Gucci Tribeca Documentary Fund Awards. Perhaps the fanciest documentary party ever, or, as one of the grantees commented, the scruffiest Gucci party ever. Not scruffy at all though.
Hey Thom, when are you going to head East and check out all the great stuff being made in East Asia? can’t you come to the Iron Horse, the Golden Horse or something?
Here’s a look back at the STFs I attended this past year:
As well as my own top 10 list:
Looking forward to the new season!
I spend most of my time reading and reviewing books, and interviewing authors. Engaging with the printed word is simply much more stimulating than watching 90% of the movies that are currently served up to the public..of the 10% that are worth thinking and writing about, I’d say most are documentaries…
This is, as you say, an interesting field in which to practice criticism; given the state of today’s media however, few are likely to be hired based on any particular knowledge of the documentary genre.
Good criticism is a function as much of what is criticized as of how the critic writes…and talented critics, when they have a choice, will always seek out the most challenging material, regardless of which medium it may appear in.
I saw VSPRS in Paris in October 2007 (on my honeymoon), and its was GREAT; I had no idea this was happening! Big fan of Sophie’s… glad to see PERVERT’S GUIDE get a run… and no idea she had done a VSPRS film…
Thanks for the update, Thom!
Great piece, Thom. Essential. A new doc criticism is necessary if only to encompass documentary filmmaking in countries like China, India, Africa and eastern Europe. Jia Zhangke, for example—Useless, 24 City—says he makes non-fiction films to stop the disappearing of images and stories and landscapes, endemic to postwar Chinese history.
Thanks Raphaela for your account of the festival. I read evey word and felt like I was there. You and Thom are the best. Hope Kevin and I will get to see you soon at IFC for a screening!
Happy New Year
Beautiful evening. I especially enjoyed the screening of the 12-minute short on “The First World Festival of Negro Arts” I loved how Greaves captured the optimism of that early period of African independence so well.
just read it – now am in tears. Britical you write so bloody well, I want 1000’s and more to read your words !
nice enjoyment had taken place i m feeling jealous.
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It was initially disappointing to see so many empty seats in that room the other night, for this will certainly turn out to be one of the real cinema-going treats of 2009, but the post-film Q&A;felt more intimate because of it (although that one dude telling Peter Davis what he did and didn’t stage was… well, I would rather not get into that right now).
Lucky for us, and shame on everyone else for missing out (though maybe Cannes had something to do with that?). It sounds like there are no immediate plans for Icarus to release the Middletown series in a more affordable DVD boxed set edition, but maybe if enough of us complain it will kick them/someone else into gear. After having only seen Seventeen and Second Time Around, this already stands tall as the Decalogue of nonfiction. I might consider lopping off a finger to see the others. Hopefully it won’t come to that.
It was mildly disappointing, I suppose, that the theater wasn’t jam-packed, but the real disappointment is that these films aren’t available on DVD. In an age when EVERYTHING is available for download or rental or Netflix, it’s inexplicable that we shouldn’t all be able to order up these six beauties with the touch of a button (and, okay, maybe a credit card).
As for the so-called ‘argument’ about what was staged and what wasn’t—with all due respect, you missed the point. It wasn’t that anything was staged, and no one, not I, who got the conversation started, and not the other dude in the row behind me (who I think is the dude to whom you’re referring), was suggesting that any scenes were staged, but merely the rather obvious fact that the actions of the subjects of documentary films are of course altered by the presence of the camera.
(My point, and I am happy to make it again, and complete it, is that the scene where the couple talks about how much money the guy spends on his stamp collection was in particular affected by the camera’s presence; that without a camera there, it is likely these two may not have recognized how silly and wonderfully trivial the conversation was; that they might not have laughed so charmingly about the whole thing… I think it’s one of the strongest scenes in a very strong film, and the moments of acute self-consciousness on both their parts contributes to the scene being so terrific.)
And by the way, not that it matters (and it doesn’t), but I happen to know that Peter Davis agrees with me on the larger point. Other families talked politics at the dinner table; as much as Dad may like to think we talked about politics too, what we really talked about was stuff like this.
Nice synopsis of the panel. It’s interesting that journalists trapped in the world of mainstream media have a very difficult time of portraying the news and the underlying message due to the pressures of the companies they work for. grand rapids lasik
<a > thancks </a>
this post very very helped me !
My vote for a great sports documentary goes to Blood, Sweat and Gears directed by Nick Davis
4TH AND GOAL – Coming soon. Sometimes the best is yet to happen.
Best Sports Doc? Blood Sweat + Gears Directed by Nick Davis
Thanks Thom for creating the CLIFF NOTES for the new indie distrib frontier. much much appreciated!! xo
I was at that IFP conference panel too and found it really fascinating. Thanks for filling me in on the TIFF and MoMa events. This is such a hot topic right now!
Zidane: A 21st Century Portrait would be near the top of my list; and maybe Speedo! (Why not)
Racing Dreams would also be worth some discussion—a great recent entry in the motorsports doc canon.
One of my faves is Quantum Hoops directed by Rick Greenwald.
How about that little diddy, “OLYMPIA”, by Leni Riefenstahl?
STF should start a dvd/streaming video platform!
“The box office on MRS GOLDBERG should be higher – except most of the tickets are at senior citizen prices.”
Hah! Great piece, Thom.
Raphaela & Thom,
We are all so happy for you both and expect to be updated on the big news.
Raphaela was radiant last night!
CONGRATULATIONS TO THE BEAUTIFUL FAMILY!!!
What do you mean ‘uncharacteristic’ profanity. Don’t be fooled by that sweet face . Bez looks like he’s saying “Thank you very much, but I would have preferred the warmth and comfort of ‘inside’ rather than being forced to endure the cold wintry American weather. Ah, but in the last two photos he seems more reconciled and perhaps comforted by being embraced in dad’s arms and snuggling up against mom’s warm breasts.
What an amazing production! Hope you will reap lots of benefit from your work…..
Looking forward to seeing you in Toronto (I hope) later this year.
Congratulations! Having recently concluded similar negotiations, albeit with the use of drugs (on the part of the father of the deal), we are glad to hear that yours was successful and not especially protracted, though, it probably did not seem that way at the time.
Congratulations to Thom, Raphaela, Bez and the Powershausen families!!!Wishing you health, quick recovery and the occasional bit of sleep.
What a production!!!!!
Without a doubt the best STF experience! Besos to both and congratulations!!!!
What a cutie! (no Thom, I was talking about Bez)This newest little addition is oh-so-lucky to be on board with a such great team. Welcome Bez!!
What a beautiful baby!!
CONGRATULATIONS!!!! What wonderful news! Welcome to the world, Bez! Well, if you’re not ready to compete with Nina Davenport on the home-documentation front, maybe you could just do a Nikita Mikhalkov and film him once a year on his birthday! xoxo
!!congratulations to the powershausen clan!! fantastic work on the delivery, rafferty of my heart! can’t wait to meet Bez soon
Congratulations to both of you!! Wonderful news! Mabrook!!
Congratulations, Thom and Raphaela. That lucky little guy’s got an incredible life ahead of him guaranteed, courtesy of two of the coolest parents he could’ve hoped for.—mark
You used the BEST Doula in all of Brooklyn. Congrats on the birth !
Pleased to meet you Bezalel!
You brought your charms into a really terrific family…AND you sure will woo your singing Grandmother.
We wish all of you lots of love and hugs!
Too cute! Congratulations to your family
Congratulations and Best Wishes Welcome Bez
We sit here with tears streaming down our faces as we first see our beautiful grandson, Bez, held by his daddy and mommy.
How blessed you are, Thom and Raphaela, and both families too, to have this precious gift of life in our midst. We laughed out loud when we saw the doula’s name was Meghan, the very Irish name we’d chosen had a second daughter been added to our family of Thomas, Patrick, Jr and Maureen. And so the greatest journey ever begins for Bez and his parents.
With hearts bursting with joy and gratitude to God, we send you our love.
Congrats, bro and sis! Such a beautiful baby. Shelley and I can’t wait to see him in NY in a few weeks.
Is it true that there is a bidding war for the Director’s Cut of the Bris?
Raphaela looks beautiful and glowing:) Great job, guys:)
Welcome Bez! And Mazel Tov to your parents. WE can’t wait to see all of your joyous faces in person
I have a feeling……. that Bez was already very present at our lunch last Sunday and – even more so -in the afternoon.
Please come soon to the farm and stay long!
ML and Horst
OHMYGOD THAT IS THE SWEETEST THING I’VE EVER SEEN!!!!!!!!!!!!!!
i love the name!!!!!!!
so feminist too!!!!
can’t wait to meet him!!!
jasper loves him already.
Mazel tov! You couldn’t have picked a finer pair of parents to, er, represent you. Or to develop you? Make you manifest, express you—whatever they did, Powers and Raphaela did it beautifully! We can see that you’re a serious fellow, but we do hope you take the time to savor these first few days.
I’m so excited for you both, you all three, and I can’t wait to see you. Congratulations and love.
Raphaela and Thom—Congrats and so glad everyone is doing well! Can’t wait to meet Bez and welcome him to the world—enjoy your precious miracle!
Congratulations Raphaela and Thom! Will Bez be moderating the next Q&A
We are absolutely thrilled for you three.
Welcome to the world little Bez—many kisses await you.
Suni and Stephan
Congratulations! So much has happened since I was first introduced to you two. I can’t imagine two better parents for this lucky boy.
A big big congrats!!
I look forward to meeting him.
So cute! Congrats!
Marvelous accomplishment! My best to baby, mother, and father. Also my nomination for “best press release.”
Welcome Bez! Warm congratulations to your parents Raphaela and Thom, and the PowerHousen families!
Being a parent requires a sense of humour. I would like to share with you a wonderful editor’s message from a Toronto parent magazine. It goes like this:
A parent’s job description, if it was advertised:
Parents Wanted – Apply Within:
Long-term team players needed for challenging permanent work in a chaotic environment. Candidates must possess excellent communication and organizational skills and be willing to work days, evenings, weekends and 24-hour shifts on-call.
The rest of your life! Must be willing to be hated, at least temporarily, until someone needs $5. Also, must possess the physical stamina of a buck mule and go from 0 – 60 mph in 3 seconds flat, in case screams are not someone crying wolf. Must maintain character and coordinate homework projects. Must be willing to be indispensible one minute and embarrassed the next. Must assume final; complete accountability for the quality of the end product.
Possibilities for advancement:
None! Your job is to remain in the same position for years, constantly updating your skills without complaining.
None! You pay them. A balloon payment is due when they turn 18, of the assumption that college will help them become financially independent. When you die, you give them whatever is left.
While no health or dental insurance, no pension, no tuition reimbursement, no paid holidays, and no stock options are offered, this job supplies limitless opportunities for personal growth, unconditional love, lots of laughter, and free hugs and kisses.
Raphaela and Thom, you are obviously up for the job! Mazel Tov!
All our love,
Stella, Kobi and Eitan
How wonderful! The world is already a better place. Congratulations, Thom and Raphaela!
The fruit of creation of your love that you have for one another is the perfect joy of having that baby boy cuddling warmly in your arms. Congratulations on the birth of your baby boy, BEZALEL!!)
My Best wishes!
Dearest Thom and Rafaela
Thom, your fathering an infant truly puts this event in the STF category. (You would probably respond that it’s Bezness as usual.)
Much love to both of you and Bez.
Congratulations Thom and Raphaela!
He’s beautiful and best of all—he’s only one!
felicitaciones! i hope our boys can meet one day soon!
Congratulations to you all – what wonderful news! And big big CHAPEAU for doing it all without silly interventions and drugs!!!
Welcome to the beautiful exciting world, Bez!
Lots of love from London
Mazel Tov !!!!!! We are all very excited by this wonderful news. Way to go Raphaela and Thom. We know that your parents, grandparents and all family members are elated. We look forward to seeing you in Toronto later this year.
Best wishes !!
BRAVO FOR BEZ!!!!! LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE LOVE to all 3 of you!!!!!!
What a brilliant article and an even more brilliant ending !!!
Can not wait to see you both and I am so very happy for you – congratulations .This is very exciting !!!
STF Groupie and Filmmaker
Raphaela and Thom, CONGRATULATIONS!!! What a beautiful baby. It’s so awesome, just 9 months of production… 20 years of distribution though!
We’re next in the production pipeline -hoping for an equally auspicious premiere!
Our best wishes,
Almudena and Robert
I remember reading a story in religious school in the ‘70’s about a kid with that name (the gentile teacher wanted to call him Butch or Buzzy), but google-fu is failing me as to who wrote it.
Dear Thom and Raphaela,
I love the blog post and the photos! I was distracted by my first visit to Sundance (spectating and meeting folks) and arrived home to read about the great news.
Congratulations and best wishes.
My warmest congratulations, Raphaelochka! Molodetz!
Your new Commander in Chief is great! Lots of joy, happiness and strong health for little Bez and his wondrful parents!
Very happy for you,
Madlena, Dima Kroshka’s mum.
Standing ovation. Much love to you.
What was the third doc about Russia?
BEZ!!! Congratulations Thom and Mrs. Thom! I have indeed been lost in the Sundance fog, but this is definitely the best news of the week. Very cool. Wishing you the best of luck and at least a little sleep.
And the winner for the best photo layout and script introducing a new actor with superb supporting roles for his parents…Bez! Congratulations! —Howard
Congratulations! What a gorgeous addition to the family!
Beautiful baby! I hope the furniture is ready. Can’t wait to meet Bez.
Matt, Alicia and family
Congratulations on the cutest baby ever and pretty much the best baby announcement too! Enjoy every minute!
Congratulations once again !!
This is the most unusual and a beautiful welcome note…would love to see him sometime.
Wow, how amazing. Congrats to the whole family!! Bez is adorable. Hold him tight, because he is going to grow up before you know it. We loved the announcement. Can’t wait for regular updates. Hope to catch up with you guys in the summer. All our love,
isn’t “The Cove” amazing? get involved and help save the dolphins!!! http://www.takepart.com/thecove
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On Wednesday, Kenner paid a visit to STF where the film played strongly on the big screen. Introducing the night, STF host Thom Powers noted that it was somehow fitting to hold the screening on the day when Lent begins “because this film will make you want to give up all food.”
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I enjoyed watching “The Kids Grow Up” and attending drinks afterwards (I usually have to head home!). FYI, the nurse in the photo is also documentary filmmaker Claire Panke.
Thanks for ID’ing me Theresa! I’m a documentary filmmaker AND a nurse – thanks.
Just came across this. Great idea, especially presenting work from radio, audio, photography, writing etc. Needed. We have noticed that some festivals are including audio documentary. Our little Fest in Dayton does that. Will tell our audio buddies out here and in the City to submit work.
Be sure to notify the SALT Institute in Portland Me. and the Duke Center for Documentary Studies…each have a focus on writing, audio and photo.
Cute baby photo.
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The link for the Season pass doesn’t seem to be working. Please let me know how I can purchase it.
Thanks and looking forward to another great season of STF.
Happy New Year!
We have also the pleasure and the honour to show it in competition at Ronda International Film Festival.
Planning to see almost all of these… great preview!
Thanks for this! Recently read “And the Band Played On,” so am looking forward to “We Were Here” in particular.
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I am currently writing a story based on Ukrainian/Russian historical events showing Soviet oppression and acts of crimes against humanity that existed during the 30’s through the 90’s. People, on whose life experiences I am writing, are also dismayed, to say the least, of the last of interest or apathetic attitude toward this part of history. I am attempting to heighten awareness, but it will take an army of people along with myself to accomplish this. It can be done, but it will only be accomplished through book writing, cinema and documentaries. I am a new writer and would welcome support in bringing my book,and hopefully many others’ to completion. This would then be a sedgeway for encompassing “a lost era” and show the world a more complete history. I am an optimist by nature, and the story I am writing is showing a journey of those who suffered, but went on to success and fulfillment in their lives.
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Thom, Chris and I spent 4 years of home room and a couple of German classes together. He was the first guy I met at Terry Sanford (that I did already know as he went to another middle school. We laughed for 4 years and after college would have a beer or three at a local pub called the Highlander. And although I haven’t seen him in a few years I followed his work through his pictures and along with other Fayetteville natives and classmates on FB. Your words ring true. I will remember his smile and his work ethic. He was truly a unique soul and I find it hard to explain why it has hit me so hard. I sum it like this. Several years ago when my life seemed to be falling apart I ran into him in Fayetteville. He seemed to know that I was going through something and he said “Hey Holtet, let’s get beer.” Sadly we didn’t. But I have remembered that day for a long time. You just don’t get the chance too have friends like that in your life very often. He will be missed. Thank you for your words..
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Don’t miss a single one. Get a season pass and spend your summer watching great films. Full line-up below.
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Using footage of explosions, charred bodies, and the leveled neighborhoods of the poor, The Panama Deception turns again and again back to the U.S. media’s sanitized version of the “intervention” .
The films preseved by the Registry are not just the big movies that appear on most lists.
While it may be obscure to us, for others it’s home where hundreds of Libyans have been killed in recent weeks. Chris, Tim and their colleagues were attempting to tell that story.
This article written by Aaron Cael, while well-informed in its correct views of the film, is wrong in the lack of respect shown in its final sentence: “the game of international politics that will likely keep his grandfather imprisoned for life.”
While my grandfather is currently serving time in Paris, against all Geneva Conventions, without evidence against him, on behalf of the United States Government, the actions currently being taken by the President of Panama Ricardo Martinelli and the current Secretary of State Hillary Clinton make his safe return to Panama imminent. While it was supposedly assumed that the United States should have had no role to play after the completion of his sentence in Miami, all actions point the opposite, and Barack Obama’s current Democratic presidency has to make up for the Republican scheming in the respect of my grandfather’s case.
Despite the use of the word ‘likely’ in the final sentence of this review, this sentence not only provokes unnecessary drama to my requested participation in the screening, but it also takes part in the deception of the media that the film discusses at length by suggesting a continued lack of justice.
-Jean Manuel Beauchamp
Cool post! How much stuff did you have to look up in order to write this one? I can tell you put some work in.
this film is a fantasy and not the realty .but people would like to take into consideration and have a rdeam with it.
i’m crazy about the New York’s film and the polts are so attractive to me.
i must have to see “Between Two Worlds”,and i know it won’t upset me.
i’m crazy about the New York’s film and the polts are so attractive to me.
i must have to see “Between Two Worlds”,and i know it won’t upset me.
Chinese history is all ethnic groups of China education and the development history of Christmas. It developed the feudal society, has created the world’s highest civilization contemporary. But when some areas into western capitalism, especially when the western capitalist powers after China invaded China, more and more behind. In 1911 the revolution to overturn the monarchy and establish China, China won the new starting point forward. In 1949, the People’s Republic of China opened up in the socialist road on the prospect of the rejuvenation of the Chinese.
Judaism is the world’s three largest a belief in god, the first and the most ancient religion, also is the jewish people’s way of life and faith. Judaism commandments and doctrine, mainly from pull, namely “the bible’s first five books. The most important teachings, Judaism is only one god, and eternal god is invisible. He let all the people, to do righteousness, good, because god in his mercy image made man, so people should have a dignity and respect to. The jews to study and prayer to serve god, and Moses directed on five through the commandment. For the holy covenant believe that, the jews believed that this was god’s call to them, they also is the world witness, their mission. But not for other ethnic groups that Judaism are redeemed and must accept her religious beliefs and worship the way; The world will because it has done a judgment, and, not for what it believed “and judgment; All the righteous nation all share the coming world peace. Therefore, Judaism and is not a positive missionary religion. Jewish church of teh, to accept the provisions of the authorities must comply with Judaism, because a person to convert to Judaism wasn’t just ego identity things.
These Amazing Shadows, an 88-minute documentary, tells the history and importance of the Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself. The current list of 550 films includes selections from every genre – documentaries, home movies, Hollywood classics, avant-garde, newsreels and silent films. These Amazing Shadows reveals how “American movies tell us so much about ourselves…not just what we did, but what we thought, what we felt, what we aspired to, and the lies we told ourselves.”
Almost every soldier in Iraq has been involved in some sort of incident like that or another, I would say. Their attitude about it was grim, but it wasn’t the end of their world. It was, “Well, kind of wished they’d stopped. We fired warning shots. Damn, I don’t know why the hell they didn’t stop. What’re you doing later, you want to play Nintendo? Okay.” Just a day’s work for them. That stuff happens in Iraq a lot.
The fantastic requires the fulfillment of three conditions. First, the text must oblige the reader to consider the world of the characters as a world of living persons and to hesitate between a natural or supernatural explanation of the events described. Second, this hesitation may also be experienced by a character; thus the reader’s role is so to speak entrusted to a character, and at the same time the hesitation is represented, it becomes one of the themes of the work—in the case of naive reading, the actual reader identifies himself with the character. Third, the reader must adopt a certain attitude with regard to the text: he will reject allegorical as well as “poetic” interpretations.
The cycle of abuse concept is widely used in domestic violence programs, particularly in the United States. Critics have argued the theory is flawed as it does not apply as universally as Walker suggested, does not accurately or completely describe all abusive relationships, and may favor ideological presumptions over empirical data.
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Better This World is really a very nice film .It’s a fantastic film which is powerful and provocative.I watched it a couple of days ago and it provoked a lot of feeling.i was shocked when i watched it the two gugs into the situation. SO cool. Thanks for your sharing and i like it very much.
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The Stevie is awesome.it really affected me, especially the two women Tanya and Patricia. Their wisdom was quite affecting.I like it very much and makes me think more about the life.Thanks for your sharing.
This film is very intersting which is played like a 70s R&B/Soul field trip to Africa, which is also the most place attracts me.It has the flashbulbs, press conferences, backstage camaraderie and amazing performances that a concert film with a narrative arc promises and does it better than most.I like it very much .Thanks for your sharing.
What the film really moved me is the questions it raises regarding the role the government itself plays in creating these so-called terrorists, and the complicity of law enforcement informants acting as agents provocateur. It reflect the truth and give us more sypathy with it. This film is really good and thanks for your sharing.
i can learn from You’ve Been Trumped,which reflect the Trump’s development of a massive golf resort in an ecologically sensitive sand dune region in Scotland, and returned with a chronicle of his outright hostility to the plight of a small group of nearby property owners deemed by the business tycoon as a threat to his development.This must be a greed world and we have to be more self-contrled and have a sypasy towards life. Thanks for your sharing and it’s a very nice film which can give us more thoughts.
Nice voice！I mean，Dixie Chicks always sing beautiful songs，And as we all know they often have their own position and political view，too。funny!But who does not？In this country people can support different parties whatever they like.I would like to see this film regardless of the politics.By the way,I really love their music！Thans for sharing！
The trouble was, “16 in Webster Groves” wasn’t verité…. The producers came to town to film their (mistaken) hypothesis that 16-year-olds longed for adventure, but THESE 16-year-olds were a bunch of conformists who wanted a nice house and a nice family. They got the ages wrong— OLDER young people want that.
Apparently the producers didn’t have teens of their own, or didn’t pay attention to them.
As I recall, the film focused on large, impressive homes—not the tiny ranch house in which one of the most popular talking heads lived.
I had gone to Webster Groves High School a few years before “16 in WG” was filmed. It was a thrill to see the excellent photography capture the personalities of my teachers, and the self-satisfied energy of the Glee Club under the charismatic “Miss Rep,” singing, “This is my country, land of the free”—which I always found irritating.
But the manipulation and lazy political correctness of this TV show shaped my own writing and reporting in the opposite direction. Approach your subject with an open mind, gather information and viewpoints, and THEN tell your story.
Stlelar work there everyone. I’ll keep on reading.
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Thanks Aaron – that’s such a thoughtful post.
Thank you for sharing this and helping inform the public about this tragedy.
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Broken link on the IFP / Adam Bowers post.
Who needs to spend hours scrolling through twitter when it’s all here in one bite-sized chunk. Great work!
P.S. Berlinger and Sinofsky were robbed!
Frequent STFer Hemal Trivedi was editor on Saving Face! Congrats to her and the team.
Hey Tim. I just tried the Bowers link and it seems to be working now. Thanks for reading all.
I want to echo some of the earlier comments – great job Rahul! Love that I can find a wrap-up of all recent doc news in this Monday Memo.
TheReview Hi There!, I’ve gone ahead and bookmarked your page on Digg so my ierfnds can see it too. I simply used your blog title as the title in my bookmark, as I figured if it’s good enough for you to title your blog post that, then you probably would like to
3) Take another look at the ofgtaoe and the way people are conducting themselves. Having a great time, doing the costume thing, saying farwell to the flesh before Lent. But NOT being obscene, obnoxious, or causing others to feel a need to be concerned for their safety or the safety of our children. It doesnt matter where you stand on the route in New Orleans, if the thugs havent shown up en masse before you get there, wait 5-10 minutes and a crowd will show.
Bruce and Patty due so much for there community and staff, I oewkrd for patty for 8 yrs and they are awesome people, I have seen many shows weather it be a christmas party or a concert in asbury or in ny. They always give a 110% to there family friends staff and fans. Anything they do will be great, also patty has some great musice out there and a very destintive voice, Her music deserves more credit , and behind every great man is great a great women/
http://bruggertheambassador.blogspot.com/ explains why THE AMBASSADOR is not a documentary nor a mockumentary, and reveals the inconvenient truth behind the story about what was left out.
Funding docs ALL OVER. Founding sponsor Channel 4. Partner w/ Bertha Foundation, w/ Sundance on #GoodPitch and w/ PUMA.Creative on Catalyst & Impact Awards. Wow
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Hi Ken, An equally smart man such as yuorself should be able to engage in debate without misquoting the other person. At no stage did I refer to carbon trading as an innocuous tool, so please give me the courtesy of not putting words in my mouth. I spoke of it as a tool e.g a scalpel is a tool: hardly innocuous, and capable of being used for great good or great bad depending on how it is employed.It would also be good if you engaged in the discussion, and the different elements that need to considered, rather than bypassing the detail and pointing solely at polemics that agree with your position. Of the two webpages you provided, one wouldn’t load and you should read the other one more closely. The Greenwash Awards site comments that carbon trading has failed to reduce carbon emissions, because there are too many carbon credits in the system. Good comment but doesn’t that also identify a clear way of revising the system? I realise we’re in a throw-away society, but discarding the whole idea because it doesn’t work perfectly at the outset seems very hypocritical, especially when the problem has been identified.The same site goes on to say that business backed carbon trading and offestting as the main ways to reduce greenhouse gas emissions –allowing them to evade actual cuts . I agree 100% that it is ridiculous if such a system allows business to keep polluting as usual . That’s why I clearly stated that any carbon trading tool needs to be coupled with methods addressing other parts of the problem (i.e. reducing emissions). Without doing that, and without realistic caps, a carbon trading system does absolutely nothing.In flagging these concerns and again I freely acknowledge that there are concerns and issues that need to be addressed with carbon trading no one has yet answered my question above: i.e. what is better: current world fossil fuel consumption PLUS burning forests, or current world fossil fuel consumption WITHOUT burning forests? As I also stated, it might not be perfect, but it’s a major step in the right direction *while* (and that’s a key word) the other parts of the problem are being tackled.Being informed is about more than accepting other views without question. Perhaps a bit more engagement and research would help from yuorself, rather than simply relying on what the web is telling you. If we wait for everything to be perfect, it will never happen. In the meantime, positive work is underway on ground in Aceh whether that is happening in an ideal world or not.Best wishes,Niall.
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I find this hoopla over the NC17 to be quite silly. Here’s the deal: the MPAA is an uanifr organization marked by poor priorities, terribly consistency, and rendered completely stupid by the fact that it’s actually run by the big studios. The application of the NC17 is inconsistent at best and irresponsible at worst, but let’s face it, Shame is very much and NC17 movie. It’s a movie for adults and not at all for young teens or children.The issue then becomes the stigma, which I reject completely. This is a capitalist world and in the end it all comes down to money. The kinds of films that traditionally get NC17 ratings are not big blockbusters. They’re usually films that would get limited advertising for a limited release anyway. And guess what, if Shame gets a lot of awards buzz and a lot of interest from mainstream viewers, advertisers and theatre chains will make sure to get in on that money. The fact is, most ordinary people don’t even know what the NC17 is, so any stigma is crap. Completely manufactured and amplified by the fact that there are so few NC17 movies, they are usually given the rating for sexual material, and the films that get the rating usually wouldn’t play outside of the four or five major markets anyway.
Hi Wayne,Yeah watching the soduim is, what I think, the first step in the right direction. You should at least feel your pressure in the ear going down by that. I would also recommend you to watch coffee and alcohol. I personally feel a correlation between my Meniere’s and Alcohol more than with coffee or salt. Let’s say, if I drink 2-3 beers on empty stomach (after work) I can bet that my ear is getting worse if not that night, than the next day. So, salt, coffee and alcohol. And smoke. Cigarette smoke is also well known to affect the ear. About the ringing in the ear: Tinnitus is very difficult to treat. I personally don’t know of anything except acupuncture. And that’s something, if you read my last article there, I am just trying out. Now with Acupuncture that’s one of these things: 1. You need a good Acupuncturer otherwise the symptoms will not improve 2. In traditional Chinese Medicine they treat Meniere’s with Acupuncture EVERY day you can guess that this is something very unlikely achievable for us here. So, for the ringing but also for the overall improvement of your Meniere’s I would say find a good acupuncturer and try to create a short, frequent treatment. With that I mean 3 times for 1/2 weeks. I had 2 treatments and my dizziness attacks (I had for some reason 4-5 last week) disappeared and I feel less pressure in my ear. I do still have Tinnitus and hearing loss is pretty bad. But I am going to write an entry about that experience soon Mate, good luck with that and let me know how you are going and write me your experiences!
Tarkovsky is my favourite dietorcr so I own all of his movies (all 7 of them) from Kino International to Criterion versions. I own the book that Stalker’s loosely based on, Roadside Picnic , and I’ve played the 3 PC games that were inspired by the film. :O)The reason behind why I’m not a Godfather fan is because I don’t like the Italian mob. Cosa Nostra et all really bother me because of the Italian cliche9s that has resonated throughout the decades and the whole living with your mother who cooks spaghetti for you, etc is an annoyance. I also hate the you mess with one of us you, mess with all of us ideal because I believe that everyone can fight their own battles, which is why I much prefer the Yakuza; they almost never get into fights because they’d end up in wars and bloodshed. I’m going to rewatch The Godfather one day just so I could watch the second at one point in my life. I’m told that the first two films are basically one long movie and that the third’s the epilogue. Again, I hate the Italian mob so I’ll need to get in the mood. But Goodfellas is a movie that I love. It’s not mainly about the riches and the power, it’s about the hard work that goes into being a footsoldier and that I can relate to.I also didn’t like Pacino in the first Godfather film; I thought that his performance was decent at best but also that his character would not have become the Godfather that he turned into because I didn’t see it in his character to become that. It was lacking the portrayal. But that’s just me, and now that I’m far more experienced in movie watching I may enjoy it more, especially its cinematogrphy.
Hi Thom- I will also be there acquiring documentary films and selling our doc catalogue worldwide. Just acquired Joel Katz’s WHITE: A MEMOIR IN COLOR, Dani Menkin’s DOLPHIN BOY, Vic Sarrin’s DESERT RIDERS, David New’s TEACHING THE LIFE OF MUSIC, a film called THE LAST NAZI HUNTER, a new feature doc GREENWICH VILLAGE;MUSIC THAT DEFINED A GENERATION, “THEIR EYES WERE DRY”, Gabrielle Pfeiffer’s A POET ON THE FRONTLINE, THE HOUSE OF SUH,…and many more! Love to you and to Rafaella!!
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I saw both documentaries recently and they are absolutely excellent and so accurate about the reasons why so many Thai women end up with western husbands. Thailand is a hard country to live in if you are poor as there is no social service net, so you can’t blame the women doing what they do to help their children hopefully have a better life.
It was also nice to see a film that really did put the western men it followed in a good light, as it showed they were only trying to find someone to love which, let’s face it, isn’t a bad thing :)
Congratulations!!!! So happy for both of you- Love, Johanna
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المعلومات تابعونا عبر
0500296699 – 0112277479
اذا كنت ترغب في تنفيذ حملات صيانة لاجهزتك الكهربائية لا تتجه الى اي شركة اخرى وسارع في الاتصال برقم توكيل فريش وتمتع بافضل صيانة وافضل اجهزة تعمل بشكل سليم وامن للمزيد تابعونا عبر
لمزيد من المعلومات حول شركة نقل عفش في جدة بأرخ الاسعار , زوروا موقعنا الان . واتصلوا بنا
شركة الاخلاص والامانه هى افضل شركة تقوم بنقل عفش فى مكة وبارخص الاسعار , اتصلوا بنا الان .
0550018083 _ 0565277186
اقوى عروض رحلات الغردقة باقل الاسعار واعلى الخدمات وحجز في فنادق فخمة مجهزة بكافة سبل الراحة والمتعة لك عميلنا العزيز ..
للاستفسار يمكنك الاتصال على الرقم التالي :
افضل مركز لتعليم معادلة كلية هندسة باقل الاسعار واعلى الخدمات لما لدينا اساتذة ذو خبرة عالية
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[URL=”http://www.companysaudiarabia.com/”]عزل مائي وحرارى للاسطح[/URL]
مراكز صيانة الكتروستار تقدم خدمات مميزه جدا لعملاءها ومستخدمي اجهزة ماركتها ومن مميزات المركز انخفاض تكلفته عن كثير من المراكز المعتمده
تعتبر شركة اجازتنا واحدة من افضل الشركات المتخصصة للكثير من خدمات عروض شرم الشيخ مع شركة اجازتنا لدينا الكثير من الخصومات الكبيرة والاعمال المميزة التى نقدمها الان اليكم من على موقعنا المتميز والرائع, خصومات كبيرة جدا نقدمها الان اليكم رحلات شرم الشيخ باسعار ميمزة جدا تناسب الجميع
تعتبر شركة مثلث الفرسان واحدة من الشركات الكبري المتخصصة للكثير من اعمال وخصومات افضل شركة نقل عفش بجدة باسعار مميزة جدا لدينا افضل الخصومات الكبيرة والاعمال المميزة من على موقعنا المتميز والرائع افضل شركة نقل اثاث بجدة اسعار مميزة جدا نقدمها الان اليكم من على موقعنا
موقعنا واحد من المواقع المتخصصة فى مصر المسؤلة عن شركة امن وحراسة افضل الخصومات الكبيرة من على موقعنا المتميز اعمال مميزة جدا نقدمها الان اليكم من على موقعنا شركة حراسات خاصة خصومات كبيرة جدا نقدمها الان اليكم من على موقعنا المتميز خصومات رائعة نقدمها الان اليكم
شركة الهامة واحدة من الشركات المتخصصة فى اعمال نقل العفش فى جدة باسعار مميزة جدا تناسب الجميع خصومات كبيرة جدا نقدمها الان اليكم من على موقعنا
الشاحنات التى نقدمها اليكم مجهزة افضل شركة نقل اثاث بجدة من الداخل والخارج حفاظا على الاثاث داخل الشاحنة تمتع بخدمة نقل عفش منزلك مع شركات نقل العفش بجدة مع افضل شركة نقل عفش بجدة شركة الخيالة الشركة المتخصصة شركة نقل عفش بجدة فى نقل الاثاث بجدة شركة نقل اثاث بجدة ومكافحة الحشرات
ال صالح لنقل الاثاث
افضل شركة نقل عفش بالدمام
اذا كنت خائف على اثاث منزلك من الكسر والخدش فلا تتردد فى الاتصال بشركة ال صالح شركة ال صالح لا تدع مجالا للخطاء فهى لديها فريق مدرب يؤدى عمله باتقان واسلوب محكم انها
افضل شركة نقل اثاث بالدمام
تقدم خدماتها ويسعدنا اتصالكم.
شركة ال صالح تقدم الكم خدماتها فهى
افضل شركة نقل عفش بالدمام
, تقوم بتغليف وفك وتركيب الاثاث وشحنه الى اى مكان بدون اى عواقب او اخطاء ,حيث ان لديها افراد مختصين وادوات شحن متطوره ,فنحن افضل شركة نقل اثاث بالدمام واسعرنا مميزه لن تجد لها مثيل ,سنصلك اينما كنت لا تتردد فى الاتصال